The He(art) of Design: Ethos-led design thinking and creativity in - - PowerPoint PPT Presentation

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The He(art) of Design: Ethos-led design thinking and creativity in - - PowerPoint PPT Presentation

The He(art) of Design: Ethos-led design thinking and creativity in boys schools Int Introduc oducing ing Dr Ian PM Lambert Principal Mr Paul Vickers Director of Music and Co-Curricular Activities / Coordinator of Design Thinking and


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The He(art) of Design:

Ethos-led design thinking and creativity in boys’ schools

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Dr Ian PM Lambert

Principal

Mr Paul Vickers

Director of Music and Co-Curricular Activities / Coordinator of Design Thinking and Creativity

Ms Andrea van den Bol

Head of Curriculum (7-12)

Dr Caitlin Munday

Research Fellow (Professional Learning)

Int Introduc

  • ducing

ing

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2,065 students $72 million budget 373 staff 7 campuses

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The problem for schools

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Why ethos-led design thinking and creativity in boys’ schools?

The The Rati ation

  • nale

le

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Our VUCA World …

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Source: The New Work Smarts: Thriving in the New Work Order (Foundation for Young Australians, 2017)

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“… a class of social system problems which are ill-formulated, where the information is confusing, where there are many clients and decision makers with conflicting values, and where the ramifications in the whole system are thoroughly confusing.” Rittell, 1967

Wic icked ed Pr Problem lems

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What qualities do we want to develop in our boys so that they might flourish in this new world?

How do we do it?

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Experiential Education Framework

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Defining terms

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Creativity Design Thinking Ethos

Wor

  • rd a

assoc sociati ation

  • n
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Creativity

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“The figure of the scientist has held claim to the mantle of empirical inquiry, reason and cognition, [while] the artist has stood as the embodiment of subjectivity, spontaneity, and imagination.” Wakeford (2004, p.81)

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“a tran ansform sformati ative pro roces ess where mean anin ing, g, emotion tion an and cogn gnit itive e sy symbol bols are synthesised res result ultin ing g in in both ac acti tivit ity as well as the pu purpo posefu seful const nstruction ruction of ne new artefacts or products.”

John-Steiner, Connery & Marjanovic-Shane, 2010

Creativity as …

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Design Thinking

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Design Thinking Process - d.school, Stanford University

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Design Thinking Process - d.school, Stanford University

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“Design thinking is a human-centered approach to innovation that draws from the designer's toolkit to integrate the needs of people, the possibilities of technology, and the requirements for business success.” Tim Brown, CEO of IDEO

Design Thinking as …

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“Design thinking is not a linear path, it's a big mass of looping back to different places in the process.” David Kelley, IDEO Founder “The subject matter of design is potentially universal in scope, because design thinking may be applied to any area of human experience.” Buchanan, 1992

Design Thinking as …

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Ethos-led

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e· e·th thos ˈēTHäs noun ‘The char aracteri acteristic tic sp spir irit it of a culture, era, or community as manifested in its attitudes and aspirations’

Oxford English Dictionary

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‘Higher learning for the common weal’

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“In seeking to serve God faithfully, The Scots College exists to inspire boys to learn, lead and serve as they strive for excellence together.”

‘Higher education for the commonwealth’ Rev James Smith White, 1893

The School’s Vocation

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Scots’ Graduate Profile

Brave Hearts Bold Minds

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in all ways at all times in all things

St Striving ing to be E

  • be Etho

thos-led led

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Thin practices Thick pract actic ices

Chapel Ceremonies (e.g. Graduation) Mission statements Religious education Financial stewardship Landscape and architecture General curriculum Sport Music Staff recruitment and induction Technologies Student welfare policies Crisis management Residential programs Creative arts

Certain things are sacred or secular

Marketing and admissions Alumni and philanthropy Uniforms ‘Traditions’

The ‘Icing on the Cake’ Approach

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Thick pract actic ices

Chapel Ceremonies (e.g. Graduation) Mission statements Religious education Financial stewardship Landscape and architecture General curriculum Sport Music Staff recruitment and induction Technologies Student welfare policies Crisis management Residential programs Creative arts

Everything is sacred and nothing is sacred

Marketing and admissions Alumni and philanthropy Uniforms ‘Traditions’

The ‘Whole Cake’ Approach

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Ethos-led design thinking and creativity

What does it look like?

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Ethos-led design thinking and creativity

In Practice – Artistry

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“The 125 Years Thanksgiving Concert is a very special event celebrating 125 years of

  • ur College striving to realise it’s purpose

under God. Specifically, we acknowledge and celebrate the intersection of music and the Christian life of the College as inherently intertwined throughout our history. We consider today God’s promises to His people and the way these promises have been lived out in the Scots community. Our concert program expresses thankfulness for the College’s history and God’s continued provision for our school. We then turn our posture towards the future, celebrating the hope we have for the next 125 years of inspiring boys to learn, lead and serve as they strive for excellence together.”

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Audio

Th Than anksgi sgiving C ing Conc

  • ncer

ert

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Design Thinking Process - d.school, Stanford University

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The Process of Design Squiggle by Damien Newman, Central Office of Design

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Design for Learning Teacher as Designer

Design Outcome: Student Learning Experience Teacher preparation

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Design for Learning Design as Learning Teacher as Designer Student as Designer

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Ethos-led design thinking and creativity

In Practice – Curriculum Integration

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Year 8 Integrated Learning Elective

Pr Produc

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e to M

  • Mark

arket et

“It teaches us practical skills you don’t learn in a

  • classroom. We’re getting
  • utside; getting our

hands dirty; learning about the real world; creating sustainable valuable products whilst creating history for our College.” William Guilfoyle – Year 8 Country Boarder

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Year 8 Integrated Learning Elective

Pr Produc

  • duce t

e to M

  • Mark

arket et

Designed to educate students about the sustainability of the world’s environments to ensure that food is available into the

  • future. Students examine the

environments of the world to identify the best agricultural areas and then investigate the best forms of agriculture and technology to produce sufficient food for the world’s population.

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Ethos-led design thinking and creativity

In Practice – Skills

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“…the Innovation and Design Co-Curricular Activity at Scots will facilitate deep learning around how we embed Design Thinking and Creativity in our programs in a way that is authentic, effective, and distinctly ours.”

Inno Innovati ation and

  • n and De

Design ign

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  • 1. Boys learn from experts
  • Practicing designer
  • Design Researcher
  • 2. Boys are explicitly taught

skills

  • 3. Boys apply their learning

to a real world design problem

  • 4. Boys learning is

embedded in our ethos

Inno Innovati ation and

  • n and De

Design ign

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Boys will:

  • Expand their creative thinking ability
  • Strengthen their collaboration skills
  • Understand empathetic research methodologies
  • Explore visual research imagery
  • Explore a designer’s ‘toolbox’
  • Develop their reflective practice
  • Better understand how they might flourish as created

and creative

Inno Innovati ation and

  • n and De

Design ign

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Design for Learning Design as Learning Student and Teacher as Collaborative Co-designers

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Conclusion

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  • 1. Know your ethos – Who you are? Where have you

come from? What you exist for/Where are you going?

  • 2. Do not rush to product.
  • 3. Allow the process to help you create meaning.
  • 4. Collaboration is key.
  • 5. Allow space for creativity.

Gett Getting ing St Star arted ed

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Business as usual won’t be good enough Our story compels us to change the world It is why we’re here

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Download the paper and presentation tsc.nsw.edu.au/ibsc

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