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Jan 30, 2023 488 likes •744 views

Department of Media and Communications public lecture The Creative Economy: invention of a global orthodoxy Professor Philip Schlesinger Professor Angela McRobbie Professor in Cultural Policy, Centre for Professor of Communications, Cultural

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The Creative Economy: invention of a global

rthodoxy

Suggested hashtag for Twitter users: #LSEcreative

Department of Media and Communications public lecture Professor Philip Schlesinger

Professor in Cultural Policy, Centre for Cultural Policy Research/CREATe, University

f Glasgow. Visiting Professor, Department
f Media and Communications, LSE

Professor Jonothan Neelands

Professor of Creative Education, Warwick Business School

Professor Angela McRobbie

Professor of Communications, Goldsmiths, University of London

Professor Robin Mansell

Chair, LSE

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Professor Philip Schlesinger Centre for Cultural Policy Research & CREATe University of Glasgow philip.schlesinger@glasgow.ac.uk @PRSchlesinger1

The creative economy: invention of a global

rthodoxy

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Creative Economy and Creative Industry share of all jobs in the UK

5.6% 8.5% 0.0% 1.0% 2.0% 3.0% 4.0% 5.0% 6.0% 7.0% 8.0% 9.0% 10.0% 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 Creative Industries Creative Economy

DCMS, Creative Industries Economic Estimates, January 2015

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Dear Prof Philip Schlesinger, We are writing to invite you to take part in a round table discussion looking critically at the topic of “creative hubs”. This one day event is designed to facilitate a unique conversation and dialogue between different parties interested in creative hubs in London and beyond.

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Tony Hall, Director-General, BBC: I want to open the BBC to become – even more – Britain’s creative partner, to become a platform for this country’s incredible talent, cultural institutions and

pen up to our audiences in new ways.

(BBC Media Centre, September 2015) BBC Charter Review submission: Growing the creative industries and promoting the UK abroad.

(British Bold Creative, 2015, p.15)

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Culture industry 1947 Cultural industries 1980 Creative industries 1998

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Source: The Work Foundation, Staying Ahead, 2007

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. IN

Source: Insight: The 2015 Global Creativity Index

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REACT

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We were delighted to welcome non-members as well as members at our first event outside of

England. But please join us as future events will

be members-only as we receive no government money and are entirely dependent on membership revenues.

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[T]he British film industry was still fragmented, consisting of predominantly small and under- capitalised firms. Nevertheless, the Council’s period as lead support body for film is associated with a number of successes, including substantially increased levels of inward investment in UK film-production, modest increases in box-office receipts for British-made films and achieving higher levels in the regional dispersion of film funds. In 2011, in an ironically timed tribute to its achievements, The King’s Speech, one of the films to which the Council had awarded Lottery funding before being closed down, became the highest-grossing independent film of all time, as well as winning four Oscars.

Doyle, Schlesinger, Boyle and Kelly (2015, p.180)

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To assess whether or not creative individuals are able to build a career in the creative industries requires a nuanced understanding of the conditions under which creative labour takes place. Schlesinger, Selfe and Munro (2015, p.108)

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Thanks for coming!

philip.schlesinger@glasgow.ac.uk p.r.schlesinger@lse.ac.uk

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