Generation Z: What Do We Know About Young Audiences Lucie Fitton - - PowerPoint PPT Presentation

generation z what do we know about young audiences
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Generation Z: What Do We Know About Young Audiences Lucie Fitton - - PowerPoint PPT Presentation

Generation Z: What Do We Know About Young Audiences Lucie Fitton Head of Learning & Participation @audienceagents @LucieinLondon Introduction Who we are? What I am here to share? Why do we know this? Insight events


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Generation Z: What Do We Know About Young Audiences

Lucie Fitton Head of Learning & Participation @audienceagents @LucieinLondon

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Introduction

  • Who we are?
  • What I am here to share?
  • Why do we know this?
  • Insight events
  • Audience Finder
  • Audience Spectrum (data

sources)

  • In-depth research
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A quick word about the lingo

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Who are Gen Z?

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Who are Generation Z?

  • Up to 19/20 years old
  • Super-visual
  • ‘Tech innate’
  • Need a cause
  • Hard-working realists
  • Makers not consumers
  • Born collaborators and

problem solvers

Inspired by a small number

  • f the generation before -

self-made makers, creators and entrepreneurs

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  • Not motivated by

relaxation

  • Major reason for non-

attendance is lack of time and lack of interest

  • Life impacted on and

influenced by more people

  • As a result of being

more active, likely to be more activities they’re engaging with regularly too

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How to engage Gen Z?

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Outside the comfort zone

  • World shaping highly

personalised news feeds = magnification of echo chamber

  • Lack of variety,

surprise, new views

  • Arts organisations =

breaking out of the loop

  • Livity – Off Road project
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Beyond participating & making to curating experiences

  • Opportunities for creating and attending

expertly curated offers

  • Opportunities for building socially minded

entrepreneurial skillset? – e.g. Beatfreaks ‘Artivism’

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Be more comfortable with ‘raw’

  • Be less attached to a

shiny glossy product

  • Offer the raw and

imperfect

  • Allow opportunities for

young people to feed in and develop – own and share

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Supporting long term access

  • Why pay or download

when they are used to streaming or having memberships with long term access?

  • How to be more creative

and sophisticated about membership and loyalty for young people – Barbican research – socialising the experience, exclusive access, VIP

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Social – bonding not bridging

  • More so than older adults; Used

to spending time in larger groups at school, college

  • Motivations for engaging often

driven by friendship

  • Bonding rather than bridging:

(Initially)require activities that can provide them with place to spend time with peers

  • Space-led activities rather than

activity led

  • Cross artform, taster based

activities

How can every interaction with you become a sociable

  • ne? Even the booking

experience

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Communications – confidence and co-creation

  • Upwards and outwards
  • Reflecting on our Insight

event speakers - slick

  • Content already strong – but

how to communicate this? Need for visual communications

  • Learn from other sectors
  • esp. financially driven
  • Invite young people to

shape it – marketing & communications is part of engagement and learning

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Beyond Gen Z – younger people more broadly and the bigger picture

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The bigger picture

  • The potential of big data

sets

  • Audience Finder
  • Age limitations – but

useful for 16+

  • Using patterns of

current arts engagement to help predict what audiences we could be reaching in ten or twenty years

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Number of performances 1,070,644 Number of bookers 16,675,313 Number of transactions 59,983,816 Tickets issued 174,753,544 Income £3,451,661,373.09 Total surveys collected

  • Approx. 280,000

Survey dashboards 325 active surveys / 698 total orgs surveyed in AF Contributing organisations 538 current / 818 total Registered users 6,846

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Myth = An ageing population is a market

  • pportunity for arts and culture
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Quick headlines from Audience Finder analysis

  • Average age of audiences for publically

supported arts and culture is rising

  • Especially for classical music, opera and

mainstream theatre

  • The average age of museum attenders is

lower but still rising (though more slowly)

  • Only audiences for contemporary art,

independent film, outdoor arts and sub- genres, like site-specific and physical theatre, consistently show a higher proportion of younger audiences

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Young people are not becoming their parents

  • If profiles stay the same, average

age of audiences for “classic work” will increase considerably

  • Three top arts-attending groups

set to age more than the population

  • Younger “Experience seekers”

prefer other art forms/ experiences – don’t follow their parents’ habits

  • The gap between the habits of
  • lder and younger audiences gets

wider

Is there a potential future crisis?

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Predicting the future?

  • Audiences continue to

grow: to spend more, do more, donate more

  • Audiences overall are
  • lder and less interested

in new forms and practice

  • Younger audiences are

increasingly restricted to contemporary artforms

  • Younger audiences are

more diverse

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In 15 years

Predicting the future?

  • Audiences plateau, start to decline
  • Baby Boomers face more barriers, frequency

declines

  • Younger audiences do not migrate to classic

artforms

  • Majority seek a different kind of cultural offer

BUT on a positive note

  • More adults than ever before have tertiary

education – highest predictor of arts engagement

  • Social/ethnic diversity increases in society, and

in our audiences

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Responding…

  • More flexible, relaxed visitor experiences –

eg flexible booking, refunds, try-before-you- buy, social space, personal devices

  • Changes in price-sensitivity - freemium

content

  • Increased interest in curated experiences

(festivals)

  • Shelf-life of product-content - respond agile

way to demand

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Responding….

  • Radical changes to loyalty development – direct

marketing to membership

  • Service/ programme design through dialogue

and interactivity

  • Accommodating audiences with strongly

divergent preferences

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Responding….

  • Start relationships earlier
  • Create new experiences which encourage life-

long engagement

  • Participation and family attendance vital
  • Immersive young people’s programmes
  • Better understanding of young people – not an

homogenous group

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Cultural segmentation young people?

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Finding out more http://www.artsprofessional.co.uk/ magazine/article/reaching-out- young-people http://www.artsprofessional.co.uk/ magazine/article/bridging- generation-gap

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Audience Spectrum

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Free mapping tools in Audience Finder

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Stay in touch lucie.fitton@theaudienceagency.org @LucieinLondon @audienceagents theaudienceagency.org

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Questions

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Good practice, good ideas

Three questions

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  • 1. Opportunities?

What do you see as the biggest opportunities and challenges in navigating the age-gap?

  • 2. Anticipating need?

What is your organisation is doing to anticipate the changing needs

  • f post Baby-boomer generations?
  • 3. Support?

What resources or support do we need to respond?