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Acoustics 08 Experimental analysis of the acoustical behaviour of Musikverein in concert and ballet configurations A. Farina, D. E. Commins and N. Prodi (a) University of Parma, Via delle Scienze 181/A, Industrial Engineering Dept., 43100


  1. Acoustics 08 Experimental analysis of the acoustical behaviour of Musikverein in concert and ballet configurations A. Farina, D. E. Commins and N. Prodi (a) University of Parma, Via delle Scienze 181/A, Industrial Engineering Dept., 43100 Parma, Italy (b) Commins Acoustics Workshop, 15 rue Laurence Savart, 75020 Paris, France (c) Engineering Dept. - Univ. of Ferrara, Via Saragat, 1, 44100 Ferrara, Italy

  2. Topics � Configurations of the room � Standard room acoustics measurements � Coupling with the storage space under the stalls � Surface intensity measurements � Analysis of the results

  3. Concert configuration

  4. Concert configuration

  5. Ballroom configuration

  6. Ballroom configuration

  7. Measurement method: Exponential Sine Sweep Measurement of B - format Measurement of room Room Original Room Portable PC with 4 - Portable PC with Impulse Responses Impulse Response channels sound board additional sound card Loudspeaker B- format 4 - Output signal y channels signal (WXYZ) Microphone SoundField Microphone MLS excitation signal Sweep test signal x Noise n(t) Not-linear, distorted signal time variant output y(t) input x(t) linear system w(t) system + w(t) ⊗ h(t) K[x(t)]

  8. Exponential Sine Sweep method � x(t) is a sine signal, which frequency is varied exponentially with time, starting at f 1 and ending at f 2 . ⎡ ⎤ ⎛ ⎞ ⎛ ⎞ f t ⋅ ⎜ ⎟ ⎜ ⎟ 2 ⎢ ⎥ ln ⎜ ⎟ ⋅ ⋅ ⋅ f π f T ⎜ T ⎟ ⎝ ⎠ 2 ⎢ ⎥ ⋅ − x(t) = e 1 1 sin 1 ⎜ ⎟ ⎢ ⎥ ⎛ ⎞ f ⎜ ⎟ ⎜ ⎟ ⎢ 2 ⎥ ln ⎜ ⎟ ⎜ ⎟ f ⎝ ⎠ ⎝ ⎠ ⎣ ⎦ 1

  9. Test Signal – x(t)

  10. Measured signal - y(t) � The not-linear behaviour of the loudspeaker causes many harmonics to appear

  11. Inverse Filter – z(t) The deconvolution of the IR is obtained convolving the measured signal y(t) with the inverse filter z(t) [equalized, time-reversed x(t)]

  12. Deconvolution of Exponential Sine Sweep The “time reversal mirror” technique is employed: the system’s impulse response is obtained by convolving the measured signal y(t) with the time-reversal of the test signal x(-t). As the exp. sine sweep does not have a “white” spectrum, proper equalization is required Test Signal x(t) Inverse Filter z(t)

  13. Result of the deconvolution 1° 2° 3° 5° The last impulse response is the linear one, the preceding are the harmonics distortion products of various orders

  14. IR Selection � After the sequence of impulse responses has been obtained, it is possible to select and insulate just one of them:

  15. Maximum Length Sequence vs. Sweep

  16. Hardware: loudspeaker & microphone Dodechaedron loudspeaker Soundfield microphone

  17. Equipment: computer & sound interface Laptop PC MOTU Traveler

  18. Directivity of transducers LookLine D200 dodechaedron 1000 Hz 2000 Hz 250 Hz 0 0 0 0 0 0 330 30 330 30 330 30 - 5 -5 - 5 - 1 0 -1 0 - 1 0 -1 5 - 1 5 - 1 5 300 60 300 60 300 60 - 20 -20 - 20 - 25 -25 - 25 - 30 -30 - 30 - 35 -35 - 35 270 90 270 -40 90 270 90 - 40 - 40 240 120 240 120 240 120 210 150 210 150 210 150 180 180 180 4000 Hz 8000 Hz 16000 Hz 0 0 0 0 0 0 330 30 330 30 330 30 - 5 - 5 - 5 - 1 0 - 1 0 - 1 0 - 1 5 - 1 5 - 1 5 300 60 300 60 300 60 - 20 - 20 - 20 - 25 - 25 - 25 - 30 - 30 - 30 - 35 - 35 - 35 270 90 270 90 270 90 - 40 - 40 - 40 240 120 240 120 240 120 210 150 210 150 210 150 180 180 180

  19. pressure-velocity microphone The Soundfield microphone allows for simultaneous measurements � of the omnidirectional pressure and of the three cartesian components of particle velocity (figure-of-8 patterns)

  20. Directivity of transducers Soundfield ST-250 microphone 125 Hz 250 Hz 500 Hz 1000 Hz 0 0 0 0 1.6 1.6 1.6 1.6 330 30 330 30 330 30 330 30 1.4 1.4 1.4 1.4 1.2 1.2 1.2 1.2 1 1 1 1 300 60 300 60 300 60 300 60 0.8 0.8 0.8 0.8 0.6 0.6 0.6 0.6 0.4 0.4 0.4 0.4 0.2 0.2 0.2 0.2 270 90 270 90 270 90 270 90 0 0 0 0 240 120 240 120 240 120 240 120 210 150 210 150 210 150 210 150 180 180 180 180 4000 Hz 2000 Hz 8000 Hz 16000 Hz 0 0 0 0 1.6 1.6 1.6 1.6 330 30 330 30 330 30 330 30 1.4 1.4 1.4 1.4 1.2 1.2 1.2 1.2 1 1 1 1 300 60 300 60 300 60 300 60 0.8 0.8 0.8 0.8 0.6 0.6 0.6 0.6 0.4 0.4 0.4 0.4 0.2 0.2 0.2 0.2 270 90 270 90 270 90 270 90 0 0 0 0 240 120 240 120 240 120 240 120 210 150 210 150 210 150 210 150 180 180 180 180

  21. B-format Impulse Response Measurement method:

  22. 3D Impulse Response (Gerzon, 1975) Measurement of B-format Original Room Portable PC with 4- Impulse Responses channels sound board B-format Imp. Resp. Sound Source of the original room B-format 4-channels signal (WXYZ) SoundField Microphone MLS or sweep excitation signal Sound Source B-format 4-channels Ambisonics decoder signal (WXYZ) Mono Mic. Convolver Convolution of dry signals with the B-format Impulse Responses Speaker array in the reproduction room

  23. Measurement positions

  24. ISO3382 Parameters

  25. Results

  26. Results

  27. Results

  28. Results

  29. Results

  30. under the stalls Storage room

  31. Sound reduction index Sound reduction index

  32. Reverberation time of storage room (empty)

  33. Surface Sound Intensity

  34. Surface Sound Intensity

  35. Conclusions � Musikverein is a truly variable acoustics room � The Ballroom configuration exhibit reverberation times significantly larger than the Concert configuration, particularly at medium frequencies � Also G is significantly different � However, C80 and LF do not change remarkably, ensuring good acoustical quality also in Ballroom configuration � The storage room under the stalls is heavily insulated, hence it cannot have any effect � The effect of the audience should be taken into account, particularly in Ballroom configuration, where it would be probably much larger than in Concert configuration.

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