Digital Literary Stylis.cs Anne BANDRY-SCUBBI Womens Novels - - PowerPoint PPT Presentation

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Digital Literary Stylis.cs Anne BANDRY-SCUBBI Womens Novels - - PowerPoint PPT Presentation

Digital Literary Stylis.cs Anne BANDRY-SCUBBI Womens Novels 1750s-1830s and the Company They Keep: A Computa?onal Stylis?c Approach what corpus stylis?cs can do beyond the obvious provision of quan.ta.ve data, is help with the analysis


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Digital Literary Stylis.cs

Anne BANDRY-SCUBBI

Women’s Novels 1750s-1830s and the Company They Keep:

A Computa?onal Stylis?c Approach

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‘what corpus stylis?cs can do beyond the

  • bvious provision of quan.ta.ve data, is help

with the analysis of an individual text by providing various op.ons for the comparison of

  • ne text with groups of other texts to iden?fy

tendencies, intertextual rela?onships, or reflec?ons of social and cultural contexts’.

Michaela Mahlberg ‘Corpus Stylis.cs: Bridging the Gap between Linguis.c and Literary Studies’, in Text, Discourse and Corpora: Theory and Analysis, by Michael Hoey, Michaela Mahlberg, Michael Stubbs, Wolfgang Teubert (London: Con.nuum, 2007), p.221.

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Chawton Novels on line

  • 34 “domes?c dramas where heroines blush, swoon, or

face unbearable social ostracism because of minor breaches of decorum”

The English Novel 1770-1829, Peter Garside, James Raven and Rainer Schöwerling eds (OUP, 2000), I p. 28

  • “the ‘feminine’ novel—domes.c comedy, centring on

a heroine, in which the cri.cal ac.on is an inward progress towards judgment”

Marilyn Butler, Austen and the War of Ideas p.145

à CHAWTN34:

3.9 million words

38% pre 1800, 62% post1800

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  • CHAWTN34 ⊂ W42
  • Haywood, Burney, Edgeworth, Austen, Ferrier

à W42:

5.8 million words

41% pre 1800, 51% post1800

à CHAWTN34: 3.9 million words

38% pre 1800, 62% post1800

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  • CHAWTN34 ⊂ W42

1769-1830 1752-1834

  • CTROL34 : 5.4 million words

– 1748-1834 – 41% pre1800 – 44% male

– Clive Probyn’s English Fic7on of the 18th Century, 1700-1789 and Gary Kelly’s English Fic7on of the Roman7c Period 1789-1830 (Longman 1987, 1990) – hRp://www.gutenberg.org/ CTROL34 W42

hhp://fr.wikipedia.org/wiki/Alg %C3%A8bre_des_par.es_d %27un_ensemble#mediaviewer/ File:Set_subsetAofB.svg

CHAWTN34

W42

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CTROL34 W42

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Lexical connec?on on types in W42 (Hyperbase) Canonical novels in black, Minerva novels in blue, non-Minerva Chawton novels in red

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Lexical connec?on on tokens in W42 (Hyperbase) Canonical novels in black, Minerva novels in blue, non-Minerva Chawton novels in red

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Lexical connec?on on types in W42 (Hyperbase) Canonical novels in black, Minerva novels in blue, non-Minerva Chawton novels in red

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Lexical connec?on on tokens in W42 (Hyperbase) Canonical novels in black, Minerva novels in blue, non-Minerva Chawton novels in red

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Rachel, Jane Hunter (1817): A ‘highly original’ tale told in unoriginal terms

  • Rachel, A Tale, Jane Hunter, 1817
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W42+Display: Lexical connec.on types

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W42+Display: Lexical connec.on tokens

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What is style?

  • Oh, well….
  • Contras.ve stylis.cs

– XVII-XVIII: Sterne & Swip, fic.on & sermons – JADT 2010: Smolleh’s Roderick Random

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  • ABO: Interac7ve Journal for Women in the Arts,

1640-1830 : Chawton Novels Online, Women’s Wri.ng 1751-1834 and Computer-Aided Textual Analysis

hhp://scholarcommons.usf.edu/abo/vol5/iss2/1/

  • Georgian Ci7es: 18th-century Ci7es

The Use of Toponyms in Pride and Prejudice

hhp://www.18thc-ci.es.paris-sorbonne.fr/Space- and-Emo.ons

bandry@unistra.fr