photography workshop practice in urban development planning andrew - - PowerPoint PPT Presentation

▶
photography workshop
SMART_READER_LITE
LIVE PREVIEW

photography workshop practice in urban development planning andrew - - PowerPoint PPT Presentation

Jun 09, 2023 47 likes •958 views

photography workshop practice in urban development planning andrew brown introduction and introductions my background and practice activity 1 uses of photographic images activity 2 discussion examples of

slide-1
SLIDE 1

photography workshop

andrew brown

practice in urban development planning

slide-2
SLIDE 2
  • introduction and introductions
  • my background and practice
  • activity 1
  • uses of photographic images
  • activity 2
  • discussion
  • examples of photographers' work
  • activity 3
  • next steps
slide-3
SLIDE 3

Photographs by Ray Harwood, 1960

Beginnings Current Practice Final Project

slide-4
SLIDE 4
slide-5
SLIDE 5
slide-6
SLIDE 6
slide-7
SLIDE 7
slide-8
SLIDE 8
slide-9
SLIDE 9
slide-10
SLIDE 10
slide-11
SLIDE 11
slide-12
SLIDE 12
slide-13
SLIDE 13
slide-14
SLIDE 14
slide-15
SLIDE 15
slide-16
SLIDE 16
slide-17
SLIDE 17
slide-18
SLIDE 18
slide-19
SLIDE 19
slide-20
SLIDE 20
slide-21
SLIDE 21
slide-22
SLIDE 22
slide-23
SLIDE 23
slide-24
SLIDE 24
slide-25
SLIDE 25
slide-26
SLIDE 26
slide-27
SLIDE 27
slide-28
SLIDE 28

London Prosperity Board, 2017, p.3

What enables local people & communities to prosper & flourish?

slide-29
SLIDE 29

Activity 1 Think for a couple of minutes about ways in which photographic images and image making can be used in urban development planning and social impact assessment. Make a quick note of your ideas. Share your ideas with your neighbour. Note down suggestions to be made in the group discussion.

slide-30
SLIDE 30
  • photography as
  • elicitation device
  • research tool
  • data
  • evidence
  • representation
  • illustration
  • adornment
  • provocation …
slide-31
SLIDE 31
slide-32
SLIDE 32

Activity 2 Take turns to present your images to the group. Talk about each image, and consider what you hoped the image would represent and communicate. How do the images work together? Do they need captions or a commentary, can they be combined in different ways to carry a different message, is there anything missing, or misleading, are there any technical issues that you would want to address? Select one image that best expresses what you want to communicate about the place. What makes it the best image? Summarise the discussion and note down issues to raise in a whole group plenary.

slide-33
SLIDE 33

Beginnings Practice Project Beginnings Practice Project Objectives Context Audience

slide-34
SLIDE 34

Beginnings Practice Project Beginnings Practice Project Objectives Context Audience

