Image Formation CPSC 453 Fall 2018 Sonny Chan Outline for Today - - PowerPoint PPT Presentation

image formation
SMART_READER_LITE
LIVE PREVIEW

Image Formation CPSC 453 Fall 2018 Sonny Chan Outline for Today - - PowerPoint PPT Presentation

Image Formation CPSC 453 Fall 2018 Sonny Chan Outline for Today The Camera Obscura The geometry of perspective The anatomy of a camera The Camera Obsura ca. 4th century BC Camera Obscura, 1946 San Francisco, California Camera


slide-1
SLIDE 1

Image Formation

CPSC 453 – Fall 2018 Sonny Chan

slide-2
SLIDE 2

Outline for Today

  • The Camera Obscura
  • The geometry of perspective
  • The anatomy of a camera
slide-3
SLIDE 3

The Camera Obsura

  • ca. 4th century BC
slide-4
SLIDE 4
slide-5
SLIDE 5
slide-6
SLIDE 6

Camera Obscura, 1946

San Francisco, California

slide-7
SLIDE 7

Camera Obscura, 2012

Cheverie, Nova Scotia

slide-8
SLIDE 8
slide-9
SLIDE 9
slide-10
SLIDE 10

Why is the projected image

upside down?

slide-11
SLIDE 11

Why do we care

about this all this stuff anyway?

slide-12
SLIDE 12

Perspective

a geometric explanation

slide-13
SLIDE 13
slide-14
SLIDE 14

One-Point Perspective

slide-15
SLIDE 15

Two-Point Perspective

slide-16
SLIDE 16

Three-Point Perspective

slide-17
SLIDE 17

Three-Point Perspective

slide-18
SLIDE 18

Perspective

is how we see a 3D picture on a 2D image

slide-19
SLIDE 19

A Camera Obscura for photography?

Sharan Pinhole Cameras, Japan

slide-20
SLIDE 20

The Pinhole Camera

What are its key advantages and disadvantages?

[from civilwar150pinholeproject.com]

slide-21
SLIDE 21

The Modern Camera

Pentax Spotmatic, ca. 1960s

slide-22
SLIDE 22

What’s the difference

between the two cameras?

slide-23
SLIDE 23

Lenses

They let us get more light!!!

slide-24
SLIDE 24
slide-25
SLIDE 25
slide-26
SLIDE 26
  • bject

image

slide-27
SLIDE 27

Try taking a picture…

  • f this “Prairie Chicken”
slide-28
SLIDE 28

Thin Lens Equation

1 S1 + 1 S2 = 1 f

slide-29
SLIDE 29

Focusing

To focus on objects at various distances, move the lens relative to the image/film plane.

[courtesy of P . Hanrahan, Stanford University]

slide-30
SLIDE 30

Circles of Confusion

slide-31
SLIDE 31
  • bject

image circle of confusion

slide-32
SLIDE 32

How big

is your picture?

1 S1 + 1 S2 = 1 f

slide-33
SLIDE 33

What determines your

field of view?

slide-34
SLIDE 34

Putting it all together…

Nikon D3 cutaway

slide-35
SLIDE 35

The Goal

Get as much light onto here as possible!

[from 1derful.info]

slide-36
SLIDE 36

[from pierretoscani.com]

slide-37
SLIDE 37

The image is controlled by

focal length aperture shutter speed film sensitivity lens characteristics

slide-38
SLIDE 38

Focal Length

  • You can’t change the size
  • f your film!
  • nor your image sensor
  • Longer focal length means

moving the film back more

  • Lens pupil gets smaller
  • Longer focal length =

smaller field of view

slide-39
SLIDE 39

Focal Length on a 35mm Frame

slide-40
SLIDE 40

[from digital-photography-student.com]

slide-41
SLIDE 41

Aperture

  • Measured in f-number:
  • ratio of lens focal length to diameter of lens aperture
  • Larger aperture lets more light in, but circle gets bigger
  • result is “depth of field” effect
slide-42
SLIDE 42

[from ormsdirect.co.za]

slide-43
SLIDE 43

Shutter Speed

[courtesy of K. Breeden, Stanford University]

1/10 s 1/125 s 1/1000 s

slide-44
SLIDE 44

Film Sensitivity

ISO 800 ISO 1600 ISO 3200

[courtesy of K. Breeden, Stanford University]

slide-45
SLIDE 45

Lens Characteristics good lens bad lens

slide-46
SLIDE 46

Chromatic Aberration

slide-47
SLIDE 47
slide-48
SLIDE 48

In Summary

slide-49
SLIDE 49

Things to Remember

  • The camera obscura, or pinhole camera, allows us to

capture images of the world in perspective

  • Using a lens allows us to gather more light
  • but introduces a plethora of variables to account for
  • focal length, aperture size, shutter speed, and film sensitivity

chiefly determine the appearance of your picture

  • Understanding how real-world images are formed helps

us to synthesize artificial, but realistic digital images