The He(art) of Design:
Ethos-led design thinking and creativity in boys’ schools
The He(art) of Design: Ethos-led design thinking and creativity in - - PowerPoint PPT Presentation
The He(art) of Design: Ethos-led design thinking and creativity in boys schools Int Introduc oducing ing Dr Ian PM Lambert Principal Mr Paul Vickers Director of Music and Co-Curricular Activities / Coordinator of Design Thinking and
Ethos-led design thinking and creativity in boys’ schools
Dr Ian PM Lambert
Principal
Mr Paul Vickers
Director of Music and Co-Curricular Activities / Coordinator of Design Thinking and Creativity
Ms Andrea van den Bol
Head of Curriculum (7-12)
Dr Caitlin Munday
Research Fellow (Professional Learning)
2,065 students $72 million budget 373 staff 7 campuses
Source: The New Work Smarts: Thriving in the New Work Order (Foundation for Young Australians, 2017)
“… a class of social system problems which are ill-formulated, where the information is confusing, where there are many clients and decision makers with conflicting values, and where the ramifications in the whole system are thoroughly confusing.” Rittell, 1967
What qualities do we want to develop in our boys so that they might flourish in this new world?
Experiential Education Framework
John-Steiner, Connery & Marjanovic-Shane, 2010
Design Thinking Process - d.school, Stanford University
Design Thinking Process - d.school, Stanford University
‘Higher education for the commonwealth’ Rev James Smith White, 1893
Thin practices Thick pract actic ices
Chapel Ceremonies (e.g. Graduation) Mission statements Religious education Financial stewardship Landscape and architecture General curriculum Sport Music Staff recruitment and induction Technologies Student welfare policies Crisis management Residential programs Creative arts
Marketing and admissions Alumni and philanthropy Uniforms ‘Traditions’
Thick pract actic ices
Chapel Ceremonies (e.g. Graduation) Mission statements Religious education Financial stewardship Landscape and architecture General curriculum Sport Music Staff recruitment and induction Technologies Student welfare policies Crisis management Residential programs Creative arts
Marketing and admissions Alumni and philanthropy Uniforms ‘Traditions’
“The 125 Years Thanksgiving Concert is a very special event celebrating 125 years of
under God. Specifically, we acknowledge and celebrate the intersection of music and the Christian life of the College as inherently intertwined throughout our history. We consider today God’s promises to His people and the way these promises have been lived out in the Scots community. Our concert program expresses thankfulness for the College’s history and God’s continued provision for our school. We then turn our posture towards the future, celebrating the hope we have for the next 125 years of inspiring boys to learn, lead and serve as they strive for excellence together.”
Design Thinking Process - d.school, Stanford University
The Process of Design Squiggle by Damien Newman, Central Office of Design
Design for Learning Teacher as Designer
Design Outcome: Student Learning Experience Teacher preparation
Design for Learning Design as Learning Teacher as Designer Student as Designer
“It teaches us practical skills you don’t learn in a
hands dirty; learning about the real world; creating sustainable valuable products whilst creating history for our College.” William Guilfoyle – Year 8 Country Boarder
Designed to educate students about the sustainability of the world’s environments to ensure that food is available into the
environments of the world to identify the best agricultural areas and then investigate the best forms of agriculture and technology to produce sufficient food for the world’s population.
“…the Innovation and Design Co-Curricular Activity at Scots will facilitate deep learning around how we embed Design Thinking and Creativity in our programs in a way that is authentic, effective, and distinctly ours.”
skills
to a real world design problem
embedded in our ethos
Boys will:
and creative
Design for Learning Design as Learning Student and Teacher as Collaborative Co-designers
come from? What you exist for/Where are you going?