[Synthesizer] Sound Design with Patrick Young About Speaker - - PowerPoint PPT Presentation

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[Synthesizer] Sound Design with Patrick Young About Speaker - - PowerPoint PPT Presentation

[Synthesizer] Sound Design with Patrick Young About Speaker Feature Studios - Patch Design http://www.speakerfeaturestudios.com/soundbanks/ BSEE, MSEE with specialization in Digital Signal Processing Favorite waveform:


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SLIDE 1

[Synthesizer] Sound Design

with Patrick Young

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SLIDE 2

About

  • Speaker Feature Studios - Patch Design

○ http://www.speakerfeaturestudios.com/soundbanks/

  • BSEE, MSEE with specialization in Digital Signal Processing
  • Favorite waveform: Sawtooth
  • Most comfortable in Massive
  • Questions and suggestions are welcomed!
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SLIDE 3

Properties of Sound

  • Pitch - tonal or atonal
  • Loudness / Amplitude
  • Timbre - Character and quality of a sound outside of pitch/note and loudness

○ Time Domain - how does amplitude change in time ○ Frequency Domain - how does frequency content change in time

  • Perceived Duration
  • Envelope and Articulation
  • Spatial Location, Diffusion, Reverberant Environment

[Source: Steve Everett - https://www.coursera.org/course/digitalsounddesign]

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SLIDE 4

Synthesizer Building Blocks

  • Source - Oscillator, Noise
  • Modifier - Filter, Envelope
  • Controller automatic (programmed) or manual - LFO, Macro, Keyboard, Modwheel

Source Modifier Controller

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SLIDE 5

Source - Waveforms

  • [Discrete] Fourier Transform - any signal can be represented as a summation of sine waves
  • Fundamental - Base Frequency (Note)
  • Harmonics - multiples of the fundamental frequency (1/n of the wavelength)

Oscillators Types ○ Sine - Fundamental only ○ Square - Odd Harmonics only

■ http://upload.wikimedia.org/wikipedia/commons/f/f8/SquareWave.gif

○ Sawtooth - All Harmonics ○ Hybrid

Frequency Amplitude Fundamental 2nd Harmonic 3rd Harmonic 4th Harmonic 5th Harmonic 6th Harmonic 7th Harmonic 8th Harmonic 9th Harmonic n 2n 4n 3n 5n 6n 7n 8n 9n

Source: http://www.forthecontemporaryflutist.com/images/study/02-waves2.jpg

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SLIDE 6

Source - Noise

Noise - defined as any unwanted sound, but..

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Modifiers

Envelope

  • ADSR

Filters

  • Low Pass
  • High Pass
  • Band Pass
  • Other - Comb, All Pass
  • Resolution / Drive
  • Rolloff (20 dB/decade = 6dB/octave):

○ http://en.wikipedia.org/wiki/Roll-off#/media/File:Roll-off_graph_multiple.svg

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SLIDE 8

Controllers

  • LFOs
  • Envelopes
  • Keyboard
  • Macro
  • ModWheel
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SLIDE 9

Types of Software Synthesizers

  • Main Types of Software Synthesizers

○ Subtractive - Massive, Sylenth1 ○ Additive - Razor ○ FM - FM8 http://en.wikipedia.org/wiki/Frequency_modulation_synthesis ○ Granular / Sampling - Ableton’s Granulator II, Sampler

  • Source Generation

○ Wavetable - Massive, Serum ○ Physical Modelling / Computational - Ableton Analog

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Patch Design

  • Traditional Types of Patches

○ Lead ○ Pad ○ Synth ○ Bass ○ Bells ○ Drum - High Hat, Snare, Kick ○ Sequence ○ Pattern ○ Builds / Noise Sweep ○ Soundscape

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SLIDE 11

Thickening

  • Voices
  • Detune / Spread
  • Sub-bass
  • Oscillator Phase
  • Effects
  • Feedback
  • Harmonic Distortion (Tube)
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SLIDE 12

Spacial Awareness

  • Stereo Field

○ Free Running Oscillators ○ Voice Width

  • Reverb
  • Delay
  • Chorus
  • Panning
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SLIDE 13

Inharmonic Content

Departure from whole number multiples of the fundamental frequency

  • Ring Filter
  • FM
  • Detune
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SLIDE 14

Vocal Sounds

Formant Frequencies - Resonance of the human vocal tract. Can be modelled with 2 to 5 individual bandpass filters

Source: http://cnx.org/resources/c77b5f2afe37dd160f01c3a619c92e71/sub_formants-voweltable.png

Vowel Sounds: More Details: http://www.fon.hum.uva.nl/david/ma_ssp/doc/Klatt-1980-JAS000971.pdf

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SLIDE 15

Other Techniques

  • Sidechain
  • Macros
  • Gating Effects
  • Chiptune
  • Glide
  • Key Tracking
  • Velocity Tracking