T O MB RAIDER T HE ART O F EPIC SC O RING I N T R O D U C T - - PowerPoint PPT Presentation
T O MB RAIDER T HE ART O F EPIC SC O RING I N T R O D U C T - - PowerPoint PPT Presentation
T O MB RAIDER T HE ART O F EPIC SC O RING I N T R O D U C T I O N 1 INT RO DUC T IO N 2 EPIC O RC HEST RAT IO N 3 SO UND DESIG N 4 MAST ERING & MIXING T O MB RAIDER T HE ART O F EPIC SC O RING I N T R O D U C T I
T O MB RAIDER T HE ART O F EPIC SC O RING
1 INT RO DUC T IO N 2 EPIC O RC HEST RAT IO N 3 SO UND DESIG N 4 MAST ERING & MIXING
I N T R O D U C T I O N
T O MB RAIDER T HE ART O F EPIC SC O RING
WHY EPIC SC O RES?
- MO RE IS MO RE
- IN HIG H DEMAND
- EFFEC T
IVE
- T
HEY WO RK/ SEL L WHO USES EPIC SC O RES?
- G AMES INDUST
RY
- MO T
IO N PIC T URE ST UDIO S
- T
V NET WO RKS
- MEDIA C O RPS
- T
RAIL ER C O MPANYS
I N T R O D U C T I O N
T O MB RAIDER T HE ART O F EPIC SC O RING
DEFINIT IO N O F EPIC SC O RE
- UNIQ UE O RC HEST
RAT IO N
- ST
RING S
- BRASS
- PERC USSIO N
- C HO IR
- ENSEMBL
E SIZE & L AYERS
- SO UND DESIG N
- SO UND F
X
- O RC HEST
RAL FX
- SYNT
HESIZER
I N T R O D U C T I O N
T O MB RAIDER T HE ART O F EPIC SC O RING
- SHO RT
NO T ES (MF- FF)
- MARC AT
O (AC C ENT UAT ED)
- ST
AC C AT O (SHARP AT T AC K)
- SPIC C AT
O (BO UNC ING BO W)
- C O MBINE AL
L FO UR G RO UPS
- 1ST VIO L
IN ST AC S / 2nd SPIC S
- VIO L
A SPIC S
- C EL
L O SPIC S
- BASS ST
AC S W/ SL APS
- ST
AC KED IN 3 L AYERS
- SAMPL
E L IBRARY 1
- SAMPL
E L IBRARY 2
- SAMPL
E L IBRARY 3
E P I C O R C H E S T R A T I O N & S T R I N G S
O C EAN
T O MB RAIDER T HE ART O F EPIC SC O RING
NO RMAL VIO L INS (30)
E P I C O R C H E S T R A T I O N & S T R I N G S
T RIPPL E T RAC KED (90) VIO L INS
T O MB RAIDER T HE ART O F EPIC SC O RING
FUL L (30/ 12/ 12/ 8) ST RING SEC T IO N
E P I C O R C H E S T R A T I O N & S T R I N G S
T O MB RAIDER T HE ART O F EPIC SC O RING
FUL L (90/ 36/ 36/ 24) ST RING SEC T IO N
E P I C O R C H E S T R A T I O N & S T R I N G S
T O MB RAIDER T HE ART O F EPIC SC O RING
- SHO RT
NO T E T EC HNIQ UES
- USE RR FO R ST
RING REPS
- T
HE FAST ER – T HE MO RE RR
- T
KT ANT I- MAC HINE G UN SC RIPT S
- L
O NG NO T E T EC HNIQ UES
- MV/ X- FADES FO R EMO T
IO N
- SIPS/ L
EG AT O FO R C O NNEC T IO N
- INT
EG RAT E BO W F X
- O T
HER T EC HNIQ UES
- DIVISI SEC T
IO NS
- USE SO L
O ST RING S O N MEL O DY
E P I C O R C H E S T R A T I O N & S T R I N G S
O C EAN 2
T O MB RAIDER T HE ART O F EPIC SC O RING
- SHO RT
NO T ES (MF- FFF)
- ST
AC C AT O (SHARP AT T AC K)
- ST
AC C ISSIMO (VERY SHO RT )
- C O MBINE AL
L (AL L BRASS)
- FRENC H HO RN
- T
RUMPET S (2 T O AVO ID PHASE)
- T
RO MBO NES
- 1- 2 BASS T
RO MBO NES
- T
UBA (WAG NER)
- ST
AC KED IN 2 L AYERS (MAX)
- SAMPL
E L IBRARY
- SAMPL
E L IBRARY 2
- BEWARE O F PHASING
E P I C O R C H E S T R A T I O N & B R A S S
T O MB RAIDER T HE ART O F EPIC SC O RING
E P I C O R C H E S T R A T I O N & B R A S S
T HE END
- SHO RT
NO T E T EC HNIQ UES
- USE RR FO R BRASS REPS
- T
HE FAST ER – T HE MO RE RR
- T
KT ANT I- MAC HINE G UN SC RIPT S
- USE RIPS – SO PL
ENT IFUL
- L
O NG NO T E T EC HNIQ UES
- MV/ X- FADES FO R EMO T
IO N
- SIPS/ L
EG AT O FO R C O NNEC T IO N
- USE BASS BO NES FO R BASS SUPPO RT
- PHASING ISSUES
- ST
AC KING T IL L IT PHASES
- USE
T O MB RAIDER T HE ART O F EPIC SC O RING
E P I C O R C H E S T R A T I O N & P E R C U S S I O N
JUST IF IC AT IO N
- BIG PERC USSIO N T
EC HNIQ UES
- USE EVERYT
