Mandarin and English Zhihua Xia, Rivka Levitan, Julia Hirschberg - - PowerPoint PPT Presentation

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Prosodic Entrainment in Mandarin and English Zhihua Xia, Rivka Levitan, Julia Hirschberg Entrainment 2 Entrainment 3 Entrainment 4 Entrainment 5 Entrainment 6 Entrainment 7 Motivation Prevalence of entrainment Lexical,


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SLIDE 1

Prosodic Entrainment in Mandarin and English

Zhihua Xia, Rivka Levitan, Julia Hirschberg

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SLIDE 2

Entrainment

2

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SLIDE 3

Entrainment

3

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SLIDE 4

Entrainment

4

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SLIDE 5

Entrainment

5

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SLIDE 6

Entrainment

6

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SLIDE 7

Entrainment

7

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SLIDE 8

Motivation

  • Prevalence of entrainment

– Lexical, syntactic, stylistic – Phonetic – Intensity, pitch, speaking rate

  • Liking, positive social characteristics

– Liking, smoother interaction – Task score – Positive interactions between married couples

  • Lack of cross-linguistic comparisons

8

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SLIDE 9

Columbia Games Corpus

9

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SLIDE 10

Columbia Games Corpus

  • 12 spontaneous task-oriented sessions
  • 13 participants

– 11 participated in two sessions with different partners.

  • 9h 8m of recorded dialogue
  • Orthographically transcribed, word-aligned, intonationally transcribed,

annotated for turn-taking behaviors and other phenomena

  • Acoustic features automatically extracted using Praat

10

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SLIDE 11

Tongji Games Corpus

  • 115 spontaneous task-oriented sessions
  • 70 pairs of speakers (40 female, 30 male)
  • University students with a National Mandarin Test Certificate level 2,

grade A or above

  • Elicited using two games: Picture Ordering (role imbalance), Picture

Classifying (cooperative)

  • 12 hours of recorded dialogue

11

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SLIDE 12
  • Inter-pausal unit (IPU) Pause-free segment of speech from a

single speaker.

speech <silence> speech <silence> speech

  • Turn Sequence of speech from one speaker without

intervening speech from the other speaker.

  • Session Complete interaction between two subjects.

12

Units of analysis

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SLIDE 13
  • Inter-pausal unit (IPU) Pause-free segment of speech from a

single speaker.

speech <silence> speech <silence> speech

  • Turn Sequence of speech from one speaker without

intervening speech from the other speaker.

  • Session Complete interaction between two subjects.

13

IPU IPU IPU

Units of analysis

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SLIDE 14

Features

  • Intensity mean
  • Intensity max
  • Intensity min
  • F0 mean
  • F0 max
  • F0 min
  • Speaking rate

14

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SLIDE 15

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

15

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SLIDE 16

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

16

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SLIDE 17

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

17

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SLIDE 18

Global entrainment

18

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SLIDE 19

Global entrainment

19

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SLIDE 20

Global entrainment

20

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SLIDE 21

Global entrainment

21

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SLIDE 22

Global entrainment

22

  • Partner difference
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SLIDE 23

Global entrainment

23

  • Other difference
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SLIDE 24

Global entrainment

24

  • Self difference
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SLIDE 25

Global entrainment

25

  • Partner difference
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SLIDE 26

Local entrainment

26

IPU ti IPU ti+1 IPU tj IPU tk IPU tl

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SLIDE 27

Local entrainment

27

IPU ti IPU ti+1 IPU ti+2 IPU ti+3 IPU ti+4 IPU ti+1 IPU ti+2 IPU ti+3

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SLIDE 28

Three aspects of entrainment:

  • Proximity: similarity between interlocutors, relative to

baseline.

