COMPARATIVE STUDY OF LATE MEDIEVAL URN-BURIAL SITES IN MANIPUR A - - PowerPoint PPT Presentation

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COMPARATIVE STUDY OF LATE MEDIEVAL URN-BURIAL SITES IN MANIPUR A - - PowerPoint PPT Presentation

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COMPARATIVE STUDY OF LATE MEDIEVAL URN-BURIAL SITES IN MANIPUR A Thesis Submitted To The Maharaja Sayajirao University of Baroda for the Degree of Doctor of Philosophy in Archaeology By Samurailatpam Sujata Devi (Regd. No. 004307/07)

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COMPARATIVE STUDY OF LATE MEDIEVAL URN-BURIAL SITES IN MANIPUR

A Thesis Submitted To The Maharaja Sayajirao University of Baroda for the Degree of Doctor of Philosophy in Archaeology By Samurailatpam Sujata Devi (Regd. No. 004307/07) Guiding Teacher

  • Dr. (Mrs) Preeti Amar Panjwani

(Associate Professor)

DEPARTMENT OF ARCHAEOLOGY AND ANCIENT HISTORY THE MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA VADODARA-390 002 APRIL 2014

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Objectives

  • Burial customs
  • Pottery morphological study
  • Measurement & Technology
  • Review & analysis of cultural resources
  • Ethno archaeology
  • Comparison & Correlation
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Chapter- I Introduction

  • Genesis of Pottery

History of Pottery in Manipur

  • Insight into Burial Customs

Reference to Manipur

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Pot Internment System

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SLIDE 5
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Chapter: 2 Methodology

  • Literary Survey
  • Personal Interviews
  • Analytical Process
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SLIDE 7

Texture

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SLIDE 8

Chapter: 3 Environment, Archaeological and Historical Setting

  • Environment
  • Archaeological background of Manipur

Pre historic Phase Proto historic Phase Megalithic phase Historic Phase

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Chapter: 4 Pottery Analysis

  • Pottery Shapes
  • Andro Khuman (24° 45’ 30.93” N- 94° 2’ 48.88” E)
  • Khamaran / Khamaral (24° 52’ 26.92” N – 93° 53’ 40.82” E)
  • Koutruk (24° 53’ 19.78” N - 93° 49’ 52.9” E)
  • Khangabok (24° 37’ 11.09” N – 94° 1’ 10.16” E)
  • Sekta (24° 53’ 25.58” N - 94° 2’ 17.42” E)
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Regular, Elongated & Globular pots

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Bowl (Type i, ii & iii)

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Type iv, v & vi

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Type vii, viii & ix

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Channel Spouted Vessel (Type i, ii & iii)

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Dish & Ribbed Neck Vessel

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Grey Vases (Type i & ii)

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Andro Khuman

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Andro Khuman

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Andro Khuman

5 10 15 20 25 30 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

ADO

ADO

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Khamaral

1 2 3 4 5 6 7 8 9 10 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

KML

KML

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Khamaral (MU)

2 4 6 8 10 12 14 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

KML (MU)

KML (MU)

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Koutruk

2 4 6 8 10 12 14 16 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

KTK

KTK

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KOUTRUK (MU)

2 4 6 8 10 12 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

KTK(MU)

KTK(MU)

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Khangabok

0.2 0.4 0.6 0.8 1 1.2 1.4 1.6 1.8 2 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

KGB

KGB

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Khangabok (State Museum)

2 4 6 8 10 12 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

KBG(State Museum)

KBG(State Museum)

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Sekta

1 2 3 4 5 6 7 8 9 10 a a(i) a(ii) a(iii) a.(iv) b b.i b.ii b.ii.a b.iii b.iv b.v b.vi b.vii b.viii b.ix c c.i c.ii c.iii d e e.i e.ii f g h i j k l l.i l.ii m

SKT

SKT

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Chapter: 5 Ethno-archeology

  • Ningthemcha Karong
  • Thongjao
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Ningthemcha Karong

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Nganthak

Khangabok

Sanggai Yumpham, Kangla

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Implements

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Pulverizing (leibak sugaiba)

Boulder as platform Clay lump

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Kneading (totpa)

wooden pounder (toksu) Pounded clay

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Preliminary shaping (leimi tamba)

Palm full of lump

Rough shaping

Preliminary rough models

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Piercing (hutpa)

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Pundrei

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Phundrei

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Final Shaping (Khetpa)

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Decoration

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Drying in the Sun (phauba)

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First Stage of Firing (mei ietpa)

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Second Stage of Firing

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Final Firing

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Ethnographic Model

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Thongjao

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Implements

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Raw Material

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Winnowing & Pulverizing

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Kneading

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Forming a coil & slab

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Shaping

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Shaping of rim

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Rough model & Drying

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Final Shaping

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Decorating

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Firing

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Storage & Market

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Chapter: 6 Comparison, Correlation and Conclusion

  • Comparison and Correlation
  • Burial style (human relic)
  • Shape of the innermost vessel
  • Number and selection of pottery
  • Number of pottery internment
  • Style of lid
  • Number of mortuary goods and its style
  • Metal and stone mortuary goods
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Chapter 6

  • Conclusion
  • Problems or limitations
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THANK YOU