Ho w to Presen t a P ap er in Theoretical Computer - - PDF document

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Ho w to Presen t a P ap er in Theoretical Computer - - PDF document

Ho w to Presen t a P ap er in Theoretical Computer Science: A Sp eak er's Guide for Studen ts y Ian P arb erry Departmen t of Computer Sciences Univ ersit y of North T exas July 29, 1993 There are man


slide-1
SLIDE 1 Ho w to Presen t a P ap er in Theoretical Computer Science: A Sp eak er's Guide for Studen ts
  • Ian
P arb erry y Departmen t
  • f
Computer Sciences Univ ersit y
  • f
North T exas July 29, 1993 There are man y p
  • in
ts in y
  • ur
career at whic h y
  • u
will b e called up
  • n
to presen t a pap er in Theoretical Computer Science, p erhaps a pap er written b y someb
  • dy
else in a graduate seminar,
  • r
y
  • ur
  • wn
researc h at a conference, departmen tal collo quium,
  • r
job in terview. This skill is particularly imp
  • rtan
t if y
  • u
in tend to pursue a career in academia. While researc h excellence is the main criterion for success as a theoretical computer scien tist, y
  • ur
career will b e assisted if y
  • u
gain a reputation as a comp eten t sp eak er. A comp eten t sp eak er will more lik ely b e in vited to giv e collo quia at leading univ ersities and in vited talks at imp
  • rtan
t conferences than a medio cre
  • ne,
pro vided their researc h is
  • f
similar qualit y . The exp ected qualit y
  • f
the presen tation can b e the deciding factor in the selection
  • r
rejection
  • f
a con tro v ersial conference pap er in cases where there is no clear consensus from the program committee . The author do es not claim to b e an exp ert in
  • ral
presen tation, but has attended (and giv en) enough bad talks to b e able to dra w up a few rules
  • f
th um b. This note is written primarily for studen ts in Theoretical Computer Science, but most
  • f
it is relev an t to
  • ther
sub-disciplines
  • f
Computer Science, and some to an y scien tic discipline. Dieren t st yles
  • f
presen tation w
  • rk
for dieren t p eople. These guidelines are in tended to assist y
  • u
in dev eloping a w
  • rk
able st yle
  • f
y
  • ur
  • wn.
The remainder
  • f
this note is divided in to four sections. The rst, \What to Sa y and Ho w to Sa y It", concen trates
  • n
c ho
  • sing
and
  • rganizing
the material to b e presen ted. The second, \Getting Through to the Audience", fo cusses
  • n
presen tation. The third, \Visual and Aural Aids", discusses the prop er use
  • f
  • v
erhead pro jector transparencies and the microphone. The fourth, \Question Time", is dev
  • ted
to the p erio d after the talk during whic h the audience asks questions
  • f
the sp eak er. An earlier v ersion
  • f
this note has app eared in [2, 3].
  • Cop
yrigh t c
  • Ian
P arb erry . This guide ma y b e repro duced without fee pro vided the copies are not made for prot. y Author's mailing address: Departmen t
  • f
Computer Sciences, Univ ersit y
  • f
North T exas, P .O. Bo x 13886, Den ton, TX 76203{3886, U.S.A. Electronic mail should b e directed to ian@ponder.csci.u nt.e du. 1
slide-2
SLIDE 2 1 What to Sa y and Ho w to Sa y It The selection
  • f
material to include in a talk, and ho w it is arranged and presen ted is crucial to success. Communic ate the Key Ide as Most new results are
  • btained
b y using a few k ey ideas
  • r
tric ks, plus the application
  • f
standard to
  • ls
and tec hniques. Mak e sure that y
  • ur
talk emphasizes the k ey ideas and skips
  • v
er what is standard,
  • b
vious,
  • r
merely complicated. Don 't get Bo gge d Down in Details This rule cannot b e
  • v
er-emphasized. Man y sp eak ers launc h righ t in to the tec hnical details from the start, confusing and alienating most, if not all
  • f
the audience. Remem b er that y
  • u
will ha v e b een thinking deeply ab
  • ut
the material for mon ths
  • r
ev en y ears, whereas most
  • f
the audience will either hear ab
  • ut
the sub ject matter for the rst time during y
  • ur
talk,
  • r
at b est will b e v ery rust y . Things that y
  • u
tak e for gran ted will ha v e to b e explained carefully . Details are
  • ut
  • f
place in an
  • ral
presen tation. After all, an yb
  • dy
with mo dest tec hnical skills can ll in the details b y studying the pap er at leisure, and an yb
