Our
T H E A G E O F I N N O C E N C E12
LECTURE
Our T H E A G E O F I N N O C E N C E R E C A P PA - - PowerPoint PPT Presentation
LECTURE 12 Our T H E A G E O F I N N O C E N C E R E C A P PA S S A G E - B A S E D Q U E S T I O N SOCIAL ORDER REI G N I NG S OV ER IG N S O F C U STO M SYMBO LS O F A PRESERV ED , D E AD S O CI ET Y O B
Our
T H E A G E O F I N N O C E N C E12
LECTURESOCIAL ORDER
‘REI G N I NG S OV ER IG N S ’ O F C U STO M PA S S A G E - B A S E D Q U E S T I O N SYMBO LS O F A ‘ PRESERV ED ’ , D E AD S O CI ET YCONCERNS METHODS
L I N K E D T O ‘ S O C I A L C O N V E N T I O N ’PURPOSE
I S I T J U S T A C R I T I Q U E O F R I G I D S T R U C T U R E S ? R E V I S E R E C O N S I D E RFOR NOSTALGIA
T H I S N A T I O N A L D AY W E E K F O R G I V E M R . L I M BONUS - WHY DID WE PICK THE TEXT?CHANGE
IS MORE CONCERNED WITH SOCIALSTABILITY?
THAN W I TH T O P I C 2013 ‘A’ LEVEL Question 2aTHE AGE OF INNOCENCE
H OW FA R D O YO U AG R E E T H ATCRITIQUE
ELEGY
R E A D F I R S T A S A S O C I A L O F O U TM O D E D A N D ME A NINGLE SS RULE S A NOVEL THAT TRACES AND CALLS FOR SOCIAL CHANGE U N D E R STO OD L ATE R A S A N T H E S I S FOR A WORLD OF ORDER A WORK OF NOSTALGIA FOR SOCIAL STABILITY2
PAGE I T I S H E R E T H AT W E B E L O N G … O N E C O M M O N D E S T I N YNew York, Our
OLD NEW YORK
C O N T E X TWWI
W RIT T EN A F T E R1870s
S E T I N A M E R I C A U N D E R T H E T I T L E S OC I AL COMME N TARY? AU TOB I OG R AP H Y? H I STO R I CA L F I C T I O N ?2
INNOCENCE
C O N T E X T O F ‘ O L D - F A S H I O N E D ’ N E W Y O R K T H E TITLE IS BOTH ‘IR ON I C ’ A N D ‘TEN D ER ’ CRITICAL OF ‘IMMATURITY’ & CONSTRAINTS APPRECIATIVE OF ‘SIMPLICITY’ AND ‘PURITY’ A R E T R O S P E C T I V E W O R K A B O U T T H Estrong and free
2
PAGE W E B U I LT A N AT I O N … R E A C H I N G O U T T O G E T H E RNEW YORK
A D I F F E R E N T C HA P T E R 3 4 D E P I C T I O N O F ‘ C H A N G E ’ T EC H N O LO GY ‘ WH AT WA S L E F T O F T H E L I T T L E WO RL D ’ ‘ HOW FA R THEY W E R E ’ FADI NG ‘ STA N DA RDS ’ S I G N S O F ‘ P R O G R E S S ’ ‘TH ING S GO O N AT THI S RAT E’ ‘ M O RE TO LERANT ’ ‘NOBODY R E PR OV ED’ ‘ L A R GE R L I F E ’ L E SS ‘ NA R R OW- M I N D E D ’A R C H E R
D A L L A S
I S A S Y M B O L O F ‘ N E W ’ N E W Y O R K
‘ B L I N D C O N F O R M I T Y
E L L E N O L E N S K A
T O T R A D I T I O N ’
M U C H L I K E T H E ‘ N E W W O M A N ’3
‘DEAF AND DUMBASYLUM’
T O N E O F D E R I S I O N A G A I N S T O L D N Y
W H O P R E V I O U S L Y C R I T I C I S E D I T S ‘ALL SORTS OFNEW’
MUSEUM
T H E N O V E L A S A A R C HA E O LO G I C A L M O T I F O F B E L I E F S , I D E A S & A R T E FAC T S TO R ECO R D A N D ‘ STA B IL IS E ’ T H E PA ST C H A R AC T E R S O F VA R Y I N G S TAT U SCIVILISATIONS
A R C H A E O L O G I C A L M O T I FT H E P A S S I N G O F
‘CESNOLA Antiquities’ ‘RECoverED FRAGMENTS’ ‘TIME-BLURRED SUBSTANCES’ ‘USED TO BE NECESSARY AND IMPORTANT’ C HA P T E R 3 1records
