Lecture 15
The Arts and Economic Development Criticisms of Economic Impact Analyses
Professor Julia Lowell lowell@econ.ucsb.edu Spring 2012
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Lecture 15 The Arts and Economic Development Criticisms of Economic - - PowerPoint PPT Presentation
Lecture 15 The Arts and Economic Development Criticisms of Economic Impact Analyses Professor Julia Lowell lowell@econ.ucsb.edu Spring 2012 5/ 23/ 2012 Econ 191ac -- Lecture 15 1 Outline: Lecture 15 Where we are now in the syllabus
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Let each of your team members be responsible for one of the following tasks for your 2 cities: 1. I dentify the relevant state and local art councils (may be more than one local council). What kinds of organizations/ activities do they fund? 2. I dentify private foundations that operate there. What do they fund? 3. Find as many artists’ membership organizations as you can 4. Find organizations that are focused on particular ethnicities, cultures and
5. What are the primary industries/ biggest companies? 6. Key cultural events/ activities/ places? (What should a visitor do?)
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– Try Lexis-Nexis – Chamber of Commerce – www.city-data.com – Check to see how variables are calculated; for example, does employment number represent local employment? (ex: Miami employment in cruise ships?)
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– If you want to use another software program, please check with me to see if my machine will run it
– Plus links to Internet
– Choose people who want to do it/ are good at it
– But I recommend that one team member be in charge of integrating the full presentation
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private, super-wealthy Econ191 Foundation
– The committee’s job is to evaluate proposals from cities seeking cultural program grants – Your team is presenting rival proposals from two cities to the Executive Director of the Foundation, Jae Low – The grant will fund a cultural festival that involves some local cultural insitutions (e.g., art museum, symphony, jazz club)
– Provide some background on each city – Describe the organizations involved in each proposal – Explain how each city might benefit from the proposed project, including an mini economic impact study – Recommend which of the proposed projects (which city) should be funded and explain why
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– Provide information on each city’s size, demographic composition, industry base, & other info relevant to your recommendation – Side-by-side comparison charts & tables may be good here
– Provide data on revenues & employment of the relevant cutural
– Provide information on possible funding partners for the Foundation (local arts council? other private funder in the area?) – Provide info on orgs and groups likely to be featured in festival/ fair -- local amateur artists groups? Culturally-specific groups (eg, Tajik-Americans?)
– Who will benefit from the grant? How? – As available, provide data on participation and tourism; describe production chain (creator to consumer) to capture economic impact
– Conclude with your recommendation on which project/ city should be funded & explain why
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1. The theatre company buys $1000 worth of materials from a hardware store
2. $600 on roof repairs 3. $360 at the caterers 4. $216 to SoCal Edison 5. etc.
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Core Visual Arts Sector Other Sectors Artist Consumers Suppliers of arts-related inputs Government Art museums Benefactors and patrons Commercial galleries Other domestic industries Other retail outlets (auction houses, arts fairs & festivals, etc.) External sector (exports and imports) Education & training institutions Infrastructure orgs (professional artists’ service organization, brokers, etc.)
5/ 23/ 2012 Econ 191ac -- Lecture 15 26 Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004
5/ 23/ 2012 Econ 191ac -- Lecture 15 27 Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004
(Art Museums ) (Art Museums )
5/ 23/ 2012 Econ 191ac -- Lecture 15 28 Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004
in A$ millions
– E.g., subcomponents of visual arts core sector include artists, art galleries, museums, etc.