  • dy
lac king tec hnical skills will w an t to hear ab
  • ut
the details ev en less. The audience w
  • uld
appreciate an
  • v
erview
  • f
the pap er so that they can determine whether the pap er is w
  • rth
reading. A go
  • d
talk motiv ates the listener in to reading the pap er and mak es the task
  • f
reading it easier. Structur e Y
  • ur
T alk Y
  • ur
presen tation should b e brok en in to sev eral distinct parts, eac h with its
  • wn
  • b
jectiv es and st yle. Eac h part should b e clearly delineated. The audience should b e steered gen tly from
  • ne
part to the next. A w ell-structured talk is easier to understand than a ram bling, unstructured
  • ne,
and it also mak es more ecien t use
  • f
time. Use a T
  • p-down
Appr
  • ach
The follo wing is a template for pro ducing a talk. It consists
  • f
four parts; the In tro duc- tion, the Bo dy , T ec hnicalities and the Conclusion. The In tro duction is a general, informal description
  • f
the pap er. The Bo dy giv es a more formal, but abstract description, and the T ec hnicalities section tak es a detailed lo
  • k
at a critical part
  • f
the pap er. The audience is th us in tro duced to the material in a top-do wn fashion. The Conclusion concisely summarizes the k ey results, and wraps up the talk. Naturally , v ery few talks will t this template exactly , since the structure
  • f
a talk v aries greatly with sub ject matter, length
  • f
presen tation, author, presen ter, and audience. The In- tro duction and the Conclusion are fairly standard, but there is ample ro
  • m
for customization in the
  • ther
t w
  • parts.
F
  • r
example, some complicated sub jects ma y need sev eral passes, 2
slide-3
SLIDE 3 eac h
  • f
successiv ely greater detail, instead
  • f
the t w
  • -pass
b
  • dy-tec
hnicalities sc heme de- scrib ed b elo w. Y
  • u
should use this template as a starting p
  • in
t
  • nly
. Don't b e afraid to b e inno v ativ e. The In tro duction This is p
  • ssibly
the most imp
  • rtan
t part
  • f
y
  • ur
presen tation. It sets the tone for the en tire talk. It determines whether the audience will pric k up their ears,
  • r
remain slump ed in their c hairs. A lot
  • f
snap decisions ab
  • ut
y
  • ur
comp etency are made b efore the In tro duction is
  • v
er. First impressions are v ery imp
  • rtan
t.
  • Dene
the Pr
  • blem
An amazing n um b er
  • f
sp eak ers forget this simple p
  • in
t. No matter ho w dicult and tec hnical the problem, it can usually b e describ ed succinctly and accurately in under v e min utes. This time is w ell in v ested. If the audience do esn't understand the problem b eing attac k ed, then they w
  • n't
understand the rest
  • f
y
  • ur
talk.
  • Motivate
the A udienc e Explain wh y the problem is so imp
  • rtan
t. Thro w in a little philosoph y if necessary . Ho w do es the problem t in to the larger picture? If it in v
  • lv
es a mo del
  • f
a real-w
  • rld
phenomenon, then ho w go
  • d
is the mo del? What are its applications? What mak es the problem non trivial? Y
  • u
can return to these issues in the Conclusion, when y
  • u
can re-address them with the b enet
  • f
hindsigh t.
  • Intr
  • duc
e T erminolo gy The use
  • f
terminology and jargon should b e k ept to a minim um , but is imp
  • ssible
to a v
  • id
en tirely . All terms must b e in tro duced early . It is also useful to remind the audience
  • f
the denitions at critical p
  • in
ts later in the talk.
  • Discuss
Earlier Work Researc h is not usually carried
  • ut
in a v acuum. There will almost alw a ys b e
  • ther
relev an t
  • r
related w
  • rk,
whic h y
  • u
should describ e. Presen t an
  • rderly
synopsis
  • f
these previously-obtained results. A table is
  • ften
used for this purp
  • se.
Be sure to men tion the author
  • f
eac h pap er and its date
  • f
publication. Compare and con trast them with eac h
  • ther
and with y
  • ur
pap er.
  • Emphasize
the Contributions
  • f
your Pap er Mak e sure that y
  • u
explicitly and succinctly state the con tributions made b y y
  • ur
pap er. The audience w an ts to kno w this. Often it is the
  • nly
thing that they carry a w a y from the talk. Don't mak e the audience searc h for the information in a morass
  • f
details | they ma y get it wrong.
