Opera Productions, Old and New 1. If its baroque Handel: Jephtha - - PowerPoint PPT Presentation

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Opera Productions, Old and New 1. If its baroque Handel: Jephtha - - PowerPoint PPT Presentation

Opera Productions, Old and New 1. If its baroque Handel: Jephtha (Claus Guth, director ) Claudio Monteverdi: La Favola di Orfeo (1607) As Act II opens, Orfeo is relaxing among the shepherds and shepherdesses, rejoicing in the happiness of


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Opera Productions, Old and New

  • 1. If it’s baroque…

Handel: Jephtha (Claus Guth, director)

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Claudio Monteverdi: La Favola di Orfeo (1607)

Poussin: Landscape with Orpheus and Eurydice (c.1650)

As Act II opens, Orfeo is relaxing among the shepherds and shepherdesses, rejoicing in the happiness of his recent marriage to Euridice, who is ofgstage with her friends.

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Trisha Brown Brooklyn Academy of Music, 1998 Barrie Kosky Berlin Komische Oper, 2012 Gilbert Deflo Barcelona Liceu, 2003

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Rameau: Les Indes galantes (Paris, 1999; Andrei Serban, director)

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The Conductor The Stage Director

Who Controls What?

Yannick Nézet-Séguin Robert Carsen

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Start with an opera score…

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How would it have been performed at the tjme

  • f its compositjon?
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But tjme passes. What has changed in terms of:

  • musical understanding?
  • theater technology?
  • availability of singers?
  • audience expectatjons?
  • the efgect of other media?
  • politjcal and moral perspectjve?
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Every productjon is an act of interpretatjon,

  • f bridging the past to

the present.

Productjons of Handel’s Tamerlano

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Baroque Theater at Cesky Krumlov

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Baroque Theater Mechanics

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A Pastoral Scene

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J-B. Lully:

Atys

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Baroque Opera

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The castrato “Senesino,” the fjrst Caesar

Handel: Giulio Cesare, Act I

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The Castrati: A Caricature

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Opera Productions Old and New

  • 1. If it’s baroque…
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Fammi combattere, mostre e tifei, novi trofei se vuoi dal mio valor.

Go bid me fjght monsters and wild beasts, new trophies, if you want, of my love.

Muraglie abbatere, disfare incanti, se vuoi ch'io vanti darti prove d'amor.

Batulements to overturn, spells to unbind, If you want me to prove my love to you.

Handel: Orlando, Act I

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Da tempeste il legno infranto, se poi salvo giunge in porto non sa più che desiar.

A storm-batuered vessel, if it at last arrives safely in port, has nothing lefu to desire.

Handel: Giulio Cesare, Act III

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O s’apre al riso, O parla o tace, Ha un non so che Il tuo bel viso Che troppo piace Caro al mio cor. Il primo sguardo Che in voi fissai Provar mi fè Vezzosi rai.

Handel: Alcina, Act I

Whether smiling, speaking, or silent, your noble face is a temptatjon hard to withstand and dear to my heart. The fjrst glimpse I caught of your eyes pierced me with rays

  • f brilliant love.
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Handel: Alcina (Aix-en-Provence, 2015; Katje Mitchell, director)

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A Staged Messiah

Theater an der Wien, 2010 (Claus Guth, director)

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Opera Productions, Old and New

If it’s Baroque…

Handel: Semele (Seatule; Tomer Zvulun director; Erhard Rom designer)