Camera Lucida Chapters 25-30 25 Finding The Winter Garden Photograph - - PowerPoint PPT Presentation

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Camera Lucida Chapters 25-30 25 Finding The Winter Garden Photograph - - PowerPoint PPT Presentation

Camera Lucida Chapters 25-30 25 Finding The Winter Garden Photograph ...after my mothers death... I was going through some photographs. ... I expected nothing from these photographs of a being before which one recalls less of that being


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SLIDE 1

Camera Lucida

Chapters 25-30

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SLIDE 2

25 Finding The Winter Garden Photograph

...after my mother’s death... I was going through some photographs. ... I expected nothing from these “photographs of a being before which one recalls less of that being than by merely thinking of him or her” (Proust). (p.63)

  • overall goal: to discover if photography exists
  • not just conjures memory but speaks to the uniqueness of

photography as a medium

  • Grief/mourning will be the mask that is applied to photography to

make it exist for Barthes

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SLIDE 3

26 Photography & History

“With regard to many of these photographs, it was history which separated me from them... I could read my nonexistence in the clothes my mother had worn before I can remember her.” (p.64)

  • recognition of history vs memory: story vs details

I realize I was not there vs. I remember my mother as such and such

  • Objective detachment via history?
  • Is history objective? is history provable?
  • Can memory be objective?
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SLIDE 4

26 Photography & History

“History is hysterical: it is constituted only if we consider it, only if we look at it - and in

  • rder to look at it, we must be excluded

from it. “ (p.65)

  • photography becomes a means by which to “constitute” History - to

make it exist

  • can this relationship work both ways
  • photography as evidence
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SLIDE 5

27 Photography & Dreams

“And here the essential question first appeared: did I recognize her?” (p.65)

  • can Barthes make photography work as he has outlined in part one?
  • can the genius of the subject (uniqueness) be recognized via a

photograph?

  • can the photograph transcend the referent - and become “the thing

itself”(p.45)

  • can a photograph allow the spectator to discover the spectre? - can it

exist?

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SLIDE 6

27 Photography & Dreams

“...[in dreams] I know it is she, but I do not see her features (but do we see, in dreams, or do we know?). (p.66)

  • to see something is to know it?
  • sight as proof
  • does it exist? Can his mother exist via a photograph?
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SLIDE 7

28 Finally - The Winter Garden Photograph

“‘Not a just image, just an image,’ Godard

  • says. But my grief wanted a just image, an

image which would be both justice and accuracy:... just an image, but a just image.” (p.70)

  • the pose is the vehicle by which Barthes finds his mother
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SLIDE 8

28 Finally - The Winter Garden Photograph

“... the winter garden photograph was indeed essential, it achieved for me, utopically, the impossible science of the unique being.” (p.71)

  • one image to rule them all
  • this photograph - the winter garden photograph Exists!
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SLIDE 9

30 One image to rule them all

“I therefore decided to “derive” all Photography from the only photograph that assuredly existed for me, and to take it somehow as a guide for my last investigation.” (p.73)

read chapter 30 aloud...