Park Hill and Hyde Park Flats,1988, Bill Stephenson

slide-35
SLIDE 35

Beginnings Practice Project Objectives Context Audience

Park Hill and Hyde Park Flats,1988, Bill Stephenson

slide-36
SLIDE 36

Beginnings Practice Project Objectives Context Audience

Park Hill and Hyde Park Flats,1988, Bill Stephenson

slide-37
SLIDE 37

Beginnings Practice Project Objectives Context Audience

Park Hill and Hyde Park Flats,1988, Bill Stephenson

slide-38
SLIDE 38

Beginnings Practice Project Objectives Context Audience

Park Hill Flats, 1961, Roger Mayne

slide-39
SLIDE 39

Beginnings Practice Project Objectives Context Audience

Park Hill Flats, 1961, Roger Mayne

slide-40
SLIDE 40

Beginnings Practice Project Objectives Context Audience

Imperial Courts, 1993-2015, Dana Lixenberg

slide-41
SLIDE 41

Imperial Courts, 1993-2015 Dana Lixenberg

slide-42
SLIDE 42

Beginnings Practice Project Objectives Context Audience

Imperial Courts, 1993-2015, Dana Lixenberg

slide-43
SLIDE 43

Beginnings Practice Project Objectives Context Audience

Imperial Courts, 1993-2015, Dana Lixenberg

slide-44
SLIDE 44

Beginnings Practice Project Objectives Context Audience

Imperial Courts, 1993-2015, Dana Lixenberg

slide-45
SLIDE 45

Beginnings Practice Project Objectives Context Audience

Imperial Courts, 1993-2015, Dana Lixenberg

slide-46
SLIDE 46

Beginnings Practice Project Objectives Context Audience

Imperial Courts, 1993-2015, Dana Lixenberg

slide-47
SLIDE 47

Beginnings Practice Project Objectives Context Audience

Trellick Tower, 2016, Nicola Muirhead

slide-48
SLIDE 48

Beginnings Practice Project Objectives Context Audience

Trellick Tower, 2016, Nicola Muirhead

slide-49
SLIDE 49

Beginnings Practice Project Objectives Context Audience

Trellick Tower, 2016, Nicola Muirhead

slide-50
SLIDE 50

Beginnings Practice Project Objectives Context Audience

Trellick Tower, 2016, Nicola Muirhead

slide-51
SLIDE 51

Beginnings Practice Project Objectives Context Audience

Trellick Tower, 2016, Nicola Muirhead

slide-52
SLIDE 52

Beginnings Practice Project Objectives Context Audience

Trellick Tower, 2016, Nicola Muirhead

slide-53
SLIDE 53

Beginnings Practice Project Objectives Context Audience

Trellick Tower, 2016, Nicola Muirhead

slide-54
SLIDE 54

Beginnings Practice Project Objectives Context Audience

Grenfell Tower, 2017, Nicola Muirhead

slide-55
SLIDE 55

Beginnings Practice Project Objectives Context Audience

Grenfell Tower, 2017, Nicola Muirhead

slide-56
SLIDE 56

Beginnings Practice Project Objectives Context Audience

Grenfell Tower, 2017, Nicola Muirhead

slide-57
SLIDE 57

Beginnings Practice Project Objectives Context Audience

Grenfell Tower, 2017, Nicola Muirhead

slide-58
SLIDE 58

Beginnings Practice Project Objectives Context Audience

Children of Grenfell, 2017, Richard Ansett

slide-59
SLIDE 59

Beginnings Practice Project Objectives Context Audience

Children of Grenfell, 2017, Richard Ansett

slide-60
SLIDE 60

Beginnings Practice Project Objectives Context Audience

Children of Grenfell, 2017, Richard Ansett

slide-61
SLIDE 61

Beginnings Practice Project Objectives Context Audience

Children of Grenfell, 2017, Richard Ansett

slide-62
SLIDE 62

Beginnings Practice Project Objectives Context Audience

Am I what you are looking for?, 2016, Endia Beal

slide-63
SLIDE 63

Am I what you are looking for?, 2016, Endia Beal

slide-64
SLIDE 64

Beginnings Practice Project Objectives Context Audience

Portrait of Brixton, 2018, Charlie Clift

slide-65
SLIDE 65

Beginnings Practice Project Objectives Context Audience

Portrait of Brixton, 2018, Charlie Clift

slide-66
SLIDE 66

Portrait of Brixton, 2018, Charlie Clift

slide-67
SLIDE 67

Beginnings Practice Project Objectives Context Audience

Towards a Promised Land, Margate, 2003-2006 Wendy Ewald

slide-68
SLIDE 68

Beginnings Practice Project Objectives Context Audience

Towards a Promised Land, Margate, 2003-2006 Wendy Ewald

slide-69
SLIDE 69

Beginnings Practice Project Objectives Context Audience

Towards a Promised Land, Margate, 2003-2006 Wendy Ewald

slide-70
SLIDE 70

Beginnings Practice Project Objectives Context Audience

Towards a Promised Land, Margate, 2003-2006 Wendy Ewald

slide-71
SLIDE 71

Beginnings Practice Project Objectives Context Audience

Towards a Promised Land, Margate, 2003-2006 Wendy Ewald

slide-72
SLIDE 72

Beginnings Practice Project Objectives Context Audience Beginnings Practice Project Objectives Context Audience

Toward a Concrete Utopia, MOMA 2018, Valentin Jeck

slide-73
SLIDE 73

Beginnings Practice Project Objectives Context Audience Beginnings Practice Project Objectives Context Audience

Toward a Concrete Utopia, 2018, MOMA, New York

slide-74
SLIDE 74

Beginnings Practice Project Objectives Context Audience Beginnings Practice Project Objectives Context Audience

