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Conceptual images were more frequently used in graphic design after the WWII years.
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Wednesday, April 20, 16 Conceptual images were more frequently used - - PowerPoint PPT Presentation
Wednesday, April 20, 16 Conceptual images were more frequently used - - PowerPoint PPT Presentation
Wednesday, April 20, 16 Conceptual images were more frequently used in graphic design after the WWII years. Wednesday, April 20, 16 Armando Testa poster for Pirelli 1954 Wednesday, April 20, 16 Armando Testa rubber and plastics exhibition
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Armando Testa poster for Pirelli 1954
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Armando Testa rubber and plastics exhibition poster 1972
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Tadeusz Trepkowski anti-war poster 1953
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Henryk Tomaszewski became a leading figure in Polish graphic design. He taught at the Warsaw Academy
- f Fine Arts.
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Henryk Tomaszewski poster for the play Marie and Napoleon 1964
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Henryk Tomaszewski football poster for the Olympics in London 1948
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Roman Cieslewicz circus poster 1962
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Jerzy Flisak cinema poster undated (1950s)
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Jan Lenica poster for Alban Berg’s Wozzeck 1964
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Jan Lenica Warsaw Poster Biennale poster 1976
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Waldemar Swierzy film poster 1959
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Waldemar Swierzy Jimi Hendrix poster 1974
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Roman Cieslewicz poster for Vertigo 1963
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Roman Cieslewicz Wroclaw Temporary Theater poster 1974
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- https://vimeo.com/58092842
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Jerzy Janiszewski Solidarity logo, 1980
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Marian Nowinski political poster 1979
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In the pre-digital era, illustration did what photography couldn’t do as easily: portray fantasy and the unreal
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Reynolds Ruffins illustration for Amtrak Express magazine 1983
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4 young designers/illustrators who started the 60’s-70s era of conceptual illustration: Seymour Chwast Milton Glaser Reynolds Ruffins Edward Sorel They created the bi-monthly publication The Push Pin Almanac
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The artists of Pushpin Studios were inspired by the entire databank
- f art and design history.
Influenced by design from Renaissance to comic books, they drew upon a huge visual vocabulary because they knew what had come before.
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Milton Glaser album cover The Sound
- f Harlem
1964
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Milton Glaser poster of Bob Dylan 1967
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Milton Glaser Dada and Surrealism exhibition poster 1968
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Milton Glaser “Art Is” poster for School of Visual Arts 1996
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Milton Glaser Bach Variations poster 1985
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American Conceptual Images: Illustration becomes much less about representational imagery and more about concept, humor and the unreal.
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Milton Glaser Poppy Records poster 1968
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- http://link.brightcove.com/services/player/
bcpid1101641210001? bckey=AQ~~,AAAAFszvN_E~,eZf4LHSb1 ZC282zP46- OItX4CwHvhUlo&bctid=940138974001
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Seymour Chwast album cover for The Three Penny Opera 1975
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Seymour Chwast moving announcement for Elektra productions, 1965
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Seymour Chwast display typeface designs
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Seymour Chwast poster protesting the bombing
- f Hanoi
1968
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Barry Zaid book jacket for Bevis Hillier’s Art Deco 1970
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Barry Zaid cover for Australian Vogue 1971
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James McMullan Anna Christie poster 1977
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Paul Davis poster For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf 1976
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Arnold Varga newspaper ad for Joseph P. Horne 1966
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Lou Danziger “American Paintings from the Metropolitan Museum of Art” 1966
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Lou Danziger New York School poster 1966
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John Berg album cover Blood, Sweat & Tears
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Woody Pirtle logo for Mr. and Mrs. Aubrey Hair 1975
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Woody Pirtle poster for Knoll furniture 1982
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The climate of social activism in America during the 1960s created a surge in the popularity of posters. Everyone had posters on their walls.
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Wes Wilson concert poster for The Association 1966
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Wes Wilson concert poster for The Grateful Dead, Junior Wells, Chicago Blues Band and the Doors 1966
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Victor Moscoso poster for The Chambers Brothers 1967
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Victor Moscoso poster for The Miller Blues Band 1967
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One artist/designer who emerged as a commercial superstar of the era was Peter
- Max. He combined an art nouveau sensibility
with a softer color palette than the neon colors popular at the time.
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Peter Max “Love” poster 1970
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David Lance Goines classic film poster 1973
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Gunther Kieser Frankfurt Jazz Festival poster 1978
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Gunther Kieser Alabama Blues concert poster 1966
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Willy Fleckhouse, pages from twen, 1970
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Gunter Rambow poster for the play Antigone 1978
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Gunter Rambow poster for the play Die Hamletmaschine 1980
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Gunter Rambow poster for the play Othello 1978
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Gunter Rambow poster for the play Sudafrikanisches Roulette (South African Roulette) 1988
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During the 1960s, french designer Robert Massin’s experiments with typography were very popular because
- f their strong connection to dadaist
and futurist poetry.
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Fig 21-59 Robert Massin cover for Eugene Ionesco’s La Cantatrice Chauve 1964
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Fig 21-60: Robert Massin page spread from Eugene Ionesco’s La Cantatrice Chauve, 1964
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Fig 21-61: Robert Massin page spread from Eugene Ionesco’s La Cantatrice Chauve, 1964
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Fig 21-62: Robert Massin page spread from Eugene Ionesco’s La Cantatrice Chauve, 1964
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Fig 21-63: Robert Massin page spread from Eugene Ionesco’s Frenzy for Two, 1966
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Fig 21-64 Grapus exhibition poster 1982
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Grapus was a combination of the word Graphics plus the french word for scum.
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Raul Martínez Cuba 1970
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Elena Serrano Day of the Heroic Guerrilla 1968
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SLIDE 79
- https://www.youtube.com/watch?
v=m23otH5cFsY
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