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Toward an Epic Epigraph Graph Francis Bond , Graham Matthews Linguistics and Multilingual Studies, English School of Humanities Nanyang Technological University <bond@ieee.org> LREC 2018-05-11 Bond and Matuhews (NTU) LREC 2018 1 / 23


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Toward an Epic Epigraph Graph

Francis Bond, Graham Matthews

Linguistics and Multilingual Studies, English School of Humanities

Digital Humanities Cluster

Nanyang Technological University <bond@ieee.org>

LREC 2018-05-11

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 1 / 23

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Outline

Tie best ideas are common property.

Seneca the Younger, “On Old Age”, Moral Letuers to Lucilius

1

Introduction

2

Tie Epigraph Graph

3

Conclusions and Future Work

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 2 / 23

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SLIDE 3

Introduction

We present a database of epigraphs

▶ to reveal literary infmuence

  • as a set of connections between authors
  • over time, space and genre

Now with epigraphs from over 14,000 literary works We are still identifying their provenance. Snapshots are released openly as CC BY 4.0

http://compling.hss.ntu.edu.sg/projects/epigraph/

we plan to put the whole thing into version control

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 3 / 23

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What is an Epigraph?

An epigraph is a quotation at the beginning of some piece of writing. Genetue (1987, Ch. 7, pp156–160) identifjes four major uses:

▶ commenting on and justifying the title of the work ▶ commenting on the text of the work (the most canonical

usage)

▶ claiming a relationship to the cited author (name

dropping)

▶ signaling the genre of the work (romantic and gothic

authors use more epigraphs, classical and realistic fewer)

Authors use them both to set the theme and to link their work to the existing body of literature.

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 4 / 23

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Epigraphs in Literature

Epigraphs are ofuen discussed within wider literary criticism as a way authors explicitly show their infmuences (Poplawski, 2017). However, to date there has been no large scale quantitative study of who cites whom Our large collection makes possible:

▶ To examine infmuence in the literary fjeld beyond the

canon

▶ To study the history of the literary epigraph and its

evolution in purpose and form.

▶ To establish the groundwork for an encyclopaedia of

literary epigraphs

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 5 / 23

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Tie Epigraph Database — Tie Epigraph

text of the epigraph image of the page it appears on

  • r link to online text

title of original text author of original text country of origin

  • r more detailed region if available

year of origin language of the epigraph

  • riginal language of the epigraph

if difgerent from the language it is cited in medium (novel, play song, …) ISBN of the original text (if it exists)

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 6 / 23

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Tie Epigraph Database — Tie Work

title author(s) country of fjrst publication

  • r more detailed region if available

year of fjrst publication language of work (all currently English)

  • riginal language of work

genre ISBN (if it exists) Remarks (for other information such as whether the cited work is fjctional)

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 7 / 23

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E.g. Tiis paper — the Epigraph

Tie best ideas are common property. [image of page 1] “On Old Age”, Moral Letuers to Lucilius Seneca the Younger 65 AD∗ Rome∗ English Latin∗ Letuers ISBN=9780674990845 (Loeb Classical Library)

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 8 / 23

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E.g. Tiis paper — the Work

Toward An Epic Epigraph Graph Francis Bond, Graham Matuhews Miyazaki, Japan 2017 English Academic ISBN=979-10-95546-00-9

∗ shows data that was deduced, rather than explicit in

the original. For works such as Moral Letuers to Lucilius, for which many editions exist, we select any one – the goal is to link to a controlled vocabulary to allow further look up of metadata.

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 9 / 23

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Tie Epic Epigraph Graph

We can think of the works as nodes in a graph

▶ with rich properties

  • genre, author, place, time

And the epigraph links works Making a very sparse graph

  • epic in subject and size

Tie meta-data connects the graphs

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 10 / 23

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Selection Criteria

Opportunistic (shelf by shelf)

▶ NTU Humanities Library

Singapore Literature in English Bibliography Koh (2008)

▶ Singapore Public Libraries (7 branches)

Guided

▶ infmuential literature from the seventeenth century to the

present (based on Wikipedia lists)

▶ Searched in the Eighteenth Century Collections Online

(ECCO),the Literature Online Database (LION),Google Books,and Project Gutenburg

Now doing quality control: removing repeat entries, double checking the accuracy of the metadata, and normalizing the data.

