On this side of the Gate: Japanese politics and geopolitics in the anime series “Gate: The Self-Defense Forces Fight Like This in Another Land”
Anime Expo July 2, 2016
On this side of the Gate: Japanese politics and geopolitics in the - - PowerPoint PPT Presentation
On this side of the Gate: Japanese politics and geopolitics in the anime series Gate: The Self-Defense Forces Fight Like This in Another Land Anime Expo July 2, 2016 GATE: THE SELF-DEFENSE FORCES FIGHT LIKE THIS IN ANOTHER LAND The
Anime Expo July 2, 2016
(Outbreak Company)
demigods, and beast men and woman
“in jokes” attached to the protagonist
married (and divorced) serviceman
JSDF medical/social worker Started writing Gate while still in the military Characters are based on co- workers Published Gate as a series of light novels Author of other military- related light novels
and China
to Japan
the world
Naban
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colonizer
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security
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Source: Securing Japan, R.J Samuels
Created during Korean war at the request of the US Formed to defend Japan while US fought in Korea Formed from police departments Strictly defensive - no ability to fight outside of Japan Under great suspicion The existence of JSDF is an affront to many Japanese Memories of the horrors of the Japanese Imperial army in WWII JSDF walks a tightrope Labors to avoid looking like Imperial army of the past Without looking unprofessional or ineffective JSDF’s role is currently in flux Increasing non-military support of US actions outside of Japan Pressure to develop preemptive capabilities (offensive weapons)
Japan Self Defense Force
Japan Maritime Self Defense Force Japanese Ground Self Defense Force Japanese Air Self Defense Force
Originally driven by the need for cheaper labor and to fill supporting roles that freed up men for fighting Historically only gendered roles (nurses) but recently include combat-related roles Currently 5.7% of force is female and the percentage is growing
While females only makeup 5.7% of the JSDF, 80% of JSDF recruitment advertisements include photos of women Recruitment posters de-emphasize fighting by using women pop-stars Images of female soldiers are presented in two contradictory ways hyper-masculinized women and sexualized women Goal is to convey a non-threatening image of JSDF (and induce young males to enlist)
Much of anime has an anti-war/anti-military theme Nausicaa, Howl’s Moving Castle, Barefoot Gen, Grave of the Fireflies, Saikano, Gargantia on the Verdurous Planet, Last Exile, etc. Mizuki Shigeru’s manga autobiography/history of Showa Japan Military anime do exist (Spaceship Yamato, Gundum) but are placed into the distant future Anime and movies (Akira, Evangelion, Godzilla) typically deal with JSDF as cannon fodder, always failing to stop the invading “other” But the JSDF-related anime do occur Zipang and Silent Service
Source: When Pacifist Japan Fights: Historicizing Desires in Anime
And now the series
In Gate, the the world outside of Japan is fundamentally threatening Japan is surrounded by much stronger enemies and uncertain allies (China, Russia, US, EU, etc.) who threaten her safety and independence These countries limit Japan’s access to raw materials. This is the world view that justified the creation of the Japanese empire. The dilemma of this world view is that in order to access resources Japan must deal with the rest of the world. Such dealing could be by peaceful trade (which increases Japan’s dependency and vulnerability) or by empire building (which did not work out that well in WWII). The Gate offers the solution to this dilemma.
Without leaving its borders Japan now has access to the Special Region - an entire world of under-used resources. With the resources of the Special Region Japan can again tell the world to go away, and be happy and prosperous (and isolated). The promise, however, comes with a threat. Japan will now need to fight with the world over these resources. China, Russia, and the US may be willing to attack Japan to get access to the Special Region. Gate concludes that Japan should take the risk!
To Takumi, JSDF is trapped by weak politicians, media suspicion, unreasonable restrictions In Gate, JSDF is finally free to show its true capabilities because: Japan was attacked first! The attack came from within Japan’s borders (JSDF does not have to fight internationally!) The title of the series “The Self-Defense Forces Fight Like This in Another Land” is a declaration of what the JSDF could do if it was given a chance They are masters of modern warfare and can compete with the soldiers of the US and other nations Once in place, nothing in the “Special Region” can pose a military threat to Japan (there is no external “other” in Gate) They effortlessly pivot from warfare to meeting social needs to nation building In contrast to the Imperial military’s use of “comfort women,” the JSDF both explicitly avoids using the local sex workers and directly supports them by providing prophylactics, healthcare, and social workers
Kurokawa - traditional female role Medic (traditional female
Supportive and non-threatening A woman who needs to be protected Kobayashi - non-traditional female role Capable and combative Trained in hand to hand combat Hyper agressive Hyper-sexualized
Otaku (manga readers) are presented as occurring throughout the JSDF and at the highest levels of government Boys Love manga captivate Pina Co Lada, a princess of the Empire, and her fellow noblewomen A captured manga becomes a bible for fashion design in the royal court Risa’s use of electronic media and flash crowds protects the JSDF and its guests from enemy (US) agents
Our guide to the story of GATE Itami is the name of the home town of the central division of JGSDF Gate unlike many anime is not a coming of age story. Itami Youji is presented as a complete individual Late 20s or early 30s, a very successful elite soldier, married (and divorced)
Loudly proclaims “I only work for my interests, so if someone asked me whether I chose my interests or work I would choose the former.” Seems to value doujinshi conferences over his career Highly capable slacker (e.g., Captain Tylor) But He goes to a doujinshi conference with a teeshirt that has the outline of a helmeted soldier. Thus he is a powerful and successful soldier who is playing life on his own terms and by choice is embracing the otaku life. He is not an otaku because he is a failure in life and can only be a hero in fantasy.
Itami cannot grow during the series His capabilities can only be disclosed Thus we see him at the end as at the beginning Sprawled on the ground, in front of a doujinshi convention that he will never get a chance to see….
Anime/manga tropes are transformed from escapist stories to information that is highly valuable to governments, society, and scientists. Otaku who know these stories are moved from the margin to the center of society.
Otaku/otaku culture is celebrated Itami is a symbol of a successful and powerful soldier/hero who still loves doujinshi Permeates the Japanese establishment and is prized by other cultures Validated by the existence of the Special Region