  • Pr
  • vide
a R
  • ad-map
Giv e the audience a brief guide to the rest
  • f
the talk, along the lines
  • f
the last paragraph
  • f
the in tro duction to this note. But don't mak e it a dry litan y
  • f
dull 3
slide-4
SLIDE 4 generalizations (\rst I will presen t the in tro duction, then summarize earlier w
  • rk,
then presen t the main b
  • dy
, and end with the conclusion"). Instead, giv e a short preview
  • f
what will b e in eac h section. This part
  • f
the talk can b e eliminated for v ery short conference presen tations. The Bo dy This con tains the meat
  • f
y
  • ur
presen tation, and is the p
  • in
t at whic h the atten tion
  • f
the audience will start to w a v er if y
  • u
messed up y
  • ur
In tro duction.
  • A
bstr act the Major R esults Describ e the k ey results
  • f
the pap er. Y
  • u
ma y presen t the statemen ts
  • f
the ma jor theorems, but not their pro
  • fs.
Y
  • u
will probably ha v e to get a little tec hnical here, but do so gradually and carefully .
  • Explain
the Signic anc e
  • f
the R esults P ause, and explain the relationships b et w een the formal theorems that y
  • u
ha v e just presen ted and the informal description that y
  • u
ga v e in the In tro duction. Mak e it clear to the audience that the results do liv e up to the adv ance publicit y . If the statemen ts
  • f
the theorems are v ery tec hnical then this ma y tak e some time. It is time w ell-sp en t.
  • Sketch
a Pr
  • f
  • f
the Crucial R esults The emphasis is
  • n
the w
  • rd
\sk etc h". Giv e a v ery high-lev el description
  • f
the pro
  • fs,
emphasizing the pro
  • f
structure and the pro
  • f
tec hniques used. If the pro
  • fs
ha v e no structure (in whic h case it ma y b e assumed that y
  • u
are not the author
  • f
the pap er), then y
  • u
m ust imp
  • se
  • ne
  • n
them. Gloss
  • v
er the tec hnical details. It is a go
  • d
idea to p
  • in
t them
  • ut
but not to explore them. T ec hnicalities If y
  • u
are doing w ell, then most
  • f
the audience will ha v e follo w ed y
  • u
up to this p
  • in
t. Ho w ev er, the exp erts ma y b e in danger
  • f
getting b
  • red.
The more can tank erous among them ma y not b eliev e y
  • ur
results, since y
  • u
ha v e presen ted them
  • nly
in high-lev el terms. No w y
  • u
can giv e some tec hnical details. This will also help the non-exp ert to see what is really going
  • n
b ehind the scenes, lest he
  • r
she is lulled b y y
  • ur
p
  • lished
st yle in to thinking that it is all to
  • easy
.
  • Pr
esent a Key L emma Cho
  • se
just
  • ne
k ey result. It should b e imp
  • rtan
t, non-trivial, should giv e the a v
  • ur
  • f
the rest
  • f
the tec hnical details and should b e presen table in a relativ ely short p erio d
  • f
time.
  • Pr
esent it Car eful ly Y
  • u
ma y descend in to messy tec hnical details, but try to b e as succinct and clear as p
  • ssible.
Y
  • u
migh t w an t to ll in
  • ne
  • f
the gaps that ma y app ear in the pap er, to 4
slide-5
SLIDE 5 giv e the audience something that they could not get b y sta ying home and reading the pap er. (Almost all tec hnical pap ers con tain small gaps. Lac k
  • f
space usually prev en ts pro
  • fs
from app earing in all their gory detail.) The Conclusion Y
  • ur
aim here is to round
  • the
talk neatly . Y
  • u
should discuss the results briey in retrosp ect placing emphasis where it is needed.
  • Hindsight
is Cle ar er than F
  • r
esight Y
  • u
can no w mak e
  • bserv
ations that w
  • uld
ha v e b een confusing if they w ere in tro duced earlier. Use this
  • pp
  • rtunit
y to refer to statemen ts that y
  • u
ha v e made in the previous three sections and w ea v e them in to a coheren t synopsis. Y
  • u
will regain the atten tion
  • f
the non-exp erts, who probably didn't follo w all
  • f
the T ec hnicalities section. Lea v e them feeling that they ha v e learned something nonetheless.
  • Give
Op en Pr
  • blems
It is traditional to end with a list
  • f
  • p
en problems that arise from y
  • ur
pap er. Men tion w eaknesses
  • f
y
  • ur
pap er, p
  • ssible
generalizations, and indications
  • f
whether they will b e fruitful
  • r
not. This w a y y
  • u
ma y defuse an tagonistic questions during question time (see Section 4).
