Wednesday, April 20, 16 Conceptual images were more frequently used - PowerPoint PPT Presentation

Wednesday, April 20, 16

Conceptual images were more frequently used in graphic design after the WWII years. Wednesday, April 20, 16

Armando Testa poster for Pirelli 1954 Wednesday, April 20, 16

Armando Testa rubber and plastics exhibition poster 1972 Wednesday, April 20, 16

Tadeusz Trepkowski anti-war poster 1953 Wednesday, April 20, 16

Henryk Tomaszewski became a leading figure in Polish graphic design. He taught at the Warsaw Academy of Fine Arts. Wednesday, April 20, 16

Henryk Tomaszewski poster for the play Marie and Napoleon 1964 Wednesday, April 20, 16

Henryk Tomaszewski football poster for the Olympics in London 1948 Wednesday, April 20, 16

Roman Cieslewicz circus poster 1962 Wednesday, April 20, 16

Jerzy Flisak cinema poster undated (1950s) Wednesday, April 20, 16

Jan Lenica poster for Alban Berg’s Wozzeck 1964 Wednesday, April 20, 16

Jan Lenica Warsaw Poster Biennale poster 1976 Wednesday, April 20, 16

Waldemar Swierzy film poster 1959 Wednesday, April 20, 16

Waldemar Swierzy Jimi Hendrix poster 1974 Wednesday, April 20, 16

Roman Cieslewicz poster for Vertigo 1963 Wednesday, April 20, 16

Roman Cieslewicz Wroclaw Temporary Theater poster 1974 Wednesday, April 20, 16

• https://vimeo.com/58092842 Wednesday, April 20, 16

Jerzy Janiszewski Solidarity logo, 1980 Wednesday, April 20, 16

Marian Nowinski political poster 1979 Wednesday, April 20, 16

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Wednesday, April 20, 16

In the pre-digital era, illustration did what photography couldn’t do as easily: portray fantasy and the unreal Wednesday, April 20, 16

Reynolds Ruffins illustration for Amtrak Express magazine 1983 Wednesday, April 20, 16

4 young designers/illustrators who started the 60’s-70s era of conceptual illustration: Seymour Chwast Milton Glaser Reynolds Ruffins Edward Sorel They created the bi-monthly publication The Push Pin Almanac Wednesday, April 20, 16

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Wednesday, April 20, 16

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The artists of Pushpin Studios were inspired by the entire databank of art and design history. Influenced by design from Renaissance to comic books, they drew upon a huge visual vocabulary because they knew what had come before. Wednesday, April 20, 16

Wednesday, April 20, 16

Milton Glaser album cover The Sound of Harlem 1964 Wednesday, April 20, 16

Milton Glaser poster of Bob Dylan 1967 Wednesday, April 20, 16

Wednesday, April 20, 16

Milton Glaser Dada and Surrealism exhibition poster 1968 Wednesday, April 20, 16

Milton Glaser “Art Is” poster for School of Visual Arts 1996 Wednesday, April 20, 16

Milton Glaser Bach Variations poster 1985 Wednesday, April 20, 16

American Conceptual Images: Illustration becomes much less about representational imagery and more about concept, humor and the unreal. Wednesday, April 20, 16

Milton Glaser Poppy Records poster 1968 Wednesday, April 20, 16

• http://link.brightcove.com/services/player/ bcpid1101641210001? bckey=AQ~~,AAAAFszvN_E~,eZf4LHSb1 ZC282zP46- OItX4CwHvhUlo&bctid=940138974001 Wednesday, April 20, 16

Seymour Chwast album cover for The Three Penny Opera 1975 Wednesday, April 20, 16

Seymour Chwast moving announcement for Elektra productions, 1965 Wednesday, April 20, 16

Seymour Chwast display typeface designs Wednesday, April 20, 16

Seymour Chwast poster protesting the bombing of Hanoi 1968 Wednesday, April 20, 16

Barry Zaid book jacket for Bevis Hillier’s Art Deco 1970 Wednesday, April 20, 16

Barry Zaid cover for Australian Vogue 1971 Wednesday, April 20, 16

James McMullan Anna Christie poster 1977 Wednesday, April 20, 16

Paul Davis poster For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf 1976 Wednesday, April 20, 16

Arnold Varga newspaper ad for Joseph P. Horne 1966 Wednesday, April 20, 16

Lou Danziger “American Paintings from the Metropolitan Museum of Art” 1966 Wednesday, April 20, 16

Lou Danziger New York School poster 1966 Wednesday, April 20, 16

John Berg album cover Blood, Sweat & Tears Wednesday, April 20, 16

Wednesday, April 20, 16

Woody Pirtle logo for Mr. and Mrs. Aubrey Hair 1975 Wednesday, April 20, 16

Woody Pirtle poster for Knoll furniture 1982 Wednesday, April 20, 16

The climate of social activism in America during the 1960s created a surge in the popularity of posters. Everyone had posters on their walls. Wednesday, April 20, 16

Wes Wilson concert poster for The Association 1966 Wednesday, April 20, 16

Wes Wilson concert poster for The Grateful Dead, Junior Wells, Chicago Blues Band and the Doors 1966 Wednesday, April 20, 16

Victor Moscoso poster for The Chambers Brothers 1967 Wednesday, April 20, 16

Victor Moscoso poster for The Miller Blues Band 1967 Wednesday, April 20, 16

One artist/designer who emerged as a commercial superstar of the era was Peter Max. He combined an art nouveau sensibility with a softer color palette than the neon colors popular at the time. Wednesday, April 20, 16

Peter Max “Love” poster 1970 Wednesday, April 20, 16

David Lance Goines classic film poster 1973 Wednesday, April 20, 16

Gunther Kieser Frankfurt Jazz Festival poster 1978 Wednesday, April 20, 16

Gunther Kieser Alabama Blues concert poster 1966 Wednesday, April 20, 16

Willy Fleckhouse, pages from twen , 1970 Wednesday, April 20, 16

Gunter Rambow poster for the play Antigone 1978 Wednesday, April 20, 16

Gunter Rambow poster for the play Die Hamletmaschine 1980 Wednesday, April 20, 16

Gunter Rambow poster for the play Othello 1978 Wednesday, April 20, 16

Gunter Rambow poster for the play Sudafrikanisches Roulette (South African Roulette) 1988 Wednesday, April 20, 16

During the 1960s, french designer Robert Massin’s experiments with typography were very popular because of their strong connection to dadaist and futurist poetry. Wednesday, April 20, 16

Fig 21-59 Robert Massin cover for Eugene Ionesco’s La Cantatrice Chauve 1964 Wednesday, April 20, 16

Fig 21-60: Robert Massin page spread from Eugene Ionesco’s La Cantatrice Chauve , 1964 Wednesday, April 20, 16

Fig 21-61: Robert Massin page spread from Eugene Ionesco’s La Cantatrice Chauve , 1964 Wednesday, April 20, 16

Fig 21-62: Robert Massin page spread from Eugene Ionesco’s La Cantatrice Chauve , 1964 Wednesday, April 20, 16

Fig 21-63: Robert Massin page spread from Eugene Ionesco’s Frenzy for Two , 1966 Wednesday, April 20, 16

Fig 21-64 Grapus exhibition poster 1982 Wednesday, April 20, 16

Grapus was a combination of the word Graphics plus the french word for scum. Wednesday, April 20, 16

Raul Martínez Cuba 1970 Wednesday, April 20, 16

Elena Serrano Day of the Heroic Guerrilla 1968 Wednesday, April 20, 16

• https://www.youtube.com/watch? v=m23otH5cFsY Wednesday, April 20, 16