  • Synchrony: turn by turn relative similarity
  • Convergence: increase in similarity over time

28

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SLIDE 29

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

29

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ ✓ 0.63 Intensity max ✓ ✓ 0.55 (0.47) Intensity min 0.31

  • 0.09

F0 mean 0.66 (0.28) 0.22 F0 max ✓ 0.61 (0.18) 0.24 F0 min 0.63

  • 0.19

Speaking rate ✓ ✓ (0.15)

Chinese

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SLIDE 30

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

30

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-31
SLIDE 31

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

31

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-32
SLIDE 32

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

32

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-33
SLIDE 33

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

33

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-34
SLIDE 34

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

34

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-35
SLIDE 35

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

35

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-36
SLIDE 36

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

36

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-37
SLIDE 37

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

37

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-38
SLIDE 38

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

38

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-39
SLIDE 39

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

39

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-40
SLIDE 40

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

40

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-41
SLIDE 41

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

41

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-42
SLIDE 42

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

42

Feature Global proximity Local proximity Synchrony Global convergenc e Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-43
SLIDE 43

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

43

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

slide-44
SLIDE 44

Acoustic-prosodic entrainment

  • Global or local?
  • Exact or relative?
  • Convergent or constant?

44

Feature Global proximity Local proximity Synchrony Global convergence Local convergence Intensity mean ✓ (✓) ✓ (✓) 0.63 (0.50) (✓) (0.03) Intensity max ✓ (✓) ✓ (✓) 0.55 (0.47) (0.02) Intensity min

  • 0.31
  • 0.09
  • F0 mean

(✓) 0.66 (0.28) (✓) 0.22 (0.06) F0 max ✓ (✓) (✓) 0.61 (0.18) 0.24 (0.05) F0 min

  • 0.63
  • 0.19
  • Speaking rate

✓ (✓) ✓ (✓) (0.15) (0.03)

Chinese (SAE)

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SLIDE 45

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

45

Discussion

slide-46
SLIDE 46

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

46

Discussion

slide-47
SLIDE 47

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

47

Discussion

slide-48
SLIDE 48

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

48

Discussion

slide-49
SLIDE 49

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

49

Discussion

slide-50
SLIDE 50

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

50

Discussion

slide-51
SLIDE 51

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

51

Discussion

slide-52
SLIDE 52

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

52

Discussion

slide-53
SLIDE 53

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

53

Discussion

slide-54
SLIDE 54

Acoustic-prosodic entrainment

Mandarin Chinese

  • 1. Evidence of entrainment on three main aspects of prosody
  • 2. Local entrainment is more evident than the global entrainment.
  • 3. Different prosodic features exhibit entrainment at different level.
  • 4. Strong evidence of synchrony, especially F0
  • 5. Some local convergence

Comparisons with SAE

  • 1. Proximity

Global proximity: same as SAE Local proximity: not F0

  • 2. Convergence

No global convergence Stronger local convergence.

  • 3. Synchrony

Stronger synchrony

54

Discussion

slide-55
SLIDE 55

Entrainment and gender differences

  • Theories

Dominance – Male dominance hypothesis – Communication Accommodation Theory Perception – Female perceptual sensitivity – Perception-behavior link

  • Predictions

– In mf conversations, females entrain more. – More entrainment in FF conversations than MM conversations.

  • Previous work

– Bilous and Krauss (1988) – Namy et al. (2002) – Pardo (2006)

55

slide-56
SLIDE 56

Entrainment and gender differences

  • Theories

Dominance – Male dominance hypothesis – Communication Accommodation Theory Perception – Female perceptual sensitivity – Perception-behavior link

  • Predictions

– In MF conversations, females should entrain more. – There should be more entrainment in FF conversations than MM conversations.

  • Previous work

– Bilous and Krauss (1988) – Namy et al. (2002) – Pardo (2006)

56

slide-57
SLIDE 57

Entrainment and gender differences

  • Theories

Dominance – Male dominance hypothesis – Communication Accommodation Theory Perception – Female perceptual sensitivity – Perception-behavior link

  • Predictions

– In MF conversations, females entrain more. – More entrainment in FF conversations than MM conversations.