  • Indic
ate that your T alk is Over An acceptable w a y to do this is to sa y \Thank-y
  • u.
Are there an y questions?". Know Y
  • ur
A udienc e Mak e sure that y
  • ur
talk is prepared at the righ t lev el. There are four t yp es
  • f
audience that y
  • u
will most lik ely meet. 1. Scientists Most
  • f
the audience w
  • n't
ev en kno w what Computer Science is. Emphasize the In tro duction and the Bo dy . Omit the T ec hnicalities section. Remem b er that y
  • u
will ha v e to dene man y terms that y
  • u
ha v e tak en for gran ted for y ears. Pro vide more philosophical bac kground. Ordinarily y
  • u
will not meet this kind
  • f
audience un til later in y
  • ur
career. 2. Computer Scientists Most
  • f
the audience will not kno w what Theoretical Computer Science is. Y
  • u
can in tro duce a small T ec hnicalities section, but k eep it brief. Be careful with y
  • ur
deni- tions. The emphasis should remain
  • n
the In tro duction and the Bo dy . This t yp e
  • f
audience will b e t ypically encoun tered during job in terviews and departmen tal collo- quia. 5
slide-6
SLIDE 6 3. The
  • r
etic al Computer Scientists Y
  • u
will no longer need to b e quite so careful with denitions, but it is p
  • litic
to pro vide reminders for the rust y , the y
  • ung
and the less men tally agile in the group. The em- phasis should b e
  • n
the Bo dy
  • f
the talk, but the T ec hnicalities section need no longer b e m uted. This t yp e
  • f
audience will t ypically b e encoun tered during departmen tal collo quia and ma jor theory conferences. 4. Exp erts If y
  • u
address exp erts in y
  • ur
eld, then y
  • u
can get righ t do wn to the core
  • f
the matter. The emphasis should b e
  • n
the Bo dy and the T ec hnicalities. Keep in mind that the more exp erts there are in the audience, the more argumen tativ e they are lik ely to b e. This t yp e
  • f
audience will b e t ypically encoun tered during small, sp ecialized conferences and w
  • rkshops.
2 Getting Through to the Audience Once y
  • u
ha v e selected and
  • rganized
y
  • ur
material, the next ma jor h urdle is when y
  • u
nd y
  • urself
actually standing in fron t
  • f
the audience. F ault y deliv ery can ruin ev en a w ell-prepared talk. Use R ep etition Oral presen tations ma y b e summed up as follo ws: \T ell them what y
  • u're
going to tell them. T ell them. Then tell them what y
  • u
told them". In the In tro duction y
  • u
tell them what y
  • u
are going to tell them. In the Bo dy and T ec hnicalities y
  • u
tell them. In the Conclusion y
  • u
tell them what y
  • u
told them. Don't b e scared
  • f
this rep etition. Sometimes rep etition is the
  • nly
w a y to clarify misconceptions. Naturally , this means that y
  • u
should rep eat things in dieren t w a ys, and not quote y
  • urself
v erbatim. If y
  • u
ha v e studied Co ding Theory , then y
  • u
will kno w the imp
  • rtance
  • f
redundancy when comm unicating
  • v
er a noisy c hannel. The c hannel b et w een ears and in tellect is extremely noisy . R emind, don 't Assume If y
  • ur
pap er assumes a \standard" result in y
  • ur
eld (for example, the Ch urc h-T uring Thesis, Co
  • k's
Theorem, etc.), it is w
  • rth
while to pro vide y
  • ur
audience with a brief reminder
  • f
exactly what the result is. Phrasing it as a reminder a v
  • ids
an tagonizing those who for v arious reasons are not familiar with it (for example, those who w
  • rk
in a dieren t eld, the absen t-minded,
  • r
studen ts) b y allo wing them the
  • pp
  • rtunit
y to learn while hiding their ignorance, and a v
  • ids
an tagonizing those who are familiar with it b y allo wing them to \tune
  • ut".
