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TIMBRE CONNECTIONS 2 YU / LAMONT MARCH 8, 2018 2 REVIEW QUESTION: - PowerPoint PPT Presentation

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LINGUIST 197M, SPRING 2018. CLASS 7.2 TIMBRE CONNECTIONS 2 YU / LAMONT MARCH 8, 2018 2 REVIEW QUESTION: WHATS THE DIFFERENCE BETWEEN THE TWO UKE NOTES WE RECORDED? (use waveforms, spectrograms, spectra)

  1. LINGUIST 197M, SPRING 2018. CLASS 7.2 TIMBRE CONNECTIONS 2 YU / LAMONT MARCH 8, 2018

  2. 2 REVIEW QUESTION: WHAT’S THE DIFFERENCE BETWEEN THE TWO UKE NOTES WE RECORDED? (use waveforms, spectrograms, spectra) www.ling197m.krisyu.org/media/instruments/uke.wav

  3. 3 “MAP” WITH DR. MEI-YAU SHIH https://www.umass.edu/tefd/map

  4. 4 EXAM 2 PREVIEW

  5. LINGUIST 197M, SPRING 2018. CLASS 6.1, 6.2 5 EXERCISE: INDEPENDENCE OF F0, FORMANTS ▸ Demonstrate that you can keep f0 constant, while changing formants ▸ Demonstrate that you can keep formants constant, while changing f0

  6. LINGUIST 197M, SPRING 2018. CLASS 6.1, 6.2 6 HANDY FORMANT CHART! Ivy Hauser https://blogs.umass.edu/ihauser/ http://www.facebook.com/groups/ling5

  7. 7 HELMHOLTZ RESONATORS IN MUSIC

  8. LINGUIST 197M, SPRING 2018. CLASS 7.2 8 BOTTLE BLOWING Will the pitch of the note you hear as we blow over the bottle go up or down as we add water into the bottle?

  9. LINGUIST 197M, SPRING 2018. CLASS 7.2 9 DJEMBE DRUMS http://djembefola.com/board/viewtopic.php?t=3619

  10. LINGUIST 197M, SPRING 2018. CLASS 7.2 10 MAKING DJEMBE DRUMS https://youtu.be/aLeede5z1vQ

  11. LINGUIST 197M, SPRING 2018. CLASS 5.2 11 SARASWATI VEENA (CARNATIC) https://youtu.be/4yv4ea1pFp4?t=1m6s

  12. 12 RESONANCE TUNING IN SINGING http://newt.phys.unsw.edu.au/jw/soprane.html#soundfiles Note names: http://newt.phys.unsw.edu.au/jw/notes.html

  13. LINGUIST 197M, SPRING 2018. CLASS 7.2 13 SOPRANO FORMANTS http://www.nature.com/nature/journal/v427/n6970/fig_tab/427116a_F1.html FIGURE A ▸ What vowel is being sung here? What is the frequency of f0? The corresponding musical note? ▸ What are R1-R4, in terms of concepts you’ve learned from source-filter theory? Is there an alternative term you know for them? FIGURE B ▸ What is another word for “R1” that we’ve learned? Does it correlate with vowel height or backness? ▸ Order the vowels from lowest to highest in height based on the R1 values given at f0 = 200 Hz. Do the same for the R1 values given at f0 = 800 Hz. ▸ What happens to the R1 values of the different vowels as f0 gets higher?

