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type pragmatics fall 2015 jerod Anderson Colors Typeface: Fira Sans: light book medium boldz Feb 25th-27th, 2016 Srishi School of Art, Design and Technology, Bangalore, India Theme: Typography and Educaiton Menu Home Schedule

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type pragmatics fall 2015 jerod Anderson

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Colors Typeface: Fira Sans:

light book medium boldz

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Srishi School of Art, Design and Technology, Bangalore, India

Feb 25th-27th, 2016

www.typoday.in Theme: Typography and Educaiton The ninth international typographic conference has come to India. For those who find interest in typogphy for buisness, education or creation should come for workshops and conferences with top type designers.

Typography Day will be organized for the ninth time on 25th to 27th February 2016 at Srishti Institute of Art, Design and Technology, Bangalore in collaboration with the Industrial Design Centre (IDC), Indian Institute of Technology Bombay (IIT Bombay) with support from India Design Association (InDeAs) and Aksharaya. The theme for this year’s event is ‘Typography and Education’ The event will feature a day of workshops

n Typography and Calligraphy followed by two

days of conference dedicated to ‘Typography and Education’. The international conference will be devoted to addressing issues faced by type designers, type users and type educators. The conference includes presentations by invited keynote speakers, eminent academicians, blind juried papers, industry professionals, research scholars and students. The event will also host an exhibition of selected posters and typographic works of students and faculty members from Design Institutes. Feb 25-27, 2016 Srishi School of Art, Design and Technology, Bangalore, India

Date: Location: Theme:

Typography and Education

Home Schedule Speakers Accomodattions Sponsers

ther

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This Way

every time you use Comic Sans a puppy cries

Comic Sans and Papyrus are my worst enemies

“Comic Sans is my kind of Typeface.”

Satan

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Feburary 25th-27th

Day 3: Morning Day 3: Afternoon

Venue: VMCC Main Conference Hall, IIT Bombay – 091-22-25767801 8.30 – 9.15 Tea 9.15 – 10.00 Session Chairman: Prof. Ravi Poovaiah, IDC, IIT Bombay, India Keynote Address 2 Sensitivity and Fineness in typography John D. Berry , Honorary President of ATypI, USA 10.15 – 10.45 Tea and networking Session 6 Typography & Tradition 10.45 – 11.05 Session Chairman: Prof. Vikas Satwalekar Emeritus Professor and Ex-Director, NID How the Traditional Chinese Concept of Time and Space can be Applied through Digital Moving Images Hung Keung, School of Design, Hong Kong Polytechnic University, Hong Kong 11.05 – 11.25 Simulating the Appearance of Painted and Digital Display Type on Shop Signs in India Nanki Nath, Department of Design, IIT Guwahati, India and Prof. Ravi Poovaiah, IDC, IIT Bombay, India 11.25 – 11.45 Designing Display Type Central ASMAT Tribe Pattern Chracteristic Dodi Nursaiman, Indonesian Computer University, Indonesia 11.45 – 12.00 Discussion & QA Session 7 Typography & Form 12.00 – 12.20 Session Chairman: Prof. Udaya Kumar Department of Design, IIT Guwahati FONT : FORM : FUNCTION : The Unstated Identity of the Built Word Nandita, R V College of Architecture, India 12.20 – 12.40 Sensitive Role of Modifiers (Matras) in Devnagari Fonts Rajeev Prakash, Delhi Press, India 12.40 – 1.00 Discussion & QA 1.00 – 02.30 Lunch and Networking Venue: VMCC Main Conference Hall, IIT Bombay – 091-22-25767801 2.30 – 3.10 Session Chairman: Prof. Sreekumar, IDC, IIT Bombay, India Experiences and Possibilities in Typography Anup Gupta, Group Director at Hindustan Times Media Ltd, India, Session 8 Typography & Pragmatics 3.20 – 3.40 Session Chairman: Aurobind Patel, Typographer, India Which Sinhala Fonts Do Users Love To Read On Screen? Pathum Egodawatta, Mooniak, Sri Lanka 3.40 – 4.00 Effect of Typeface Characteristics on Students’ Performance - A case study for design aptitude tests Kaveri Sharma, MIT ID, India 4.00 – 4.10 Discussion & QA 4.10 – 4.40 Tea and networking Session 9 Typography & Young Minds 4.40 – 4.55 Session Chairman: Dr. Ajanta Sen Director, Solar Project, India The Making of Typo Safari Gergo Tamas Farkas, Hungarian University of Fine Arts, Hungary 4.55 – 5.10 Wancho Laeje: Birth of a New Script Anurag Gautam, National Institute of Design, India 5.10 – 5.25 My Two Cents’ Worth on Contemporary Indian Coins - A comparative study Shameen Khatri, Rachana Sansad College of Applied Arts and Craft, India 5.25 – 5.40 A Study of Roman & Devanagari Fonts for a Dot Matrix Printer on the Indian Railway Tickets Kavya Tolia, Rachana Sansad College of Applied Art and Craft, India 5.40 – 5.55 Bundelkhand Environmental Signage Typography Santosh Kumar, Prof. Hira Lal Prajapati and Brijendra Singh, Department of Applied Arts, Faculty of Visual Arts, BHU, Varanasi, Indi a 5.55 – 6.10 Discussion & QA Session 10 Closing session + Awards 6.10 – 6.40 Session Chairman: Prof. Ravi Poovaiah and Prof. Sreekumar, IDC IIT Bombay Typography of M.G. Moinuddin Sajid Moinuddin, Graphic Designer, India 6.40-8.00 Awards Ceremony + Concluding Remarks