6
slide-7
SLIDE 7 Don 't Over-run There is v ery little that is more exasp erating than listening to a talk that drags in terminably past its sc heduled nishing time. The author has
  • bserv
ed that the qualit y
  • f
a talk is almost alw a ys in v ersely prop
  • rtional
to the time that it
  • v
er-runs. Unless it is explicitly stated
  • therwise,
when y
  • u
are told that the talk is to last for x min utes, plan to talk for at most x
  • 5
min utes, and lea v e 5 min utes for question-time. If in doubt ab
  • ut
the prop
  • rtions,
then enquire. Departmen tal collo quia generally last for ft y min utes, and conference presen tations from fteen to thirt y min utes, including question-time. Don't try to co v er to
  • m
uc h material. As y
  • u
gain more exp erience y
  • u
will learn ho w m uc h y
  • u
can co v er in an y giv en p erio d. Un til then, y
  • u
will ha v e to rehearse y
  • ur
talk un til it is the correct length. A fort y-v e min ute departmen tal collo quium m ust naturally dier greatly in comp
  • sition
from a fteen min ute conference presen tation. If y
  • u
are short
  • f
time, the rst thing to cut is the T ec hnicalities section. Maintain Eye Contact Main tain ey e con tact with y
  • ur
audience. Spread y
  • ur
atten tion throughout the audience instead
  • f
concen trating
  • n
an y
  • ne
p erson
  • r
group (ev en if they are the
  • nly
  • nes
who matter). A go
  • d
strategy for b eginners is to c ho
  • se
a few p eople at random in dieren t places in the audience, and lo
  • k
at them successiv ely . If presen ting at a conference, b e sure to glance p erio dically at the session c hair, who will signal y
  • u
when y
  • u
are running
  • ut
  • f
time. Contr
  • l
Y
  • ur
V
  • ic
e Sp eak clearly and with sucien t v
  • lume.
Don't sp eak in a monotone. Av
  • id
information-free utterances (\Um, ah, er", etc.) Av
  • id
fashionable turns
  • f
phrase. Av
  • id
h yp e. Contr
  • l
Y
  • ur
Motion Pro ject energy and vitalit y without app earing h yp eractiv e. Use natural gestures. T ry not to remain ro
  • ted
in
  • ne
sp
  • t,
but a v
  • id
excessiv e roaming. Don't get b et w een the pro jector and the screen. T ry not to fall
  • the
dais, if there is
  • ne
(sp eak ers with true sang fr
  • id
will con tin ue to talk without in terruption after they ha v e fallen from the dais, ev en if they are momen tarily in visible). T ake Car e with Y
  • ur
App e ar anc e Go
  • d
gro
  • ming
and dress helps, but a v
  • id
app earing
  • v
erly
  • sten
tatious. A jac k et and tie for men and professional attire for w
  • men
is imp
  • rtan
t at a talk giv en as part
  • f
a job in terview, but casual dress is de rigeur for collo quia and conference presen tations. 7
slide-8
SLIDE 8 Minimize L anguage Diculties English app ears to b e the common language for theoretical computer scien tists
  • f
all nations. If y
  • u
are called up
  • n
to deliv er a talk in a language in whic h y
  • u
are not completely uen t (b e it English
  • r
  • therwise),
the eect
  • f
y
  • ur
deciencies in language will b e minim iz ed if y
  • u
pa y careful atten tion to all
  • f
the
  • ther
asp ects
  • f
y
  • ur
talk describ ed in this note. It is a go
  • d
idea to get a nativ e sp eak er to lo
  • k
  • v
er y
  • ur
transparencies b efore y
  • u
deliv er the talk. A t all costs, try to a v
  • id
sp eaking from a prepared text. In general, theoretical computer scien tists are accustomed to, and toleran t
  • f
foreign accen ts and mo des
  • f
sp eec h. T ry Not to Get A nxious It is easy to b ecome anxious and nerv
  • us
during a talk, and forget all
  • f
the advice in this note. The b est an tidote for this is exp erience. Anxiet y can b e reduced b y making sure y
  • u
prepare adequately b eforehand, and practice the talk in fron t
  • f
fello w studen ts
  • r
y
  • ur
facult y adviser. It is a go
  • d
idea to sp end 10{15 min utes alone b efore the talk calmly lo
  • king
  • v
er y
  • ur
slides and
  • rganizing
y
  • ur
though ts. One sure w a y to increase anxiet y is to pa y undue atten tion to the reaction
  • f
the most imp
  • rtan
t p erson in the audience. The pained expression
  • n
his
  • r
her face ma y b e the result
  • f
last nigh t's pizza, not y
  • ur
presen tation. If y
  • u
nd y
  • urself
panic king during a talk, it is b est to pause, close y
  • ur
ey es, tak e a few deep breaths, calm y
  • urself,
and then con tin ue. If y
  • u
b
  • tc
h a few talks, it will not b e the end
  • f
y
  • ur
career. What will b e remem b ered ab
  • ut
y
  • u
is the qualit y
  • f
y
  • ur
researc h, not the qualit y
  • f
y
  • ur
rst few talks. 3 Visual and Aural Aids No w that y
  • u
ha v e a w ell-prepared talk and can deliv er it with st yle, there is the next stum bling blo c k: the
  • v
erhead pro jector and the microphone. Use Overhe ad Pr
  • je
ctor T r ansp ar encies The accepted metho d
  • f
presen tation diers from
  • ne
academic comm unit y to another. In the Lib eral Arts, a sp eak er generally reads dispassionately from a prepared text with
  • r
without the assistance
  • f
35mm slides that con tain
  • nly
pictures and diagrams. In Mathematics, a sp eak er generally sp eaks
  • -the-cu
with the aid
  • f
a blac kb
  • ard
  • r
whiteb
  • ard.