  14. LINGUIST 197M, SPRING 2018. CLASS 7.2 14 MOZART’S QUEEN OF THE NIGHT ARIA http://www.youtube.com/watch?v=dpVV9jShEzU

  15. LINGUIST 197M, SPRING 2018. CLASS 7.2 15 MOZART’S QUEEN OF THE NIGHT ARIA http://www.thoughtco.com/der-holle-rache-lyrics-724325

  16. LINGUIST 197M, SPRING 2018. CLASS 7.2 16 F2 TUNING IN B4, CELESTE AIDA, [O] H6 = 2.8 kHz Domingo: singer’s formant H3 = 1.4 kHz Pavarotti: F2 = 1400 Hz!! Raised 500 Hz http://www.vocevista.com/technology.html http://www.voiceinsideview.com/docs/Miller%20chapter%201.pdf

  17. LINGUIST 197M, SPRING 2018. CLASS 7.2 17 THE SINGER’S FORMANT Singer’s formant, approx. 3 kHz http://www.ncvs.org/ncvs/tutorials/voiceprod/tutorial/singer.html http://www.speech.kth.se/prod/publications/files/qpsr/1995/1995_36_2-3_083-096.pdf

  18. LINGUIST 197M, SPRING 2018. CLASS 7.2 18 THE SINGER’S FORMANT http://www.ncvs.org/ncvs/tutorials/voiceprod/tutorial/singer.html

  19. LINGUIST 197M, SPRING 2018. CLASS 7.2 19 PAVORATTI’S FINAL B4, CELESTE AIDA: 4:18 http://www.youtube.com/watch?v=XP1vp_G9mLc

  20. 20 VOCAL TRACT RESONATORS IN MUSIC: BENDING IN HARMONICA PLAYING More general review article: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2689615/

  21. LINGUIST 197M, SPRING 2018. CLASS 7.2 21 BLOW AND DRAW REEDS http://purintun.com/harp_bending_attributes_article.pdf

  22. LINGUIST 197M, SPRING 2018. CLASS 7.2 22 BENDING: JAMES COTTON SOLO https://youtu.be/8hEYwk0bypY?t=2m49s

  23. LINGUIST 197M, SPRING 2018. CLASS 7.2 23 BENDING: INSIDE THE ORAL CAVITY https://youtu.be/gTEXSb6duVs?t=2m14s

  24. LINGUIST 197M, SPRING 2018. CLASS 7.2 24 NORMAL DRAW NOTE ON 3RD HOLE https://asa.scitation.org/doi/pdf/10.1121/1.4799443

  25. LINGUIST 197M, SPRING 2018. CLASS 7.2 25 BEND DOWN THREE SEMITONES https://asa.scitation.org/doi/pdf/10.1121/1.4799443

  26. LINGUIST 197M, SPRING 2018. CLASS 7.2 26 BEND DOWN THREE SEMITONES https://asa.scitation.org/doi/pdf/10.1121/1.4799443

  27. 27 TIMBRE CATEGORIES IN INDIAN TABLA DRUMMING

  28. LINGUIST 197M, SPRING 2018. CLASS 7.2 28 NAMED TIMBRE DIFFERENCES https://youtu.be/C6G4pZgE88A?t=2m40s

  29. 29 OVERTONE AND UNDERTONE SINGING

  30. LINGUIST 197M, SPRING 2018. CLASS 7.2 30 OVERTONE SINGING Explanation: https://www.youtube.com/watch?v=UHTF1-IhuC0

  31. LINGUIST 197M, SPRING 2018. CLASS 7.2 31 UNDERTONES: SUBHARMONICS Subharmonics in Freddie Mercury’s singing: http://bass2yang.com/freddie-mercury-and-subharmonics/

  32. LINGUIST 197M, SPRING 2018. CLASS 7.2 32 UNDERTONES: KARGYRAA SINGING IN HÖÖMII Female throat singing by Choduraa Tumat https://youtu.be/JN36FVTazjs Very low subharmonics: https://www.youtube.com/ watch? v=kiBtqWaluhI&list=RDkiBtqWalu hI&t=9

  33. LINGUIST 197M, SPRING 2018. CLASS 7.2 33 VENTRICULAR FOLD VIBRATION https://www.sciencedirect.com/science/article/pii/S089219970100008X Laryngyscopy and Tuvan throat singing: https://youtu.be/za8N1DLMuR0

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