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– E.g., artist purchases of art works from galleries – plus – Gallery purchases of art works from artists
– If galleries buy more from artists than vice versa, then net flow is – Gallery purchases of art works from artists less artist purchases from galleries
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5/ 23/ 2012 Econ 191ac -- Lecture 15 31 Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004
Net Flows (A$ millions) To: From Suppliers Artists Museum Gallery Retail Art Educ Infrastruc Consumr Govt Benefactr Other External TOTAL Suppliers 1.4 78 79.4 Artists 49 1 16.3 102.8 169.1 Art Museums 3.6 18.3 7.3 73.4 3.7 106.3 Galleries 3.5 29.2 26.7 59.4 Retail Arts 16.9 2.3 69.8 89 Education 3.3 23 36.2 62.5 Infrastructure 22.7 22.7 Consumers 20 69.6 24.6 51.4 68.8 9.9 5.4 18.5 268.2 Govt 72.9 0.7 52.6 15 141.2 Benefactors 3.4 8.8 1.3 13.5 Other industries 268.2 121.2 13.5 6.7 409.6 External 8.7 20.2 28.9 TOTAL 79.4 169.1 106.3 59.4 89 62.5 22.7 268.2 141.2 13.5 409.6 28.9
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Art Museums
Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004
7 Other Domestic Industries 269 121 Benefactors 3 9 78 100 External Sector 9 70 20 7 3
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Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004
Expenditure Percentages To: From Suppliers Artists Museum Gallery Retail Art Educ Infrastruc Consumr Govt Benefactr Other External TOTAL Suppliers 2% 98% 100% Artists 29% 1% 10% 61% 100% Art Museums 3% 17% 7% 69% 3% 100% Galleries 6% 49% 45% 100% Retail Arts 19% 3% 78% 100% Education 5% 37% 58% 100% Infrastructure 100% 100% Consumers 7% 26% 9% 19% 26% 4% 2% 7% 100% Govt 52% 37% 11% 100% Benefactors 25% 65% 10% 100% Other industries 65% 30% 3% 2% 100% External 30% 70% 100%
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Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004
Revenue Percentages To: From Suppliers Artists Museums Galleries Retail Art Educ Infrastruc Consumr Govt Benefactr Other External Suppliers 1% 19% Artists 62% 4% 12% 25% Art Museums 5% 11% 12% 18% 13% Galleries 4% 17% 7% Retail Arts 10% 2% 17% Education 4% 14% 9% Infrastructure 6% Consumers 25% 41% 23% 87% 77% 16% 24% 64% Govt 69% 1% 84% 66% Benefactors 2% 8% 6% Other industries 100% 86% 100% 23% External 5% 23% TOTAL 100% 100% 100% 100% 100% 100% 100% 100% 100% 100% 100% 100%
– Note: This is a “within core sector” breakdown
– Note: This is a “core sector component” to “local non- core sector” breakdown
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Category Principal Revenue Source Principal Expenditure Recipient I nput suppliers Artists (62% ) Other industries (98% ) Artists Other industries (49% ) Other industries (76% ) Art museums Government (62% ) Other industries (72% ) Commercial galleries Consumers (65% ) Other industries (50% ) Other retail Consumers (53% ) Other industries (83% ) Education Government (80% ) Other industries (55% ) I nfrastructure orgs Government (55% ) Other industries (84% )
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Source: D. Throsby, “Assessing the Impacts of the Cultural Industry,” May 2004. Calculations are for Australia.
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1. “Leakage” problem: Not subtracting non-local uses of funds from budget (target organizations spending outside region) If it isn’t spent in the local economy, it won’t contribute to local jobs and growth This includes funds that are saved
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1. “Leakage” problem: Not subtracting non-local uses of funds from budget (target organizations spending outside region) 2. Substitution problem: Not accounting for substitution among activities (consumers would have spent money on other local activities) Want to distinguish between “new spending” and regular spending. If money spent at a festival simply replaces money that would have been spent at the movies, there is no net gain to the local economy.
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1. “Leakage” problem: Not subtracting non-local uses of funds from budget (target organizations spending outside region) 2. Substitution problem: Not accounting for substitution among activities (consumers would have spent money on other local activities) 3. Attribution problem: Assigning credit for all visitor spending (on hotels, restaurants, retail etc.) to target institution or event If Miami is holding a festival on the same weekend as it hosts the Super Bowl, can’t attribute all visitor spending to the festival!
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1. “Leakage” problem: Not subtracting non-local uses of funds from budget (target organizations spending outside region) 2. Substitution problem: Not accounting for substitution among activities (consumers would have spent money on other local activities) 3. Attribution problem: Assigning credit for all visitor spending (on hotels, restaurants, retail etc.) to target institution or event 4. Modelling problem: Input-output relationships derived from expenditure data are static, may not apply to particular event/ organizations The constructed expenditure percentages typically come from a single year—which may have been an outlier. No reason to believe that these percentages will hold in every year, or even every month.
