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Omeka, Mirador and Viscoll: Developing modular, interoperable tools with IIIF Alexandra Bolintineanu and Rachel Di Cresce DPLAfest 2017 https://digitaltoolsmss.library.utoronto.ca/ In Its depths I saw contained, bound by love in one volume,


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Omeka, Mirador and Viscoll: Developing modular, interoperable tools with IIIF

Alexandra Bolintineanu and Rachel Di Cresce

DPLAfest 2017

https://digitaltoolsmss.library.utoronto.ca/

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In Its depths I saw contained, bound by love in one volume, the scattered leaves of all the universe.

Dante Alighieri, Paradiso, Canto XXXIII

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Digital Tools for Manuscript Studies

University of Toronto Library PI: Sian Meikle Focus: Within IIIF, tools to collect, annotate, organize, and exhibit reconstituted book collection Old Books, New Science Laboratory PI: Alexandra Gillespie Focus: John Stow’s book collection, reconstituted

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1598 Survey of London John Stow (1505-1625)

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  • 93 MSS, 24 Printed Books (117 books total)
  • 64 MSS positively attributed to Stow
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Omeka – Roy Rosenzweig Institute for History and New Media Studies

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Users can curate collections of digital items

Images Audio Videos Performances Lesson Plans

Collections

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  • Already widely

adopted

  • Mellon Award for

Technology Collaboration (2008)

  • Vibrant, supportive

user community

Community

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  • Emerging international

standard

  • Consistent digital image

delivery and annotation across multiple digital libraries

IIIF (International Image Interoperability Framework)

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Omeka IIIF

(International Image Interoperability Framework)

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Technology-in-practice

Technology- in-practice

Technolog y

User community

Organizational culture

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IIIF

Technology- in-practice

IIIF Branching “Stack”

Digital Archives

Organizational culture’s values: high-quality data; data integrity; archive control over images

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[E]ven doorknobs have politics in that they may be round, requiring a human hand to turn them, or shaped as levers, such that a person with a prosthetic limb or an armload

  • f groceries with one free elbow can still successfully use them. This is more than

simply a matter of utility. Both designs are political in that they presume and construct different kinds of worlds, with the round doorknob presuming a world in which everyone’s bodies are the same, and in which hands with opposable thumbs and sufficient grip strength are always available… (Alan Galey & Stan Rucker, “How A Prototype Argues”)

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DTMS: IIIF & the Scholar’s Desktop

Technology- in-practice

IIIF + Omeka

Scholars with less institutional support and/or technical expertise

User access to, and control

  • ver, data

DIY Images Ability to annotate, share “raw data” and process Ability to tell stories

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Users

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IIIF - The underpinnings

Content Repo. Content Repo. Content Repo. IIIF Image Server IIIF Image Client

Technical Stack Specifications

Image API

  • Pres. API
  • Auth. API

Search API Image Delivery Structure/ Layout Access Control Search within IIIF content

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Scholarly needs: low friction

Elco van Staveren, Europeana Cloud, 2014 https://flic.kr/p/o1fHAM

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IIIF Manifest

Metadata about manifest Metadata about object Order of canvases Other content ex. Annotations

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Use Cases

Wall monument of John Stow, St Andrew Undershaft, St Mary Axe, EC2 http://www.geograph.org.uk/pho to/1491412

13v and 14r, MS 152, Bodleian Library.

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Omeka: collecting and sharing

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Plugging IIIF into Omeka

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IIIF and Omeka

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Ingesting a Manifest

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Ingesting a Manifest

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Mirador: Viewing manuscripts

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Working with manuscripts

Viewing annotations Editing annotations

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Working with Manuscripts

Browse manuscript collections Search and edit tags (items)

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Exhibiting Manuscripts

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Neatline Integration

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Visualizing Collations: Viscoll

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Viscoll

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Collation

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Canterbury Christ Church MS152

41v (end of quire 5) 42r (beginning

  • f quire 6)
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API: from scholar to community

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IIIF to go

PWhite23, Phone Bloks, Nov 1 2013 https://prestonwhiteuo.wordpr ess.com/2013/11/01/phone-bl

  • ks-blog-11/
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In Its depths I saw contained, bound by love in one volume, the scattered leaves of all the universe.

Dante Alighieri, Paradiso, Canto XXXIII

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We are very grateful to:

The Mirador team & community The VisColl team

The IIIF Foundation & community The Omeka team & community