Monochromatic The Milliner’s Workshop – Pablo Picasso Cerveteri – Philip Guston Old Guitarist – Pablo Picasso Sunflowers, Fourth Version – Vincent Van Gogh On the Pont de l’Europe – Gustave Caillebotte
VALUE TINT COLOR SHADE Color + White Color + Black
Day 1: Paint your background papers . • Pick a color for your background • Paint two (2) papers with this color • You can paint with tints and shades, make patterns, or add texture
Untitled, from Marilyn Monroe – Andy Warhol
Day 2: Paint your foreground paper . • Paint with your complementary color – tints, shades, patterns! • Begin measuring when you finish painting.
Recluse, Lucy Poskitt Hardy Complex – Double Weave, Portland, Sue Spooner Christiane Maurer
Weaving Tips: • Each weft should go over one warp, then under the next. • Alternate beginning “over” and “under” each row. • Warp: the vertical threads attached to • Push strips up – remember, we the top and bottom don’t want holes in our clothes! of a loom. • Glue down edges • Weft: the horizontal threads that cross over and under the warp threads on a loom.
Day 3: Measure & Weave paper strips Warp Over Under Weft Over Under Over Under
Macrogauze, Peter Collingwood Connections, Nadine Spier Untitled, Ana Teresa Barboza
Day 4: Finish Weaving & Add Foreground! • Draw your foreground • Cut out and glue onto page • Use pieces of leftover paper to create a boarder
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