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 11 / 23

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Most Common Sources

# Cites Work Cited 129 Bible 35 Tie Tempest 32 Hamlet 23 Paradise Lost 23 Macbeth 22 Romeo and Juliet 20 As You Like It 19 Tie Book of Counted Sorrows 18 King Lear 15 Alice’s Adventures in Wonderland

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 12 / 23

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Most Common Authors

# Cites Author Cited 323 Shakespeare, William 74 Dickinson, Emily 62 Poe, Edgar Allan 45 Wilde, Oscar 44 Whitman, Walt 43 Blake, William 37 Nietzsche, Friedrich 36 Carroll, Lewis 35 Tioreau, Henry David 35 Milton, John 34 Emerson, Ralph Waldo 33 Einstein, Albert 32 Twain, Mark 32 Frost, Robert

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 13 / 23

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Most Common Types

# Cites Type of Work Cited 435 Poem 291 Novel 173 Play 149 Song 73 Proverb 66 Bible Verse 29 Letuer 28 Fictional 24 Speech 24 Film 22 Essay 18 Defjnition of a word

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 14 / 23

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Most Common Qvotes

# Cites Epigraph Text Author 6 Tie past is never dead. It’s not even past. Faulkner, William 5 If an injury has to be done to a man it should be so severe that his vengeance need not be feared. Machiavelli, Niccolo 5 We shall not cease from exploration And the end

  • f all our exploring Will be to arrive where we

started And know the place for the fjrst time. Eliot, T.S 4 Truth is beautiful, without doubt; but so are lies. Emerson, Ralph Waldo 4 Hell is empty and all the devils are here. Shakespeare, William 3 What is a friend? A single soul dwelling in two bodies. Aristotle 3 All war is deception. Sun Tzu 3 If a man will begin with certainties, he shall end in doubts; but if he will be content to begin with doubts, he shall end in certainties. Bacon, Francis 3 Time present and time past Are both perhaps present in time future, And time future contained in time past. Eliot, T.S

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 15 / 23

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Authors Play with Epigraphs

Tie most common works are dominated by the Bible and Shakespeare, and include one originally non-existent work Tie Book of Counted Sorrows: Tiis comes from a young adult series where the author cites poems from a fjctional book at the start of each book.1 Later, the author wrote the book Koontz (2001). Another book cited by the same author, Tie Book of Counted Joys, remains non-existent.

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Authors are Careless

Variant Cited in Tie past is never dead. It’s not even past. cited by 6 authors Tie past is never dead, it’s not even past. Langley Lee (2010) Tie past is not dead. It is not even past. Carey, Peter (2012) Tie past is never dead. It isn’t even past. Wolfg, Isabel (2014) Tie past is not dead; it’s not even past. Ohanesian, Aline 2015) Tie past isn’t over. It isn’t even the past. Poulson, Christine (2016)

Difgerences underlined

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 17 / 23

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Trans-Atlantic Infmuence

Edgar Allen Poe

Fall of the House of Usher (US, 1839)

Richard Yates

Revolutionary Road (US, 1961)

Nathaniel Hawthorne

Seven Gables (US, 1851)

Rubén Darío

El Canto Errante (Nicaragua, 1900) Jean de Beranger

Le Rufus (France, 1832)

John Keats

Isabella (UK, 1820)

David Lodge

Small World (UK, 1984)

Anthony Burgess

Enderby Outside (UK, 1968) A.S. Byatt Possession (UK, 1990)

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 18 / 23

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Trans-european Infmuence

James Joyce

Portrait of Artist (1915)

Ovid

Metamorphoses (Italy, 8AD)

Aristotle

Politics (Greece, 427BC)

A.S. Byatt

Biographer's Tale (2000)

David Lodge

Therapy (1995)

Søren Kierkegaard

(Denmark, 1836)

Goethe

Wahlverwandtschaften (Germany 1809)

Molière

Le Misanthrope (France, 1666)

Samuel Butler

Erewhon (1872)

L.P Hartley

The Hireling (1957)

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 19 / 23

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Future Work

Increase the size to 20,000 epigraphs Link to geonames, ISBN, other controlled vocabulary On the fmy clustering and visualization

▶ show who is cited by British SF authors from

1945-1975

▶ show who cites Dickens ▶ show who cites Russian Realist Writers ⁇? ▶ show who is cited by Singaporean Writers

Track mis-citations Allow additions online

Bond and Matuhews (NTU) An Epic Epigraph Graph LREC 2018 20 / 23

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Acknowledgments

Tiis research was supported by the Singapore MOE Tier 1 Grant: Digital Mapping the Literary Epigraph: Qvantitative Analysis of Literary Infmuence Using Network Tieory and Tiousands of Epigraphs (RG158/16) and the NTU COHASS Cluster on Digital Humanities. We would like to thank the reviewers for their insightful comments.

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References I

Gerard Genetue. 1987. Paratexts: Tiresholds of

  • Interpretation. Cambridge University Press. (trans Jane
  • E. Lewin).

Donald Knuth. 1984. Tie T

  • EXbook. Addison-Wesley.

Tai Ann Koh. 2008. Singapore Literature in English: an Annotated Bibliography. National Library Board Singapore and Centre for Liberal Arts and Social Sciences, Nanyang Technological University. (now

  • nline and updated: https://eps.ntu.edu.sg/

client/en_US/SingaporeLiterature/).

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References II

Dean Koontz. 2001. Tie Book of Counted Sorrows. Charnel House. Paul Poplawski, editor. 2017. English Literature in

  • Context. Cambridge University Press, second edition.

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