Physical Music Interface Midterm Presentation Handheld mic looper - - PowerPoint PPT Presentation

physical music interface
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Physical Music Interface Midterm Presentation Handheld mic looper - - PowerPoint PPT Presentation

Physical Music Interface Midterm Presentation Handheld mic looper station Modular lap station Trigger + fader station The idea + Our Process: 1. Define logic, number of Inputs/outputs Handheld 2. Design controller 3.


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SLIDE 1

Physical Music Interface

Midterm Presentation

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SLIDE 2

The idea

  • Handheld mic looper station
  • Modular lap station

○ Trigger + fader station

+

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SLIDE 3

Handheld Loopstation

Our Process: 1. Define logic, number of Inputs/outputs 2. Design controller 3. Prototype alternatives, ensure it can interface with lap controller 4. Test 5. Iterate and refine to single design

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SLIDE 4

Handheld Loopstation

User Tasks: 1. User must be able to start recording audio 2. User must be able to stop recording their vocals 3. User must be able to overdub on a recording 4. User must be able to play a loop without recording NTH: 1. Save audio 2. Connect to another person's loop station 3. Sound FX

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SLIDE 5

Alternative A

Current 3 input design:

  • ‘a’- start rec
  • ‘s’-set loop/rec
  • ‘d’- play loop/mute rec
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SLIDE 6

DEMO

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SLIDE 7

SIMPLE USER TEST

  • Not very intuitive for

non-experienced users

  • Takes about 5 mins to understand
  • The visual feedback for the

device cuts learning time down significantly

  • Is there a way to convey this

non-visually?

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SLIDE 8

Alternative B

For this alternative, we got inspired by the Loopa mic, which is a microphone with a built-in audio looper and recorder. Loopa Mic Loopa Mic 2

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SLIDE 9

Alternative B

The Workflow of the microphone could be interesting for our project because is based on 2 inputs.

  • Button1

○ 1st press: start ○ 2nd press: set loop/play ○ 3rd press: overdub ○ 4th press: same as 2nd press ○ 5th press: same as 3rd press ○ … etc

  • Button2

○ Stop everything

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SLIDE 10

Handheld loop station

Questions / Concerns:

  • Instead of having unlimited number of overdubs
  • nly limit it to four because that would match

slider channels ○ Is a limit of 4 okay?

  • Will need to be connected to a laptop with

software running, so can’t be used at home in this version

  • Which workflow could be better between

Alternative A and Alternative B?

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SLIDE 11
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SLIDE 12

Lap Station

1. Lo fi prototype

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SLIDE 13

Trigger pads Record button Power switch Scrolling wheel

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SLIDE 14

Recording and playing

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SLIDE 15

Faders Prototype

Magnet connector to another module Magnet connector Slider (each one will have a different texture)

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SLIDE 16

Lap Station

User tasks: 1. User can trigger 4 inputs that all feel different to the touch 2. User can slide 4 faders that all have corresponding pads (are made of same material) 3. User can change sounds (beatrockers sound bank) on triggers by scrolling on 2 buttons on the side of the interface 4. User can input 4 recorded loops into each fader channel and adjust their volumes NTH:

  • Student can record their own sounds into the pads
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SLIDE 17

?

  • Should we just connect both

together? Or is it better to have the

  • ption of splitting them up?
  • Is it necessary to have students be

able to rec their own sounds into the pads?

  • Any suggestions?
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SLIDE 18

Feedback

  • Button: shape, size, material
  • Button spectrum - where they are, where to go
  • Vibrations on the mic to indicate it’s recording
  • Fixed tempo?
  • Tactile metronome on (or not on) the loop station
  • How to indicate recording mode(the hidden state)? Maybe try

a non-discrete method (not toggle record/stop but use press/release)

  • Lap based: size, adjustable
  • Find the fun thing from looper
  • How are we going to build it? Don’t only focus on hardware.

Software is equally important.

  • Combine with screen based interface? Act as a teaching tool,

a browsing tutorial for ours?