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New Appr Approac ache hes in M in Med edia C ia Cons nser - - PowerPoint PPT Presentation

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Duan B Du n Barok (Uni niversity ty of Am Amste terdam) db@mo monoskop.org New Appr Approac ache hes in M in Med edia C ia Cons nser ervatjo tjon Artworks from th the Digital al Era a in Galle alleries an and Museums collo

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New Appr Approac ache hes in M in Med edia C ia Cons nser ervatjo tjon

Artworks from th the Digital al Era a in Galle alleries an and Museums collo lloqu quium, , Vaš ašulk lka Ki Kitch tchen Brno, The Brno House of Arts ts, , Brno 23 Octo tobe ber 2019

Du Dušan B n Barok (Uni niversity ty of Am Amste terdam)

db@mo monoskop.org

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Multjp tjplac ace

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Talk

Case study Concepts & theory Documentatjon Digital preservatjon Instjtutjons & networks New tendencies

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Hans ns Haa Haacke, News ews, 196 1969

Exhibitjon Prospect 69 Düsseldorf, 1969

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Hans ns Haa Haacke, News ews, 196 1969

Howard Wise Gallery New York, 1969

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Hans ns Haa Haacke, News ews, 196 1969/1 9/197 970

Exhibitjon Sofuware, Jewish Museum New York, 1970

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Hans ns Haa Haacke, News ews, 196 1969/2 9/200 008

Exhibitjon Art of Partjcipatjon SFMOMA, 2008

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Hans ns Haa Haacke, News ews, 196 1969/2 9/201 018

Exhibitjon Nothing Stable Under Heaven, SFMOMA, 2018

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NAC ACCA (New Appro roache hes s in n the the Cons nserv ervatj atjon of Conte ntemporary rary Art) rt)

www.nacca.eu

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NAC ACCA

I: Identjty, Authentjcity and Values II: Materials, Media and Technologies III: Presentatjon, Documentatjon and Receptjon IV: Professions and Instjtutjons

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NAC ACCA inte nterv rview ews

www.incca.org (Knowledge Base)

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NAC ACCA publicatj atjons

www.incca.org (Knowledge Base)

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Time-bas ased ed media a art, art, Media a ins nstal tallatjo atjon n is s ...

the term is useful to “describe installatjons that have a duratjon and therefore have to be experienced in the context of the passing of a period of tjme.” (Laurenson 2001) “any artwork that has both physical and temporal dimensions.” (EMG AIC)

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Complex artw artwork rks, non- n-objec ect t base sed artw rtwork rks, chan anging artw artworks are are ...

installatjons and other types of work with one or more of the following elements:

  • variable form (e.g. involving non-dedicated, replaceable components)
  • conceptual or otherwise immaterial features crucial for re-exhibitjon
  • process-based
  • open-ended
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Instal tallatjo atjons ns are are ‘a ‘alive’ e’ onl nly when en ins nstal talled ed

"Essentjally [tjme-based media installatjons] do not really exist untjl they are installed" (Laurenson 2001) "Artjsts' installatjons only truly exist in their installed state" (Scholte and ‘t Hoen 2007) "[Some] tjme-based media works only really exist in their installed state" (Tate 2012) "The large majority of tjme-based media works [...] only exist when they are installed" (Phillips 2015) "[Time-based media works are] ofuen only fully realized in their installed state" (MoMA 2018)

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Conc ncep eptu tual al fra ramew ework rk for r med edia a cons nserv ervatj tjon Pip Laurenson, “Authentjcity, change and loss in the conservatjon of tjme-based media installatjons”, Tate Papers, 6, 2006

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Hans ns Haa Haacke, News ews, 196 1969

Exhibitjon Prospect 69 Düsseldorf, 1969

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Conc ncep eptu tual al fra ramew ework rk for r med edia a cons nserv ervatj tjon: Allogra raphi hic work rks “In the case of allographic works, whether tjme-based media installatjons or musical works, each occasion a tjme-based media work is installed and each tjme a musical work is performed, decisions are revisited and sometjmes re-made as to what aspects of the work are signifjcant to its identjty.” (Laurenson 2006)

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Hans ns Haa Haacke, News ews, 196 1969/2 9/201 018

Exhibitjon Nothing Stable Under Heaven, SFMOMA, 2018

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Conc ncep eptu tual al fra ramew ework rk for r med edia a cons nserv ervatj tjon: Work rk-defj efjni ning ng pro ropertj ertjes Work-defjning propertjes include..