  • Previous work

– Bilous and Krauss (1988) – Namy et al. (2002) – Pardo (2006)

57

slide-58
SLIDE 58

Entrainment and gender differences

58

ENTp = - speaker1f -speaker2 f ENT

x = -

speaker1f - Xi, f

i

å

X

X = set of speakers of the same gender and role as speaker1’s partner who are never paired with speaker1.

slide-59
SLIDE 59

Entrainment and gender differences

59

ENTp = - speaker1f -speaker2 f ENT

x = -

speaker1f - Xi, f

i

å

X

X = set of speakers of the same gender and role as speaker1’s partner who are never paired with speaker1.

slide-60
SLIDE 60

Entrainment and gender differences

60

ENTp = - speaker1f -speaker2 f ENT

x = -

speaker1f - Xi, f

i

å

X

X = set of speakers of the same gender and role as speaker1’s partner who are never paired with speaker1.

slide-61
SLIDE 61

Entrainment and gender differences

61

Feature FF MM FM MC SAE MC SAE MC SAE Intensity mean ✓ ✓ ✓ ✓ ✓ Intensity max ✓ ✓ ✓ ✓ ✓ Intensity min

  • F0 mean

✓ ✓ F0 max ✓ ✓ F0 min

  • Speaking rate

✓ ✓ ✓ ✓ ✓ ✓

slide-62
SLIDE 62

Entrainment and gender differences

62

Feature FF MM FM MC SAE MC SAE MC SAE Intensity mean ✓ ✓ ✓ ✓ ✓ Intensity max ✓ ✓ ✓ ✓ ✓ Intensity min

  • F0 mean

✓ ✓ F0 max ✓ ✓ F0 min

  • Speaking rate

✓ ✓ ✓ ✓ ✓ ✓

slide-63
SLIDE 63

Entrainment and gender differences

63

Feature FF MM FM MC SAE MC SAE MC SAE Intensity mean ✓ ✓ ✓ ✓ ✓ Intensity max ✓ ✓ ✓ ✓ ✓ Intensity min

  • F0 mean

✓ ✓ F0 max ✓ ✓ F0 min

  • Speaking rate

✓ ✓ ✓ ✓ ✓ ✓

slide-64
SLIDE 64

Entrainment and gender differences

64

Feature FF MM FM MC SAE MC SAE MC SAE Intensity mean ✓ ✓ ✓ ✓ ✓ Intensity max ✓ ✓ ✓ ✓ ✓ Intensity min

  • F0 mean

✓ ✓ F0 max ✓ ✓ F0 min

  • Speaking rate

✓ ✓ ✓ ✓ ✓ ✓

slide-65
SLIDE 65

Entrainment and gender differences

  • MM << FF << MF
  • Similar patterns for Mandarin Chinese (MC) and Standard American English

(SAE)

65

slide-66
SLIDE 66

Conclusions

  • Entrainment in MC on three main aspects of prosody
  • Strong evidence of dynamic entrainment, especially on F0
  • Gender differences: MM << FF << FM
  • Consistencies in pattern with SAE

66

slide-67
SLIDE 67

Conclusions

  • Entrainment in MC on three main aspects of prosody
  • Strong evidence of dynamic entrainment, especially on F0
  • Gender differences: MM << FF << FM
  • Consistencies in pattern with SAE

67

slide-68
SLIDE 68

Conclusions

  • Entrainment in MC on three main aspects of prosody
  • Strong evidence of dynamic entrainment, especially on F0
  • Gender differences: MM << FF << FM
  • Consistencies in pattern with SAE

& differences in pattern with SAE

68

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SLIDE 69

Conclusions

  • Entrainment in MC on three main aspects of prosody
  • Strong evidence of dynamic entrainment, especially on F0
  • Gender differences: MM << FF << FM
  • Remarkable consistencies in pattern with SAE

69

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SLIDE 70

Thanks

  • This work was supported in part by

– NSF IIS-0803148 – Humanities and Social Sciences Foundation of China Education Ministry (11YJA740113).

  • Many thanks to

– Stefan Benus, Agus Gravano, Daniel Hirst, Qiuwu Ma, and Fengying Mu for useful comments – Yuanyuan Zhang, Jin Peng, Chenxiao Zou, Yalu Chen, Li Jiao, who labeled the Tongji Games Corpus.

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SLIDE 71

Thank you !

谢 谢 ! Go raibh maith agaibh !