In the Sciences, a sp eak er generally uses 35mm slides
  • r
  • v
erhead pro jector transparencies as an adjunct to their talk. The standard in Theoretical Computer Science is to use
  • v
erhead pro jector transparencies. A talk app ears more p
  • lished
when y
  • u
prepare
  • v
erhead pro jector transparencies in adv ance. When sp eaking a w a y from home, alw a ys mak e sure in adv ance that an
  • v
erhead pro jector is a v ailable. Y
  • ur
hosts will b e able to pro vide
  • ne
under most circumstances. Y
  • u
ma y prepare y
  • ur
transparencies b y hand if necessary , but if y
  • u
will b e tra v elling and giving the talk man y times, the transparencies will surviv e longer if y
  • u
pro duce them mec hanically . It is
  • ften
a matter
  • f
mac hismo for y
  • ung
theoreticians to prepare their transparencies b y 8
slide-9
SLIDE 9 hand at 2 a.m. the nigh t b efore a F OCS
  • r
STOC conference presen tation. Ho w ev er, v ery few
  • f
these p eople consisten tly giv e ab
  • v
e a v erage presen tations, and y
  • u
are ill-advised to em ulate them at least un til y
  • u
are more exp erienced. Make L e gible T r ansp ar encies If y
  • ur
normal writing is a c hic k en-scra wl, then y
  • u
probably should use a computer to prepare y
  • ur
transparencies. If this is imp
  • ssible,
y
  • u
m ust tak e great pains to ensure that y
  • ur
writing is legible. Mak e sure that the text is large enough to b e read from a distance. Normal-sized handwriting and 12-p
  • in
t t yp e are unacceptable. Use standard do cumen t preparation soft w are to pro duce large-t yp e cop y; the author uses SliT E X (see Lamp
  • rt
[1, App endix A]), whic h automatically pro duces text in a large, easy- to-read fon t. This can b e prin ted directly
  • n
to transparencies using a laser-prin ter,
  • r
the hardcop y can b e photo copied
  • n
to the transparencies. Mak e sure in b
  • th
instances that y
  • u
are using transparencies that are made for photo cop ying,
  • therwise
the high temp eratures inside the mac hine will bak e the transparency
  • n
to the drum, whic h will mak e y
  • u
highly unp
  • pular
with ev eryb
  • dy
except the repair p erson. The preparation
  • f
slides b y computer has an added b
  • n
us: y
  • u
can use sp elling c hec k ers to disco v er man y
  • b
vious errors. Don 't Overlo ad T r ansp ar encies Don't put to
  • m
uc h
  • n
eac h transparency . T ry not to write full sen tences. W rite do wn denitions, imp
  • rtan
t p
  • in
ts, k ey-w
  • rds
and phrases. The transparency is an adjunct to y
  • ur
talk; it should b e used for emphasis, to resolv e am biguit y , for precision and for the reten tion
  • f
information
  • v
er a short p erio d
  • f
time. It do es not con tain a transcription
  • f
y
  • ur
talk. A go
  • d
transparency underlines the k ey p
  • in
ts for the audience and sim ultaneously acts as a prompter
  • r
cue-card for the sp eak er. Don 't Use T
  • Many
T r ansp ar encies A common mistak e is to prepare to
  • man
y transparencies. This indicates that y
  • ur
talk con tains to
  • m
uc h material. If y
  • u
c hange transparencies to
  • ften,
then the audience will not ha v e time to digest eac h
  • ne
prop erly . There should b e enough time to read eac h transparency sev eral times while the sp eak er is talking. The n um b er
  • f
transparencies p er talk will v ary from p erson to p erson, and will dep end up
  • n
the t yp e
  • f
material b eing presen ted, and the amoun t
  • f
text
  • n
eac h transparency . Allo w an a v erage
  • f
1:5 to 2 min utes for eac h transparency . V ery short conference presen tations are an exception to this rule, in whic h case
  • ne
min ute p er transparency can b e managed with eort and practice. A void Slide Covering Av
  • id
situations where y
  • u
w an t to sho w
  • nly
part
  • f
a transparency . Mak e t w
  • trans-
parencies instead. Man y p eople
  • b
ject to \slide co v ering", the act
  • f
co v ering part
  • f
the transparency with an
  • paque
  • b
ject suc h as a sheet
  • f
pap er to prev en t the audience from seeing it. It is hard to do gracefully . The co v er sheet will in v ariably slide
  • ,
and y
  • u
will 9
slide-10
SLIDE 10 lose v aluable time and savoir fair e in retrieving it. The use
  • f
  • v
erla ys is equally fro wned up
  • n
when used for this purp
  • se.
