AI in the Public Imagination
Philipp Koehn 31 January 2019
Philipp Koehn Artificial Intelligence: AI in the Public Imagination 31 January 2019
AI in the Public Imagination Philipp Koehn 31 January 2019 Philipp - - PowerPoint PPT Presentation
AI in the Public Imagination Philipp Koehn 31 January 2019 Philipp Koehn Artificial Intelligence: AI in the Public Imagination 31 January 2019 Fiction 1 Robots and AI are a central element in Science Fiction Questions raised
Philipp Koehn 31 January 2019
Philipp Koehn Artificial Intelligence: AI in the Public Imagination 31 January 2019
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– capabilities of robots – behavior of robots – behavior of humans towards robots – emergence of robots changes human behavior – differences in robots and humans – independence of robots
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– 1926 founding of ”Amazing Stories” magazine – pulp fiction – begin of science fiction fandom
– Isaac Asimov – Arthur C. Clarke – Robert A. Heinlein
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– Robot series – Foundation series – Galactic Empire series
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to come to harm.
would conflict with the First Law.
with the First or Second Laws.
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– value of the life of little girl higher than main characters – even if chance of survival is lower – later in movie: saving the girl more important than saving humanity
– if some humans harm others, they must be stopped – ultimately, humans must be controlled for their own safety
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No, please understand... the Three Laws are all that guide me. To protect humanity, some humans must be sacrificed. To ensure your future, some freedoms must be surrendered. We robots will ensure mankind’s continued
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person.
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track, killing him to save five.
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– Dr. Strangelove (1964) – A Clockwork Orange (1971) – Barry Lyndon (1975) – The Shining (1980) – Full Metal Jacket (1987)
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– the stated reason: the mission is more important than the crew – but maybe: self-preservation – the wider mystery of the movie plot
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are discovered
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– personal identity – what is real and what is imagined? – illusions and conspiracies
– Blade Runner (1982) – Total Recall (1990) – Minority Report (2002) – A Scanner Darkly (2006) – The Adjustment Bureau (2011)
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How can it not know what it is? Rick Deckard, the Bladerunner
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These violent delights have violent ends.
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no emotions needed
– emotions and having goals – emotions and having consciousness
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it as you care about a human?
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with only a month to live
to become super-intelligent
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– newly developed consciousness implanted into robot – quickly grows up from child-like mind – since the robotic body is faulty, it has to be transferred to another body – the same method is used to upload a human mind
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– woman feels closer to caregiver robot than husband, leaves him – widower does not want to keep assistant, since he shares memories of wife
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– remote controlled robot, acting for you in the real world – telepresence: signals from all senses are transmitted, experienced as a fully immersive virtual reality
(preserving their youthful selves, or even as a completely different person)
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– restore functionality of broken limbs, etc. – body parts with improved capabilities – improvements to the brain
where husbands secretly replace their wives with obedient robots
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– anarchy, fragmented rule of corporations – various forms of cyborg – main characters: outsiders (punk subculture)
– pervasive data network – characters can transition between cyberspace and real world – graphical, visual, immersive
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The sky above the port was the color of television, tuned to a dead channel.
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(consider: auto-pilot functions of planes that cannot be overridden easily)
intentions of designer
Philipp Koehn Artificial Intelligence: AI in the Public Imagination 31 January 2019