c and d project https://nz.pinterest.com/saloojeetameem/c-and-d-2/ - PowerPoint PPT Presentation

c and d “project” https://nz.pinterest.com/saloojeetameem/c-and-d-2/ https://wordpress.com/stats/day/tameem531.wordpress.com

DIALOGUE Generating a site based aesthetic attributed to my distaste of my surroundings. There is nothing I fjnd interesting as a source of inspiration in the given area the textures the objects every corner every ally ev - ery turn I found nothing resinated with me as a result I thought to my self “ what if this area zone was person? what would they look like” what it would be based on my current education and knowledge I Decided to create based on everything that stood out to me as being appalling and made me lethargic from colours, forms, shapes, textures, tones materials etc. and use this critical cynicism to generate worl which contains this overtone of everything that I don’t like about surroundings and using my knowl - edge of product design, design, contemporary arts and a plethora of other creative fjelds to generate works containing this aes - thetic overshadowed by my lack of inspiration. Over time as I started to investigate textures around my chosen site (building76 ) my interest started to grow and these textures helped to ignite my inspiration.

Interests PRODUCT DESIGN FILM/photography CONTEMPORARY ART graphic design

SITE building 76

Zolloc

Ilse-Marie Erl

Michael Heizer

Jeroen kooijmans

TEXTURE

obsessed with creating something longlasting and fjnished instead of throwing it away afuer I was done. I decided to pursue jewellery making because it embodies the essence of what i was trying to capture in my exploration of texture and turns it into a product that will hopefully be longlasting

PALETTE

Display zine or photograph series

Erl, I., & Unitec Institute of Technology. (2011). Street Combing : An Investigation into the Use of Found Materials from the Urban Landscape in Contemporary Jewellery Making. [A Exegesis Submitted in Partial Fulfjlment of the Requirements for the Degree Master of Design by Project, Unitec Institute of Technology]. Erl, Ilse-Marie, Miles, Anna, Meek, Kim, & Unitec Institute of Technology. (2012). Street Combing: An Investigation into the Use of Found Materials from the Urban Landscape in Contemporary Jewellery Making. Adams, P. C., Hoelscher, S., & Till, K. E. (Eds.). (2001). Textures of place : exploring humanist geographies. Retrieved from http://eb - ookcentral.proquest.com Han, M. Y.. Story Of Light : A Short Introduction To Quantum Field Theory Of Quarks And Leptons, World Scientifjc Publishing Compa - ny, 2004. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/unitec/detail.action?docID=239630 Da, C. M. E., & Sant’Elia, A. (1995). The work of Antonio Sant’Elia: Retreat into future. New Haven [etc.: Yale University. Cheung, L., Clarke, B., & Clarke, Indigo. (2006). New directions in jewellery II. London: Black Dog Pub. McGrath, J. (2007). The complete jewellery making course / Jinks McGrath. ; Complete jewellery making course : Principles, practice and techniques : A beginner’s course for aspiring jewellery makers. London: New Burlington Books. Mansell, A. (2008). Adorn : New jewellery ; Adorn : New jewelry. London: Laurence King. MacInnis, Deborah J., et al. Handbook of Brand Relationships, Taylor and Francis, 2014. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/unitec/detail.action?docID=1900131. Eckler, J. F. (2011). Language of space and form. Retrieved from http://ebookcentral.proquest. com/lib/unitec/detail.action?docID=817314 Simanowski, R. (2011). Digital art and meaning. Retrieved from http://ebookcentral.proquest.com/ lib/unitec/detail.action?docID=730145 Hough, C. (2013). Studio photography and lighting : art and techniques. Retrieved from http://ebookcentral.proquest.com