T O S E E ‘ G O O D I N T H E O L D WAY S ’OLD NEW YORK
recognise
T H E N O V E L I T S U S E A N D VA LU E S O T HAT W E M AY T H E L I F E O FNew York
3
PAGE J E W E L S O N T H E O C E A N , G E M S U P O N T H E S E ALISTS
O F C L O T H I N G & D E C O R AT I O N O B S E S S I O N W I T H S O C IA L FO R M WHITE EIGHT GOLD SAPPHIRE CAT’S EYE Lilies Lilac Sleeve-links Scarf-pinsW harton’ s
adjectives
nouns
enumeration of
number, colour, materialChantilly
V E I L M O D E S Ttulle
T U C K E R PA L EMuslins
Venetian
POINT BLACK LACE AND A P P E A RA N C ECINEMATIC DETAIL
C L O T H I N G I S D E S C R I B E D I N4
STATUS DEVIANCE
M AY T H E ‘ I D E A L ’ F A S H I O N A S A S I G N O F ‘ O R D E R ’ A N D B E L O N G I N G C LO T H I N GFO R N E W Y O R K ’ S
SA R T O R IA L C U LT U R E
WHARTON’S TRIBUTE TO4
PAGE T I M E H A S PA S S E D U S B Y… T H I S W I L L A LWAY S B E O U R P E O P L EHeartbeat
In a
Traditions
But, in the first place, New York was a metropolis, and perfectly aware that in metropolises it was “not the thing” to arrive early at the opera; and what was or was not “the thing” played a part as important in Newland Archer's New York as the inscrutable totem terrors that had ruled the destinies of his forefathers thousands of years ago.
T H E I M P O R T A N C E O FSOCIAL TRADITIONS
T H E T RA D I T I O N O F t H E N E W YO R K T R I B E A R EADHERED
AS ‘TOTE M T E RR O RS ’Religiously
On the Basis of
History
‘D ESTINIES OF HIS FO RE FAT HE RS TH OUSA NDS O F YE ARS AGO ’ WH A RTO N RECO UNTS A T IME W HE RE T HE S E ‘T RIF LE S ’ O NCE RE IGNE D S UP RE M EPRIMITIVE TRIBE
COSMOPOLITAN ‘METROPOLIS’
T H AT BE H AV E S LIK E A THESE REGRESSIVE CODES ‘TRAP’, ‘BURY’ AND ‘ELIMINATE’ ARCHER AND ELLEN I S T H I S A C A L L FO R C HA N G E ? T H E N A R RAT O R D E S C R I B E S ANew York
5
PAGE T O G E T H E R W E M A K E A D I F F E R E N C E , O N E V O I C E , O N E D E S T I N Yin harmony
Codes
In reality they all lived in a kind of hieroglyphic world, where the real thing was never said or done
arbitrary signs; as when Mrs. Welland, who knew exactly why Archer had pressed her (and had indeed expected him to do no less)…
A S O C I E T Y O F S E C R E TANCIENT
S I G N S A N D P R A C T I C E S A R C HA E O LO G I C A L M O T I F CR UE L A N D S E N S E L E S S AN INDECIPHERABLE CODE TO KEEP OUTSIDERS AWAY A H I E R O G L Y P H I C C O D E O F5
PRETENCE
J U X TA P O S I T I O N ‘OBLIGED TO SIMULATE’, ‘AIR’ A P P E A R A N C E O F H O S P I TA L I T Y I G N O R I N G T H E U G L Y A N D U N P L E A S A N TCENSORSHIP
‘NEVER SAID OR DONE OR THOUGHT’ H I D D E N B E N E A T H‘IDENTICAL MANNERISMS’
‘SAME VOCABULARY’ ‘SAME LANGUAGE’ ‘CLING TOGETHER’
E V I D E N C E‘BOTH BEEN TRAINED’
METHOD E F F E C T PURPOSE
P airWork