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1. “Leakage” problem: Not subtracting non-local uses of funds from budget (target organizations spending outside region) 2. Substitution problem: Not accounting for substitution among activities (consumers would have spent money on other local activities) 3. Attribution problem: Assigning credit for all visitor spending (on hotels, restaurants, retail etc.) to target institution or event 4. Modelling problem: I nput-output relationships derived from expenditure data are static, may not apply to particular event/ organizations 5. Aggregation problem: Extrapolating derived local impact to regional, state or national level results in derived “gross domestic product that is much greater than actual I f all of the economic impacts for the organizations in a city were added up, they would be much larger than the city’s actual economy. Also, can’t extrapolate local results to larger geographic area because of leakage and substitution problems (“external” sector no longer external when geographic area is increased)
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1. “Leakage” problem: Not subtracting non-local uses of funds from budget (target organizations spending outside region) 2. Substitution problem: Not accounting for substitution among activities (consumers would have spent money on other local activities) 3. Attribution problem: Assigning credit for all visitor spending (on hotels, restaurants, retail etc.) to target institution or event 4. Modelling problem: Input-output relationships derived from expenditure data are static, may not apply to particular event/ organizations 5. Aggregation problem: Extrapolating derived local impact to
that is much greater than actual 6. Verification problem: Not verifying results ex post (what happens when funds go away?) If these organizations/ events are really contributing so much to the local economy, there should be equivalent negative effects when they are gone or over. No one ever looks at this.
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– Can’t measure importance by economic size alone
– Does not include non-economic externalities
spending shifts
– Public spending on arts may mean less public spending on other things – Public spending may displace private spending
– Increased spending simply leads to higher prices
tax-financed government subsidy—need to make sure that social benefits are generated (that is, that the funded activity
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Core Visual Arts Sector Com ponents Other Sectors Artists Consumers Suppliers of arts-related inputs Government Art museums Benefactors Commercial galleries Other domestic industries
Your job is to construct an input-output table for Santa Teresa’s visual arts
The steps are: (1) From the aggregate flow-of-funds table, construct a net flow-of-funds table (2) From the net flow-of-funds table construct two percentages tables (3) From the percentages tables, tell me the:
components
sector components
US $ thousands
To From Artists Suppliers Museums Galleries Consumers Govt Benefactrs Local Ind TOTAL Artists 300 100 100 50 300 850 Suppliers of arts inputs 150 200 350 Art museums 300 150 75 75 600 Commercial galleries 250 250 Consumers 100 100 500 700 Government 50 300 310 660 Benefactors 100 200 300 Local Industries 50 50 700 285 300 1385 TOTAL 850 350 600 250 700 660 300 1385
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I will put an Excel file with this information on the class website. Wait for it.
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The task is for team members to create some (2-3?) stylish Powerpoint slides covering the following: (1) Population and demographics of your two cities (2) General industrial composition of your cities (tourism? agriculture? entertainment? education? manufacturing?) plus biggest employers (3) Proposed festival/ fair featuring prominent artists, arts
(4) Possible funding partners for the Econ191 Foundation– where are they, what do they fund?
The slides should be sent to your team coordinator, not to me, by Wednesday am. I will contact him/ her about them.
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The task is for team members to create stylish Powerpoint slides covering the following: (1) Population and demographics (2) General industrial composition plus biggest employers (3) Festival featuring artists orgs, neighborhood & cultural groups (4) Possible funding partners for the Econ191 Foundation
You should be w orking together w ith your team m ates to create these slides – share your inform ation and ideas, because you w ill probably also be sharing your grade w ith these people! I f one person has taken responsibility for a particular task, have at least one other person take a look at his
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The task is for team members to create stylish Powerpoint slides covering the following: (1) Population and demographics (2) General industrial composition plus biggest employers (3) Information on museum and orchestra (4) Festival featuring artists orgs, neighborhood & cultural groups (5) Possible funding partners for the Econ191 Foundation
Rem em ber that your goal is to m ake each city look as good as possible for the com m ittee. This is partly a m arketing pitch. So you w ant som e nice im ages. And w hile your inform ation about the m useum , sym phony, artists and cultural groups should include statistics, it should not consist solely of statistics.