  • the artjst's instructjons
  • the past installatjons approved by artjst intended to act as

models

  • an understanding of the context in which they were made
  • ...
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Hans ns Haa Haacke, News ews, 196 1969/2 9/201 018: 8: Artj rtjst’s t’s ins nstru tructj tjons

Courtesy of SFMOMA, 2018

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Hans ns Haa Haacke, News ews, 196 1969/2 9/200 008

Exhibitjon Art of Partjcipatjon SFMOMA, 2008

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Hans ns Haa Haacke, News ews, 196 1969/2 9/201 018

Exhibitjon Nothing Stable Under Heaven, SFMOMA, 2018

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Conc ncep eptu tual al fra ramew ework rk for r med edia a cons nserv ervatj tjon: Artj rtjst’s st’s inten ntent Artjst's intent and authentjcity are ‘being done’ They are constructed through documentatjon, artjst interviews, negotjatjons, etc.

Vivian van Saaze, 2013 OA at htups://oapen.org/search? identjfjer=449202

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Documentatjo ntatjon To document a media installatjon…

  • identjfy its components and elements

(possibly including the space and acoustjcs),

  • explain how they are connected,
  • describe their roles in terms of aesthetjcs and functjonality,
  • establish the factors most likely to prevent each component from

fulfjlling its role. (Laurenson 2001)

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Documentatjo ntatjon n model for r media a art art

Documentatjon Model for Time-Based Media Art (2015). Courtesy of Joanna Phillips.

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Documentatjo ntatjon n model for r media a art: art: Itera teratj tjon n rep report rt

Pages 1-3 of 4 of Guggenheim Iteratjon Report, 2012 Courtesy of Guggenheim Museum. Available at htups://www.guggenheim.org/wp-content/uploads/2015/11/ guggenheim-conservatjon-iteratjon-report-2012.pdf

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Preserv ervatj tjon n dossi siers rs

Courtesy of SFMOMA

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Preserv ervatj tjon n dossi siers rs

Courtesy of SFMOMA

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Cri riteri teria a for r documentatjo ntatjon n platgo atgorm rm for r media a cons nserv ervatj atjon

  • Straightgorward navigatjon through documentatjon associated with an

artwork.

  • Support for difgerentjatjng between identjty and installatjon of a given work
  • n the one hand, and its respectjve iteratjons on the other.
  • Support for documentjng decision making on the component level.
  • Support for linking components and elements of a work.
  • Support for multjmedia content.
  • Version control including history of changes and identjfjcatjon of their

authors.

  • Integratjon of the platgorm within the informatjon infrastructure.
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A documen mentatj tatjon n platgo tgorm rm for media a conse servatj atjon: SFM FMOMA A Med edia a Wiki

Courtesy of SFMOMA

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SFM FMOMA Med edia a Wiki: Artw rtwork rk pag age e temp template ate

Courtesy of SFMOMA Courtesy of Guggenheim Museum

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Wikis for r art art (pres reserv ervatj atjon) n) documentatjo ntatjon

ZKM Karlsruhe, 2006-2015 Guggenheim’s Panza Collectjon Initjatjve, 2010-2016 SFMOMA’s media conservatjon, 2013- SFMOMA’s The Artjst Initjatjve, 2014-2017 NYU’s Artjst Archive Initjatjve, 2017- ...

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Wikis for r art art (pres reserv ervatj atjon) n) documentatjo ntatjon

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Digital tal pres reservatjo atjon n (code, e, media a fj fjles es)

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Instj tjtu tutj tjons s & & netw network rks s for r med media conserv ervatj tjon n to today, I.