Keynote Speakers

John Berry usually describes himself as an editor & typographer — reflecting his care for both the meaning

f words and how they are
presented. He is Honorary

President of ATypI (Association Typographique Internationale) and the former editor and publisher of U&lc (Upper & lower case). He writes, speaks, and consults extensively on typography, and he has won numerous awards for his book designs. He has written and edited several books, including Language culture type: international type design in the age of Unicode (ATypI/ Graphis, 2002), Contemporary newspaper design: shaping the news in the digital age (Mark Batty Publisher, 2004), and U&lc: influencing design & typography (Batty, 2005). He has been a program manager

n the Fonts team at Microsoft,

where he established improved typographic standards for Windows and other Microsoft

products. He is Director of the

Scripta Typographic Institute. He teaches typography and design at Cornish College of the

Arts. He lives in Seattle with the

writer Eileen Gunn. Itu Chaudhuri Typographer and Graphic Designer, Hindustan Times, New Delhi, India Itu Chaudhuri switched to graphic design after a degree in architecture from the School of Planning and Architecture, New Delhi, adding his lifelong passions

f lettering, calligraphy and

type to his education which he credits with giving him a good, if unusual foundation in design. Itu has taught, lectured and judged at the National institute

f Design, helped consult
n curriculum at UCLA, Los

Angeles, has been featured in World Graphic Design, a book

n design from the emerging
markets. Itu listens obsessively

to Indian classical music, but his multiple interests also include cricket, economics, writing and science; he is a fact-junkie who loves getting under the hoods of his client’s

businesses. He speaks Hindi,

Bengali, Gujarati. Itu’s short stories have dealt with the conflict of will with involuntary behaviour, covering subjects like flight, bodily functions and Parsi-ness. Anup Gupta is a graduate from College of Art, Delhi, where he specilised in Applied Arts. He has worked in the publishing industry now for more than 3 decades and has privilege of working with India Today, Economic Times, Business Today, Business Standard, Business World, India Today Group Online, Times of India, Mint and Hindustan Times. He has been instrumental in designing and redesigning some of these publications where he has also built and managed the design

competency. Anup is presently

the Group Creative Director with Hindustan Times Media Ltd and is a member of a core group that is spearheading a major change at the Hindustan Times by implementing an integrated newsroom. Leading the editorial track in the project Anup, along with the

ther members of the core

group, is rethinking the way a newsorganisation should and will operate tomrrow. He is maried to Peali Dutta Gupta, a design consultant and his soulmate for 34 years. They have a 7 year old daughter Pia and live in Delhi. Anup Gupta Typographer-Designer, Itu Chauduri Design, New Delhi, India AnupTarun Deep Girdher has been teaching at NID for morethan 15 years. He did the five-year School Leavers Professional Education Programme (SLPEP) in Graphic Design from NID and joined the institute as a faculty in

1999. Tarun teaches courses

such as Typography, Visual Narratives, Introduction to Printing Technology, Introduction to Specialization, Open Electives (book binding), Communication Skills, Letter Design, Publication Design, and Introduction to Illustration, Environmental Perception, and Hand Book Binding. Tarun has published widely and organised international conferences at NID such as Brands, Identity and Graphics 03 in 2003 and the Typography Day 2011. He has created visual identity and logos for various agencies, including Right to Information, Central Pulp and Paper Research Institute, Institute of Company Secretaries of India, National Institute of Naturopathy and Election Commission of India Tarun Deep Girdher

Sr. Faculty, Head,

Publications and Printing Lab, NID, Ahmedabad John Berry Honorary President

f ATypI (Association

Typographique Internationale), USA

Vision Speakers

5 4

SLIDE 6 Typography Day will be organized for the ninth time on 25th to 27th February 2016 at Srishti Institute of Art, Design and Technology, Bangalore in collaboration with the Industrial Design Centre (IDC), Indian Institute of Technology Bombay (IIT Bombay) with support from India Design Association (InDeAs) and Aksharaya. The theme for this year’s event is ‘Typography and Education’ The event will feature a day of workshops

n Typography and Calligraphy followed by two

Date: Location: Theme:

Typography and Education

Home Schedule Speakers Accomodattions Sponsers

ther