HING IN YO UR ARSENAL
- PHASING IS RAREL
Y AN ISSUE
- G REAT
FO R L O W PIT C HED ART S
- USE O RC HEST
RAL PERC
»
BASSDRUMS & SNARES
»
T O MS & C YMBAL S
»
T IMPANY (UNISO N W/ BASS)
- USE NO N- O RC HEST
RAL PERC
»
T AIKO ENSEMBL E
»
DJEMBE ENSEMBL E
»
C O NG A ENSEMBL E
»
G RAN C ASA ENSEMBL E
»
T O M ENSEMBL ES
»
RO T O / O C T A
»
DRUMKIT S (RO C K)
T O MB RAIDER T HE ART O F EPIC SC O RING
E P I C O R C H E S T R A T I O N & P E R C U S S I O N
INFINIT Y
- SMAL
L PERC USSIO N T EC HNIQ UES
- USE EVERYT
HING IN YO UR ARSENAL
- BUY O R MAKE YO UR O WN
- G REAT
FO R HIG H PIT C H ART S
- MIX WIT
H L O W PIT C H ART S
- USE O RC HEST
RAL PERC
»
T AMBO URINES
»
MET AL S
- USE NO N- O RC HEST
RAL PERC
»
L AT IN PERC USSIO N
»
BO NG O ENSEMBL E
»
FING ER C YMBAL S
»
BEL L S
»
SHAKERS
T O MB RAIDER T HE ART O F EPIC SC O RING
E P I C O R C H E S T R A T I O N & P E R C U S S I O N
F O RBIDDEN
- ADD. PERC USSIO N T
EC HNIQ UES
- RR WHENEVER PO SSIBL
E
- USE T
KT SC RIPT S O N O L DER SAMPS
- USE RO L
L S
»
SNARES
»
BIG DRUMS
»
C YMBAL S
- SYNC RO L
L S WIT H BRASS RIPS
- USE EL
EC T RO NIC DRUMS
»
RMX
»
REX BASED L O O PS
»
SYNC ED PERC BEDS
T O MB RAIDER T HE ART O F EPIC SC O RING
E P I C O R C H E S T R A T I O N & C H O I R
PAX ENDING
- C HO IR L
YRIC S T EC HNIQ UES
- WHAT
ARE T HEY SING ING ?
- REAL
L YRIC S O VERRAT ED
- WHAT
EVER SO UNDS C O O L
- MAKE SURE IT
RHYMES
»
DO RE MI, FA SO L A
»
ZE ZU L E NU, MI MA FO T U
- C HO IR G RO UP T
EC HNIQ UES
- SO PRANO AND AL
T O
»
BEST FO R MEL O DY
- T
ENO R AND BASS
»
BEST FO R C HO RDS/ BASS
T O MB RAIDER T HE ART O F EPIC SC O RING
E P I C O R C H E S T R A T I O N & C H O I R
BREAKING ENDING
- C HO IR ST
AC KING T EC HNIQ UES
- ST
AC K UNT IL IT PHASES
- 2- 4 ST
AC KS ARE PREFF ERED
- USE ST
AC S O R C HO RDS T O PUNC T UAT E C ERT AIN ART IC UL AT IO NS
- O RC HEST
RA T HE C HO IR ST AC S T O FO L L O W G ENERAL O RC HEST RAL ST AC S AND O VERAL L RHYT HMIC ART IC UL AT IO NS
- O RC HEST
RAT E SO C HO IR FO L L O W MAIN MEL O DY L INES PL AYED BY ST RING S AND BRASS
- USE SO L
O VO IC E O N T O P O F C HO IR
T O MB RAIDER T HE ART O F EPIC SC O RING
S O U N D D E S I G N & P E R C U S S I V E S U P P O R T
135 O VERHEAT ED
- SO UND DESIG N & PERC SUPPO RT
- SO UND EFFEC T
S (NO N- MUSIC )
- BO O MERS
»
T UNE DO WN BIG SO UNDS
»
SO URC E MAT ERIAL WIT H NAT URAL AMBIENC E/ VERB WO RKS BEST
- ST
ING ERS
»
BL END AND MIX A VARIET Y O F NO ISY SO UNDS INT O C RESC ENDO BANKS
»
RO L L ING ST ING ERS ARE G REAT SUPPO RT FO R RO L L ING PERC
- ENSEMBL
E MIXES
- VST
EFFEC T S (DEL AYS/ G L IT C H)
T O MB RAIDER T HE ART O F EPIC SC O RING
S O U N D D E S I G N & S Y N T H E S I Z E R S U P P O R T
140 C RISIS
- SO UND DESIG N & SYNT
H SUPPO RT
- SYNT
H ARPS F O R ST RING S
»
SYNC ARPS WIT H SPIC S
- NO N- T
UNE BASED ARPS FO R RHYT HMIC SUPPO RT
- SUPPO RT
ING BASS L INES WIT H SYNT H BASSES
- SUPPO RT
ING BASS L INES WIT H DRO NES
- SUPPO RT
ING SYNT HS FO R ST RING AND BRASS MEL O DY L INES
- FRENC H HO RN SUPPO RT
WIT H WARMER T YPE O F SYNT HS
T O MB RAIDER T HE ART O F EPIC SC O RING
M A S T E R I N G & M I X I N G
140 C RISIS
- MAST
ERING AND MIXING
- FIX- IN- T
HE- MIX
- L
IMIT / C O MPRESSIO N BEST O N:
»
BRASS & PERC USSIO N
- PL
AC E/ PAN O RC HEST RA IN C O RREC T PO SIT IO NS
- IDEAL
L Y USE SAMPL ES WIT H NAT URAL AMBIENC E
- L
ESS IDEAL L Y PL AC E VIRT UAL MIC RO PHO NES
- USE FIL