Narrator, Voice & Tone Narrator, Voice & Tone The Narrator - - PowerPoint PPT Presentation

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Narrator, Voice & Tone Narrator, Voice & Tone The Narrator - - PowerPoint PPT Presentation

Narrator, Voice & Tone Narrator, Voice & Tone The Narrator The Narrator When you read a story, the narrator the person telling the storycontrols everything you know about the characters and events. The Narrator The Narrator A


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Narrator, Voice & Tone Narrator, Voice & Tone

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When you read a story, the narrator—the person telling the story—controls everything you know about the characters and events.

The Narrator The Narrator

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A writer’s choice of a narrator determines the point of view of the story—the vantage point from which the story is told. The three main points of view are

  • omniscient
  • first person
  • third person limited

The Narrator The Narrator

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When the om niscient point of view is used, the narrator

  • is not a character in the

story

  • knows all
  • can tell us everything

about every character

Omniscient Point of View Omniscient Point of View

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How can you tell this is an

  • mniscient

narrator?

Omniscient Point of View Omniscient Point of View

Quick Check

One day a young woman looked out her apartment window and saw a man playing a saxophone. “Cool,” she thought as she swayed to his tune. A big brown dog joined the man and howled along with the music. Then a man in pajamas yelled from another window, complaining that the noise woke him up and he was going to call the police. This man, who worked the night shift and had to sleep all day, liked cats better than dogs anyway. The young saxophonist left.

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How can you tell this is an

  • mniscient

narrator?

Omniscient Point of View Omniscient Point of View

Quick Check

One day a young woman looked out her apartment window and saw a man playing a saxophone. “Cool,” she thought as she swayed to his tune. A big brown dog joined the man and howled along with the music. Then a man in pajamas yelled from another window, complaining that the noise woke him up and he was going to call the police. This man, who worked the night shift and had to sleep all day, liked cats better than dogs anyway. The young saxophonist left.

The narrator isn’t a character in the story. The narrator knows what multiple characters are doing, thinking, and feeling.

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A first-person narrator

  • is a character in the story
  • uses first-person pronouns

such as I and me

  • tells us only what he or she

thinks and experiences

First First-

  • Person Point of View

Person Point of View

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Always question whether a first- person narrator is credible, or can be trusted. An unreliable narrator is biased and does not (or cannot) tell the truth.

First First-

  • Person Point of View

Person Point of View

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How can you tell this is a first- person narrator? Do you think this narrator’s opinion

  • f the music is

reliable? Why or why not?

First First-

  • Person Point of View

Person Point of View

Quick Check

Oh, man! Just as I was finally dozing

  • ff, he starts playing that stupid
  • saxophone. I’ve already been fired from
  • ne job because I fell asleep on the

night shift. Now it’s going to happen

  • again. I don’t know which sounds

worse, that tone-deaf saxophonist or that yowling dog. I’m going to call the police.

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How can you tell this is a first- person narrator?

First First-

  • Person Point of View

Person Point of View

Quick Check

Oh, man! Just as I was finally dozing

  • ff, he starts playing that stupid
  • saxophone. I’ve already been fired from
  • ne job because I fell asleep on the

night shift. Now it’s going to happen

  • again. I don’t know which sounds

worse, that tone-deaf saxophonist or that yowling dog. I’m going to call the police.

He uses the pronoun I and tells only his

  • wn thoughts

and feelings.

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Do you think this narrator’s opinion

  • f the music is

reliable? Why or why not?

First First-

  • Person Point of View

Person Point of View

Quick Check

Oh, man! Just as I was finally dozing

  • ff, he starts playing that stupid
  • saxophone. I’ve already been fired from
  • ne job because I fell asleep on the

night shift. Now it’s going to happen

  • again. I don’t know which sounds

worse, that tone-deaf saxophonist or that yowling dog. I’m going to call the police.

  • No. He’s probably too

concerned about getting sleep to enjoy music.

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When the third-person-lim ited point of view is used, the narrator

  • uses third-person pronouns

(he, she, they)

Third Third-

  • Person

Person-

  • Limited Point of View

Limited Point of View

  • gives one character’s thoughts

and reactions

  • tells little about other

characters

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How can you tell this is a third- person-limited narrator? What is this narrator’s reaction to the dog? to the yelling man?

Third Third-

  • Person

Person-

  • Limited Point of View

Limited Point of View

Quick Check

He found a good spot in front of Park View Apartments and started playing soulfully on his sax. He wanted an audience and needed money. After one song, he spotted a cute girl at a window, applauding madly. A dog howled with the music, but the sax player let him stay, hoping the dog might attract some donations. Then he heard a man yelling about calling the police—clearly not a music lover.

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How can you tell this is a third- person-limited narrator? What is this narrator’s reaction to the dog? to the yelling man?

Third Third-

  • Person

Person-

  • Limited Point of View

Limited Point of View

Quick Check

He found a good spot in front of Park View Apartments and started playing soulfully on his sax. He wanted an audience and needed money. After one song, he spotted a cute girl at a window, applauding madly. A dog howled with the music, but the sax player let him stay, hoping the dog might attract some donations. Then he heard a man yelling about calling the police—clearly not a music lover.

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How can you tell this is a third- person-limited narrator?

Third Third-

  • Person

Person-

  • Limited Point of View

Limited Point of View

Quick Check

He found a good spot in front of Park View Apartments and started playing soulfully on his sax. He wanted an audience and needed money. After one song, he spotted a cute girl at a window, applauding madly. A dog howled with the music, but the sax player let him stay, hoping the dog might attract some donations. Then he heard a man yelling about calling the police—clearly not a music lover.

The story is told from the sax player’s vantage point using the pronoun he. We don’t know what

  • ther characters are

thinking.

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What is this narrator’s reaction to the dog? to the yelling man?

Third Third-

  • Person

Person-

  • Limited Point of View

Limited Point of View

Quick Check

He found a good spot in front of Park View Apartments and started playing soulfully on his sax. He wanted an audience and needed money. After one song, he spotted a cute girl at a window, applauding madly. A dog howled with the music, but the sax player let him stay, hoping the dog might attract some donations. Then he heard a man yelling about calling the police—clearly not a music lover. He thinks the dog can help him. He thinks the man hates music.

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Tone is the attitude a speaker or writer takes toward a subject, character, or audience. A story’s tone can be

suspenseful gloom y hum orous

Tone Tone

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Voice is the writer’s distinctive use of language and his or her overall style.

  • The writer’s tone and choice of words ( diction)

help create the voice. In fiction, narrators can also be said to have a voice.

  • A narrator’s voice can affect our view of

characters and events.

Voice Voice

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Notice how a distinctive voice can influence our views of certain characters.

  • What impression do you get of the saxophone

player? Which words contribute to this effect?

Oh, man! Just as I was finally dozing off, he starts playing that stupid saxophone. I’ve already been fired from one job because I fell asleep on the night shift. Now it’s going to happen again. I don’t know which sounds worse, that tone- deaf saxophonist or that yowling dog. I’m going to call the police.

Voice Voice

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Write a paragraph telling the saxophone story from the point of view of the young woman or the big brown dog. Use either the first-person or the third-person-limited point of view, and try to create a distinctive voice. Remember to show what the character is thinking and feeling.

Practice Practice

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