I D E N T I F Y T H E OR PATTERN A N A LY S E T H E BASED ON PURPOSE D E C I D E O N ‘JUDGEMENT’ + CONCERN I F S T U C K I N A D I L E M M A 1 ) M E T H O D : D I C T I O N / ‘ L A N G UA G E O F ’ 2 ) C O N C E R N : O L D N Y ’ S ‘ S O C IA L ’E F F E C T S PURPOSE
affinity closeness SOCIAL COHESION
memorialise the
6
PAGE W I T H O U R H A N D S , T H E T O I L O F P E O P L E F R O M A D O Z E N L A N D SThat’s the Way
That We Will Be
DINNERS
T H E D E V I C E O F D RAW S N E W Y O R K ’ S AU T H O R I T Y F I G U R E STO GET H E R
‘MANIFOLD IMPLICATIONS’ ‘NO LIGHT MATTER’‘HONOUR’ 6
CHAPTER
CHAPTER
T O C A S T J U D G E M E N T G O S S I P C HA P T E R SCHAPTER CHAPTER
NOUVEAU RICHE
I N T R U S I O N B Y T H E FO O D & WA R I M A G E S THIS ‘BATTLE’ OF WEALTH RESULTS IN… TOTAL DISINTEGRATION‘lay siege’ ‘Vintage Wines’
‘Hot canvas-back ducks’ ‘tight little citadel’7
PAGE W E A R E A R A I N B O W O F A T H O U S A N D C O L O U R SOne United People
A Thousand Eyes
ACADEMY
‘ t h e s e n t i me n ta l clung to it for i ts h i sto r i c ass ociations’ T H E O F M U S I C T E N S I O N B E T W E E N F U T U R E A N D P A S T ‘T H E R E WA S A LRE A DY TA LK … O F A N EW O P E RA H OUSE ’ ‘S H A BBY … S O C I A BLE OLD ACA DE MY ’7
SURVEILLANCE
‘ C O U N T L E S S S I L E N T LY O B S E R V I N G E Y E S A N D P A T I E N T LY L I S T E N I N G E A R S ’ A S T A T E O F T O M A I N T A I N S T A B I L I T YARCHER
I S I M P R I S O N E D BY A N ‘ I N E XO R A B L E ’ R EG I M E P R I S O N + S U R V E I L L A N C E M O T I FS ‘CONSPIRACY ’ ‘ CO U N T L E S S ’ ‘BA N D ’ ‘A RMED CA MP’7
PAGE A P L A C E W H E R E I ’ L L B E S A F E A N D WA R MThis is Where
They Belong
DISCONTENTMENT ‘RADICAL ’ BELIEFS DESIRE TO BE FREE
A R C H E R ’ S P E R S P E C T I V EMISFIT
A R C H E R T H E W H O S E M A N I F E S T I N W O R D S A S S O C I A T E D W I T HCHANGE
A R C H E R
A D E L I N E
M A T U R I T Y + A U T H O R I T Y
SECURITY
8
‘ B U T W E B E L O N G H E R E ’
A N A U T H O R I A L V O I C E T H A T C A L L S
UPON ARCHER TO TREASURE NEW YORK’S& ORDER
M R S . A R C H E R S H I F T S T H E N O V E L B A C K T O A N A P P R E C I A T I O N O F W H A T O L D N E W Y O R K O F F E R STruly
8
PAGE I W ILL ALWAYS RECA L L TH E C I TY, K N OW EV ERY ST R EET A N D S H O R ET H I S I S
PARIS
New wave change
T H E S T R E E T S O FHABIT CHANCE
Old N ew
A R C H E R ’ S T H O U G H T SLooking about, he honoured his past, and mourned for it. After all, there was good in the old ways.
‘I'm old-fashioned: that's enough.'
T H E B I L D U N G S R O M A N A C C E P TA N C E O F ‘ S TA B L E ’ O L D N E W Y O R Kgood in the old ways.
WALKING AWAY
T H E E N D I N GHOME
A N O V E L A B O U T P E R S O N A L R E S P O N S E H O W I T H A S I R R E V O C A B L YCHANGED
Y E T R E M I N I S C I N G T H EPAST
A S A N A G E O F I N N O C E N C ETHANK
T H E R E ’ S S T I L L A L O N G L O N G W A Y T O G O T O T H E ‘ A ’ s ‘WE’LL STICK TOGETHER’ (289)a