Museu eums with th medi edia la labo boratories es or

  • r speciali

lised ed pos

  • sitj

tjon

  • ns for medi

dia conser ervatj tjon

  • n:

Tate Modern: Pip Laurenson (formerly), Patricia Falcao, Louise Lawson .. SFMOMA: Martjna Haidvogl, ... MoMA: Glenn Wharton (formerly), Kate Lewis, ... Guggenheim: Joanna Phillips (formerly), .. ZKM: Hanna Hölling (formerly), Morgane Stricot, ... Hirschhorn Smithsonian Art Gallery NSW M+, Hong Kong Met, NYC

Guggenheim’s media lab

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Instj tjtu tutj tjons s & & netw network rks s for r med media conserv ervatj tjon n to today, II.

Electronic Media Group (EMG) AIC, est. 1998 INCCA (Internatjonal Network for the Conservatjon of Contemporary Art), est. 1999 LIMA, Amsterdam, est. 2013 (contjnues the legacy of Montevideo/TBA) Rhizome, NYC, est. 1996, now affjliated w/ New Museum iMAL & Packed, Brussels Bern University of the Arts (HKB) Conservatjon-Restoratjon MA programme Die Angewandte, Vienna, Modern+Contemporary Art Conservatjon MA programme NYU Time-based media MA programme, est. 2018 CICS Cologne, decision-making model 2019 Atelier für Videokonservierung, Bern, private studio of Agathe Jarczyk Small Data Industjres, NYC, private studio of Ben Fido-Radin

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Decisi sion- n-Making ng Model for r Conte ntempora rary Art rt Cons nservatjo atjon & & Pres resen entatj tatjon

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Perf erform rmanc nce- e-base sed art rt

Collectjng the Performatjve, research project, Tate, 2012-2014 Histories of Performance Documentatjon, book, 2017 Reshaping the Collectjble, research project, Tate, 2018-2021 PhD dissertatjons: Acatja Finbow 2017 (U Exeter), Helia Marcal 2018 (U Nova de Lisboa), Iona Goldie-Scot (Maastricht U)

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Net- t-base sed art art

LIMA, Arthost.nl launched 2019

Rhizome’s Net Art Anthology, 2016-2019 Exhibitjon & Catalogue, 2019 Reshaping the Collectjble, research project, Tate, 2018-2021 Annet Dekker’s book Collectjng and Conserving Net Art: Moving beyond Conventjonal Methods, 2018

Ludwig Museum’s MAPS symposium, 13-14 Feb 2020

PhD dissertatjon: Claudia Roeck (U Amsterdam)

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Ethno thnograp raphic meth ethods s in cons nservatjo atjon n re rese searc arch

Van Saaze’s book Installatjon Art and the Museum, 2013, open access Sanneke Stjgter’s PhD “Between Concept and Material” (UvA, 2016) Fernando Domínguez Rubio's forthcoming book Stjll Life: Ecologies of the Modern Imaginatjon at the Art Museum (U Chicago Press, July 2020) Caitlin Spangler-Bickell’s research in NACCA

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Private ate es estates tates

Symposiums organised by Contemporary Conservatjon Ltd, NYC:

First Crack, 2015

Body of Work, 2018

Anna Schäffmer’s research into posthumous caring for artjsts’ estates at Freie U Berlin

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Netw twork rks of care are Chapter in Annet Dekker’s book Collectjng and Conserving Net Art, 2018 Morgane Stricot of ZKM on maintaining relatjonships with pirate communitjes to

  • btain obsolete commercial sofuware

Tate maintains relatjonships with analog fjlm studios etc..

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Res Resourc rce on n contem tempora rary art art cons nserv ervatj atjon

htups://pad.multjplace.org/ 0xBDx5Y3S9S05_8G1g8E-w?view short link: htups://tjny.cc/preservatjon

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Tha hank nk you Ackno nowled edgeme ements nts Aga Wielocha, Annet Dekker, Arjen P. de Vries, Béla Tamás Kónya, Claudia Roeck, Dana Doughin, David Gauthier, Gaby Wijers, Glenn Wharton, Jill Sterretu, Julia Noordegraaf, Julie Boschat Thorez, Karen te Brake-Baldock, Layna White, Lúcia Almeida Matos, Martjna Haidvogl, Morgane Stricot, Nina Quabeck, Pip Laurenson, Renée van de Vall, Tatja Scholte, Vivian van Saaze Dušan an Baro rok

db@ db@monoskop.org, , D.Bar arok@uva. a.nl