Subterranean surroundings, whether real or imaginary, furnish a model - - PowerPoint PPT Presentation

subterranean surroundings whether real or imaginary
SMART_READER_LITE
LIVE PREVIEW

Subterranean surroundings, whether real or imaginary, furnish a model - - PowerPoint PPT Presentation

Subterranean surroundings, whether real or imaginary, furnish a model of an artificial environment from which nature has been effectively banished...human beings who live underground must use mechanical devices to provide the necessities of


slide-1
SLIDE 1

“Subterranean surroundings, whether real or imaginary, furnish a model of an artificial environment from which nature has been effectively banished...human beings who live underground must use mechanical devices to provide the necessities of life: food, light, even air. Nature provides only space. The underworld setting therefore takes to an extreme the displacement of the natural environment by a technological one. It hypothesizes human life in a manufactured world.“

  • Rosalind Williams, Notes on the Underground
slide-2
SLIDE 2
  • Subterranean history of the nineteenth century provides a striking disparity

between actuality and imagination.

  • In actuality, excavation = progress (advancement of knowledge and the conquest
  • f external nature)
  • In “architectural fiction”, projects tend to find security from natural or social peril
  • They foresee our enormous investment in subterranean projects motivated

primarily by our desire to evade ecological and military disasters

Oscar Newman’s 2nd NYC Paris Metro Station Repurposed Missile Silo

slide-3
SLIDE 3

MATSYS

  • Fictional world where water is

extremely scarce (Dune, 1965)

  • Ties infrastructure (the

subterranean “sietch”), used for the collection & storage of water to a high density underground community

  • ”These structures constitute a

new neighborhood typology that mediates between the subterranean urban network and the surface level activities

  • f water harvesting, energy

generation, and urban agriculture and aquaculture”

Architecture as Narrative

slide-4
SLIDE 4

SITE: E: future Nevada Desert PROGR OGRAM: high density subterranean community

  • Housing & commercial structures
  • Infrastructure – water storage/collection
  • Protection from war

METHOD OD: fictional narrative/literature created to discuss real possibilities

  • In desert regions, water is actually

held in underground basins

“The reason for constructing an underground environment in the first place is to find security from nature's risks and limits. Fear of disaster impels human beings to seek more control over their environment”

slide-5
SLIDE 5
  • underground shelter vs underground urbanism. The former he considers an

escape, though sensible in extreme climates. The latter he considers indispensable, believing that modern cities must extend in three dimensions to be livable.

  • Approached urban planning by seeing the underground a comprehensive

part of the city (four principal resources: space, water, geothermal energy and geomaterials)

  • Advocated putting the “less glamorous” aspects of civilization underground
  • proposed citywide systems of underground infrastructure: “elaborate grids of

trenches, 1000 feet wide and 200 feet deep would hold utility and distribution networks, central heating and cooling factories, recycling and waste treatment plants, and factories.

  • Allow the surface would be liberated for parks, housing, schools, and other less

utilitarian functions – Underground as functional counterpoint to the space above

Edouard Utudjian

slide-6
SLIDE 6

Lebbeus Woods

  • Fictional project and screenplay written in

1989 (year Berlin wall fell)

  • Underground Berlin, “is a city beneath a
  • city. It is organized as a secret community
  • f resistance to the occupying political

powers above and follows existing U-Bahn subway lines.”

  • implies that there was not just an East

Berlin and a West Berlin but an Upper and a Lower fragmentation of the metropolis

  • Designing in the “3rd dimension”
  • ”the city is divided above ground but

unified below”

  • Here the underground is viewed as a

utilitarian, utopian landscape that exists beneath a politically divided society above ground

slide-7
SLIDE 7

Edmond Burke suggests that feelings of sublimity might be aroused not only by external nature but also the "artificial infinite", a nonorganic visual object of great

  • dimensions. While not literally underground,

they convey an overwhelming sense of

  • enclosure. They are architectural

approximations of a subterranean environment.

Vienna’s S-Bahn Station

On Beauty, Aurora, Nature

Piranisi’s prisons

slide-8
SLIDE 8

"With the rise of urbanization, cities will soon face the issue of accommodating an influx of citizens. This will result in increased housing developments, and for land- scarce urban centers, increase in high-rises. After all, if a city cannot or will not expand outward due to any variety of reasons, the only way it can go is up… Perhaps instead of focusing on city expansion, we should continue to focus on the spaces that we have already used and work not only in the upwards direction, but possibly the downwards one as well.”

  • Liam Young

Low-Line (James Ramsey) Earthscraper (BNKR)