Dr Stephanie Burridge stephanieanneburridge@gmail.com Stephanie - - PowerPoint PPT Presentation

dr stephanie burridge stephanieanneburridge gmail com
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Dr Stephanie Burridge stephanieanneburridge@gmail.com Stephanie - - PowerPoint PPT Presentation

Get ready for fun, creativity , play and learning together... Creative Movement and Dance Workshop for Early Childhood Education Dr Stephanie Burridge stephanieanneburridge@gmail.com Stephanie Burridge lectures at Lasalle College of the Arts,


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Dr Stephanie Burridge stephanieanneburridge@gmail.com Stephanie Burridge lectures at Lasalle College of the Arts, Singapore Management University and conducts the Early Childhood Music and Movement Certificate course at Republic Polytechnic. She has been an arts education research consultant at CRPP/NIE and is Series Editor for Routledge Celebrating Dance in Asia and the Pacific books including Cambodia, India, Malaysia, Taiwan and Singapore. With Associate professor Charlotte Svendler Neilsen, University of Copenhagen, she has recently co-edited Dance Education around the World: Perspectives on Dance, Young People and Change , Foreword by Sir Ken Robinson, Routledge U.K. (in press, launch July 2015).

Creative Movement and Dance Workshop for Early Childhood Education

Get ready for fun, creativity , play and learning together...

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Did you know that when you dance, your body encapsulates important information on human behaviour in a cultural context? Besides creative, social, and health benefits, dance is an expressive tool for learning.

Children can learn about their world through experiencing movement and communicate their thoughts and feelings in non- verbal expression.

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Workshop content will include:

Some background

Philosophy – some key thinkers and direction

Creativity – the essence of ECE

Play – “...the work of the child”

Learning and creating together Games and Icebreakers

Somatic experiences – using tactile imagery – water, sand, crumpled paper Structured creative movement

Laban basics

Multi-modal approaches – reflection and expression through many forms Creative meaning-making

Use of stimuli such as music, hand- made instruments, stories, poems, visual imagery.

Use of metaphors and imagery for movement classes

The Singapore context

Our community, our home, our dance

Devising cultural dances - history and stories about these.

Local and global components – home, family, community, cultural groups, world views and events.

The environment – the classroom, playground, local and global interests.

Components of creating, presenting, evaluating and reflecting.

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Developing movement skills

Large-muscle or gross-motor development. This type of development refers to the use of large-muscle groups in the legs (running) or arms (throwing). Small-muscle or fine-motor development This is also is included in the physical development of a child, and deals with such areas as smiling, picking up a fork or tying a shoe. Locomotor Movement Movement of the body from place to place is involved in locomotor movement. Physical abilities such as crawling, walking, hopping, jumping, running, leaping, galloping and skipping are examples of locomotor movement. This type of movement helps develop gross-motor skills. Nonlocomotor Movement Movement of the body while staying in one place is involved in nonlocomotor

  • movement. Physical abilities such as pushing, pulling, twisting, turning, wiggling,

sitting and rising are examples of nonlocomotor movement. This type of movement helps develop balance and coordination skills.

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Laban Movement Analysis (LMA) is internationally acknowledged as an important building block for dance education

MOVEMENT FACTORS – Space, Weight, Time and Flow EFFORT FACTORS – the quality/dynamics of the movement; for instance fast, slow, strong, weak, sudden

  • r sustained. Together these factors form

the basis of all movement:

  • Space: Direct / Indirect
  • Weight: Strong / Light
  • Time: Sudden (or Quick) / Sustained
  • Flow: Bound / Free
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Some learning outcomes...

Age-appropriate development in dance – gross motor and fine-motor development; loco and non-locomotor movement skills.

Development of course curricula or syllabi.

Classroom activities.

Develop creative ideas for creating dances.

Assess children’s learning, embodiment and understanding of key concepts in learning.

Connect dance education experiences to other avenues of learning and life.