Use Overlays Pr
  • p
erly Ov erla ys are acceptable when y
  • u
need to mak e small and incremen tal c hanges to a complex transparency . They can b e used to great eect in the righ t circumstances. Ov erla ys come in t w
  • forms.
In the rst form, t w
  • r
more transparencies are successiv ely placed
  • n
top
  • f
eac h
  • ther
as the talk progresses. This is to b e a v
  • ided
since transparencies are t ypically hard to align in the rst place, and are easily dislo dged. In the second form, the
  • v
erla ys are fragmen ts
  • f
a transparency that are tap ed to the
  • uter
edges
  • f
the main transparency , folded bac k at the start
  • f
the presen tation, and
  • pp
ed
  • v
er
  • n
to the transparency at the appropriate momen ts. This is far preferable to the rst form, but y
  • u
should a v
  • id
constructing transparencies that ha v e so man y
  • v
erla ys that they resem ble a hedgehog. Do not tap e the
  • v
erla ys to the cen ter
  • f
the transparency . Adhesiv e tap e is not as transparen t as it seems, and will usually sho w up as a ragged shado w
  • n
the screen. It is wise to a v
  • id
the
  • v
er-use
  • f
  • v
erla ys, particularly with p
  • rtable
  • v
erhead pro jectors. In the latter the ligh t source is ab
  • v
e the transparency and hence m ust pass through the transparency t wice, compared to
  • nce
for the traditional pro jector with the ligh t source b elo w the transparency . T ransparencies ma y lo
  • k
transparen t, but they are actually sligh tly
  • paque:
a stac k
  • f
as few as six
  • f
these
  • n
a traditional pro jector,
  • r
three
  • v
erla ys
  • n
a p
  • rtable
pro jector, ma y app ear almost completely
  • paque
under some ligh ting conditions. Use Colour Ee ctively The use
  • f
colour can enhance a presen tation, particularly when used in mo deration in the gures and diagrams. The colour
  • f
the text can b e c hanged p erio dically , but it is most eectiv e when there is a clear motiv ation (a simple example ma y b e to put the statemen ts
  • f
theorems in a dieren t colour from the rest
  • f
the text). A t all costs a v
  • id
the temptation to pro duce a rain b
  • w
  • f
text. Some colours are more visible than
  • thers.
Y ello w is almost alw a ys in visible. Use Pictur es and T ables Remem b er the
  • ld
clic he \A picture is w
  • rth
a thousand w
  • rds".
Ho w ev er, b e sure to explain the signicance
  • f
y
  • ur
diagrams and tables. There is nothing more m ystifying than a sequence
  • f
esoteric, unlab elled, unexplained pictures. \Our results lo
  • k
lik e this" is not sucien t explanation. In this con text, the clic he should b e mo died to \A picture plus a h undred w
  • rds
is w
  • rth
a thousand w
  • rds".
Bewar e
  • f
the Micr
  • phone
Y
  • u
will probably need to use a microphone during a conference presen tation. The session c hair should assist y
  • u
to attac h it to y
  • ur
clothing. It t ypically consists
  • f
a small b
  • x
whic h go es in to a p
  • c
k et, and a v ery small microphone
  • n
a clip whic h should b e attac hed 10
slide-11
SLIDE 11 to y
  • ur
clothing as close to y
  • ur
face as p
  • ssible
(preferably
  • n
the collar
  • r
the upp er part
  • f
the tie, if y
  • u
are w earing
  • ne).