Toward a Concrete Utopia, MOMA 2018, Valentin Jeck

slide-75
SLIDE 75

Beginnings Practice Project Objectives Context Audience

Middlesborough, 1980-1985, Graham Smith

slide-76
SLIDE 76

Beginnings Practice Project Objectives Context Audience

Middlesborough, 1980-1985, Graham Smith

slide-77
SLIDE 77

Beginnings Practice Project Objectives Context Audience

County Durham, 1976, Graham Smith

slide-78
SLIDE 78

Beginnings Practice Project Objectives Context Audience

Martin Parr Foundation, 2018, Graham Smith

slide-79
SLIDE 79

Beginnings Practice Project Objectives Context Audience

The Day-to-Day Life of Albert Hastings 2007, Kaylynn Deveney

slide-80
SLIDE 80

Beginnings Practice Project Objectives Context Audience

The Day-to-Day Life of Albert Hastings 2007, Kaylynn Deveney

slide-81
SLIDE 81

Beginnings Practice Project Objectives Context Audience

The Day-to-Day Life of Albert Hastings 2007, Kaylynn Deveney

slide-82
SLIDE 82

Beginnings Practice Project Objectives Context Audience

For Every Minute .. 2005, Julian Germain

slide-83
SLIDE 83

Beginnings Practice Project Objectives Context Audience

For Every Minute .. 2005, Julian Germain

slide-84
SLIDE 84

Beginnings Practice Project Objectives Context Audience

For Every Minute .. 2005, Julian Germain

slide-85
SLIDE 85

Beginnings Practice Project Objectives Context Audience

No Olho da Rua 1995-2007, Julian Germain

slide-86
SLIDE 86

Beginnings Practice Project Objectives Context Audience

No Olho da Rua 1995-2007, Julian Germain

slide-87
SLIDE 87

Beginnings Practice Project Objectives Context Audience

No Olho da Rua 1995-2007, Julian Germain

slide-88
SLIDE 88

Edmund Clark, 2015-17, In Place of Hate.

slide-89
SLIDE 89

Activity 3 Discuss your fieldwork proposals. Consider how you might use images and photography in different phases of the fieldwork, from reconnaissance though to dissemination. Collect up points to discuss with the whole group. What support would you need to use photographic images in the ways you have discussed?

slide-90
SLIDE 90

Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody

Jacobs, J. (1961). The Death and Life of Great American Cities. New York: Random House

slide-91
SLIDE 91

Resources

Websites (accessed 02.11.18) Bill Stephenson, 1988, Streets in the Sky, Park Hill and Hyde Park Flats,

  • Sheffield. https://billstephenson.co.uk/social-documentary/streets-in-

the-sky-hyde-park-flats-1988/ Roger Mayne, Urban Landscape. http://www.rogermayne.com/ urbanlandscape/urban.html Dana Lixenberg, 1993-2015, Imperial Courts. http:// www.imperialcourtsproject.com/ Nicola Muirhead, In Brutal Presence. https://www.nicolamuirhead.com/ inbrutalpresence Richard Ansett, 2017, Children of Grenfell. http:// richardansett.blogspot.com/2017/12/children-of-grenfell.html Endia Beal, 2016, Am I What You Are Looking For? http:// endiabeal.com/#!/upcoming-projects Charlie Clift, 2018, Portrait of Brixton. https:// www.charliecliftphotography.com/work/portrait-of-brixton/ Wendy Ewald, 2003-6, Towards a Promised Land, Margate. http:// wendyewald.com/portfolio/margate-towards-a-promised-land/ Toward a Concrete Utopia, 2018, MOMA, New York. https:// www.moma.org/calendar/exhibitions/3931 Valentin Jeck. http://www.jeck.ch/ Graham Smith. http://theymadethislondon.com/photography/graham- smith Kaylynn Deveney, 2007, The Day-to-Day Life of Albert Hastings. https:// kaylynndeveney.com/the-day-to-day-life-of-albert-hastings/ Julian Germain. http://www.juliangermain.com/projects/ foreveryminute.php http://www.juliangermain.com/projects/no-

  • lho.php

Edmund Clark, 2015-17, In Place of Hate. https:// www.edmundclark.com/works/in-place-of-hate/#1

  • Photovoice. https://photovoice.org/

Publications London Prosperity Board (2017). Re-thinking sustainable prosperity: East London as a test case for new post-GDP measures. Institute for Global Prosperity Summary Working Paper, May 2017. London: UCL IGP. Palmer, D. (2013). A collaborative turn in contemporary photography? Photographies, 6(1), 117–125. Read, M. &Simmons, S. (2016). Photographers and Research: The role of research in contemporary photographic practice. London: Routledge. Wang, C. & Burris, M. A. (1997). Photovoice: Concept, Methodology, and Use for Participatory Needs Assessment. Health Education & Behavior, 24(3), 369–387.