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The Pedagogy of Long-Distance Lessons A Case Study of Innovative Ways to Prepare Pedagogy Students for the Teaching Technology of Today & Tomorrow Pamela D. Pike Joseph Watson Louisiana State University Background & Context Clavinova


  1. The Pedagogy of Long-Distance Lessons A Case Study of Innovative Ways to Prepare Pedagogy Students for the Teaching Technology of Today & Tomorrow Pamela D. Pike Joseph Watson Louisiana State University

  2. Background & Context Clavinova Digital Pianos

  3. Background & Context Yamaha Disklavier Acoustic Piano

  4. Teaching Context  Synchronous teaching via the internet  Keyboards/Piano connected to each other  Internet MIDI  Yamaha Remote Lesson  Computers (web cams) connected to each other  Skype

  5. Objectives of Case Study  To expose graduate piano pedagogy students to long- distance instruction  To prepare students to engage in short, structured interactions with students at remote locations  To acquaint students with current teaching technology & give them tools for troubleshooting  To provide students with adequate background to use future technology as it is developed

  6. Set Up: Internet MIDI Skype & Internet MIDI Set-Up

  7. Set Up: Clavinova & Internet MIDI

  8. Set-Up: Disklavier

  9. How do you get started?

  10. Graduate Student Preparation  Introduction to Long-Distance (LD) teaching  Tip sheet for online teaching  Reflections post teaching  Review of video of teaching  Continue weekly process throughout the semester

  11. Graduate Student Preparation  Phase 1: Clavinovas & Internet MIDI (adult students)  Phase 2: Disklaviers & Internet MIDI (adult students)  Phase 3: Disklaviers & Remote Lesson (children)

  12. Graduate Student Preparation  Phase 1: Clavinovas & Internet MIDI (adult students)  Initial interaction with doctoral student on campus (LA)  3 Score reading segments with undergraduates (NE)  3 Sight-reading segments with undergraduates (NE)  Phase 2: Disklaviers & Internet MIDI (adult students)  On-site Disklavier/Piano Scan repertoire segment ugrad (LA)  3 Disklavier Repertoire lessons ugrad (MN)  Phase 3: Disklaviers & Remote Lesson (children)

  13. Sample Clavinova

  14. Graduate Student Preparation  Phase 1: Clavinovas & Internet MIDI (adult students)  Initial interaction with doctoral student on campus (LA)  3 Score reading segments with undergraduates (NE)  3 Sight-reading segments with undergraduates (NE)  Phase 2: Disklaviers & Internet MIDI (adult students)  On-site Disklavier/Piano Scan repertoire segment ugrad (LA)  3 Disklavier Repertoire lessons ugrad (MN)  Phase 3: Disklaviers & Remote Lesson (children)

  15. Teaching on Acoustic Pianos

  16. Video Sample

  17. Graduate Student Preparation  Phase 1: Clavinovas & Internet MIDI (adult students)  Initial interaction with doctoral student on campus (LA)  3 Score reading segments with undergraduates (NE)  3 Sight-reading segments with undergraduates (NE)  Phase 2: Disklaviers & Internet MIDI (adult students)  On-site Disklavier/Piano Scan repertoire segment ugrad (LA)  3 Disklavier Repertoire lessons ugrad (MN)  Phase 3: Disklaviers & Remote Lesson (children)

  18. Additional Online Teaching Tools  Online tutorials to supplement traditional face-to-face teaching

  19. Hal l Leonard Ad Adult ult Pi Pian ano M o Method ethod Unit nit 3

  20. Theory y Tutorial Techniqu ique Tutorials Ac Accomp mpanime ment Vide ideos

  21. For or use to r use to review view bef befor ore e doing t doing the w he wor orksheet ksheet on p on p. . 54 54 Int Inter erval Coun val Counting ing Listening Listening to o Int Inter ervals vals

  22. See See exact xactly y wha hat t they mean by hey mean by say saying: ing: “ Let Let y your our ar arm f m follo ollow w your our fi finge ngers as y s as you p ou play lay ” LH… RH… Good! Good! LH … RH … Bad Bad

  23. The Staff and the Keyboard  This helpful diagram demonstrates the relation between the keyboard and the grand staff.

  24. Intervals

  25. Good Hand Position

  26. C Position

  27. Findings  Graduate student (teacher) concerns prior to 1 st lesson:  Flow of communication  Planning the lesson  Remembering steps/details with the technology  Demonstration limited  Face time – creating sense of presence

  28. Findings  Following two lessons & a couple of technology glitches:  More confident with lesson plan & sequential instruction  More precise with instructions  More confident with interaction  Demonstrating more frequently

  29. Findings  Following two lessons & a couple of technology glitches:  Still concerned with the multi-tasking  Still slight panic during technology glitch  Developing coping strategies  Developing contingencies  Thinking about how these would be addresses in studio policies or syllabi

  30. Findings  Initial interaction (on-site) valuable  Short teaching segment feedback critical  reviewed & analyzed promptly  Teachers relied on visual feedback in Internet MIDI initially  Deficiencies in teaching exaggerated online  Preparation & practice critical

  31. Suggestions for teachers:  Practice talking through the lesson before going online  Have several ways to explain a concept  Communicate (via email) prior to lesson (pencils, highlighters, measures numbered on score, short hand communication signals)  Demonstrate more  Encourage student to listen & respond  Break music into smaller segments

  32. Suggestions for teachers:  Set up 2 cameras (face time; side angle)  Set up to change camera remotely  Have contingencies (chat feature in Skype)  Give shorter concise instructions

  33. The Pedagogy of Long-Distance Lessons  Questions?  Contact us:  Pamela D. Pike pdpike@lsu.edu  Joseph Watson jedi1172@gmail.com

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