The microphone is attac hed to the b
  • x
with a short wire, and the b
  • x
is attac hed to the amplier b y a long wire. Instead
  • f
a clip, the microphone ma y ha v e a lo
  • p
  • f
string that go es around y
  • ur
nec k. If it is long enough, pass it
  • v
er y
  • ur
head. If not, it should detac h from
  • ne
side
  • f
the microphone so y
  • u
can pass it around y
  • ur
nec k. It is usually hard to detac h and reattac h, particularly when it is
  • ut
  • f
sigh t under y
  • ur
c hin and y
  • u
are nerv
  • usly
facing sev eral h undred p eople for the rst time. If y
  • u
are clumsy in attac hing the microphone,
  • r
unluc ky enough to drop it, there will b e a loud unpleasan t scraping
  • r
impact noise heard
  • v
er the sp eak er. T
  • a
v
  • id
this, there is
  • ften
a small switc h
  • n
the b
  • x
whic h deactiv ates the microphone during the attac hmen t. Use this switc h, but don't forget to reactiv ate it. The microphone will b e dislo dged b y brushing against it while gesturing, kno c king the b
  • x
  • ut
  • f
y
  • ur
p
  • c
k et, snagging the short wire,
  • r
stepping
  • n
  • r
getting tangled in the long wire. This will
  • f
course result in a loud noise and a loss
  • f
time and concen tration while replacing the microphone. If y
  • u
roam while y
  • u
sp eak, b e a w are
  • f
the microphone and its wires. 4 Question Time As w e ha v e already seen, it is customary to end a presen tation with a short p erio d for questions. Y
  • u
can exp ect to receiv e three t yp es
  • f
question. The rst is the gen uine request for kno wledge, whic h should cause y
  • u
no diculties if y
  • u
are adequately prepared. The second is the selsh question, in whic h the questioner merely wishes to dra w atten tion to him
  • r
herself and elicit w
  • nder
at his
  • r
her abilit y to devise suc h an incisiv e and cogen t question. It is p
  • litic
to tak e a few seconds to comp
  • se
an erudite reply that directly
  • r
indirectly complime n ts the questioner. The third and most imp
  • rtan
t category is the malicious question, in whic h the questioner attempts to exp
  • se
the sp eak er as a c harlatan and a dissem bler. This ma y come from
  • ne
  • f
t w
  • p
  • ssible
motiv es. Unfortunately , there are man y insecure p eople in
  • ur
comm unit y who constan tly seek to build up their reputation b y tearing
  • ther
p eople do wn. Alternativ ely , particularly if y
  • u
are in terviewing for a job, the question ma y b e in tended to see ho w y
  • u
react to criticism under pressure. Either w a y , exp ect to ha v e y
  • ur
ego bruised
  • ccasionally
. Equally under attac k will b e y
  • ur
selection
  • f
problem (\b
  • ring,
irrelev an t, con triv ed"), y
  • ur
pro
  • fs
(\harder than necessary , w ell-kno wn, a minor t wist to an
  • ld
tec hnique"), and y
  • ur
references (\I published/read/disco v ered something more in teresting/general/dicult a few y ears ago"). The b est defense against this t yp e
  • f
question is to b e prepared, b e p
  • lite,
and a v
  • id
getting in v
  • lv
ed in a length y exc hange. It is sometimes advisable to short-circuit suc h questions b y
  • ering
to tak e them
  • -line,
since a
  • ne-on-one
discussion is lik ely to b e less acrimonious than a public
  • ne.
Do not b e afraid to answ er \I don't kno w" to some questions. Don't, ho w ev er, confuse \I don't kno w" with \it is not kno wn". Only sa y the latter when y
  • u
are sure that the question is
  • p
en. If y
  • u
ha v e to sa y \I don't kno w", sa y it with assurance rather than meekness, and don't b e afraid to approac h y
  • ur
questioner after the talk | y
  • u
migh t learn something. 11
slide-12
SLIDE 12 5 Ac kno wledgem en ts The author w
  • uld
lik e to thank Virginia Holt for her commen ts
  • n
sev eral drafts
  • f
this man uscript, and a n um b er
  • f
colleagues and studen ts, including P aul Ho w ard, Pierre Les- canne, Thomas Sc h w en tic k, and Kim Y ates, for their useful suggestions. References [1] L. Lamp
  • rt.
L a T E X: A Do cument Pr ep ar ation System. Addison-W esley , 1986. [2] I. P arb erry . Ho w to presen t a pap er in theoretical computer science: A sp eak er's guide for studen ts. SIGA CT News, 19(2):42{47, 1988. [3] I. P arb erry . Ho w to presen t a pap er in theoretical computer science: A sp eak er's guide for studen ts. Bul letin
  • f
the EA TCS, (37):344{349, 1989. 12