Prof. Dr. Fumikazu Saito fsaito@pucsp.br PEPG em Histria da - - PowerPoint PPT Presentation

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Prof. Dr. Fumikazu Saito fsaito@pucsp.br PEPG em Histria da - - PowerPoint PPT Presentation

Prof. Dr. Fumikazu Saito fsaito@pucsp.br PEPG em Histria da Cincia/CESIMA/PUCSP PEPG em Educao Matemtica/HEEMa/PUCSP Studies on perspectiva Leon Battista Alberti Albrecht Drer Perspectiva Danielle Barbaro Pietro Cataneo Salomon


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  • Prof. Dr. Fumikazu Saito

fsaito@pucsp.br

PEPG em História da Ciência/CESIMA/PUCSP PEPG em Educação Matemática/HEEMa/PUCSP

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Leon Battista Alberti Albrecht Dürer Danielle Barbaro Pietro Cataneo Salomon de Caus Jean Cousin Guidobaldo del Monte Piero della Francesca Jean Dubreuil Euclides Egnazio Danti Jean-François Nicéron (…)

Studies on perspectiva Optics Perspectiva Classical doctrines regarding visual process Geometry

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16th Century Optics = “science of vision” Perspectiva Latin translation of Greek word optikè Direct and distinct vision De aspectibus De visu “Perspective” Pictorial technique

Perspectiva naturalis (or comunnis) and artificialis

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Perspectiva naturalis (or comunnis) and artificialis We cannot establish a clear boundary between these two expression of optics Mid- 17th century: Although aspects of vision still remain, others related to the physiology and anatomy began to cast aside La pratica della perspettiva (1596) by Daniele Barbaro Livre de perspective (1560) by Jean Cousin La perspective (1611) by Salomon de Caus

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La pratica della perspettiva (1596)

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Livre de perspective (1560)

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La perspective (1611)

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Gradual separation of these two expression of “optics” (perspectiva) Some treatises gradually give greater importance to light, others to issues related to the shadow tracing The issues concerning anatomical and physiological aspects of vision gradually disappear, migrating to treatise related to medicine or physics

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Perspectiva artificialis

Costruzione legittima (Egnatio Danti & Jacoppo Barozzi da Vignola) Geometric treatment (Guidobaldo del Monte) Anamorphosis (Gaspar Schott) Jean-François Nicéron

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1) limited the visual field; 2) immobilized the eye; 3) ignored the sphericity of the visual field; and 4) reduced eyesight to monocular vision

Visio artificialis

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La pratica della perspettiva (1596) "... We must consider not only what eye sees, but also how it sees...“ (Book I, Chap. I) Chapter II, Barbaro made a distinction between: “simply looking and seeing” “careful and acurate vision” (natural vision) (modes of vision) (operation of nature) (the reason) “it is not for us to discuss whether vision occurs through reception or transmission”

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It is evident the influence of the ideas contained in Euclid’s Optics in Barbaro’s treatise... However other aspects related to vision are also present…

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Distinction between (in Aristotelian fashion) “natural and mathematical angle of vision”: Natural line and angle could not be divided ad infinitum Mathematical line and angle could be divided ad infinitum Barbaro concludes that perspective takes into account the ratio of natural signals, lines and angles Perspective as mixed-mathematics (natural – geometrical)

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Barbaro’s treatise

  • n the one hand approaches

and on the other, differs from traditional treatise of perspectiva Two important points: Eye is reduced to a point Refractions into the eye are eliminated Pyramid and not a cone of vision (The base is a square ,not a circle)

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Final remarks

La pratica della perspettiva, among many other treatises on perspective published in the sixteenth century, points to the split between natural and artificial vision. However, this split is not

  • complete. The procedure adopted by Barbaro, refracting the new

conceptions of nature that began to gain importance in his time, reflects ancient and traditional knowledge linked to the nature of

  • vision. One can say that these two expressions of perspective are

harmonized in La pratica della perspettiva by Barbaro which sometimes approach and sometimes move away from ancient conceptions of optics.

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Thank you very much! fsaito@pucsp.br

http://fumikazusaito.com