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An Examination of the Tonalities and Meters in BEYOND MAJOR AND MINOR 21 st -Century Elementary Music Textbooks by Diane M. Lange Expanding Musical There is a rich history of songs tonalities. Publishers of kindergarten and throughout the


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BEYOND MAJOR AND MINOR

Expanding Musical Experiences Through Varied Tonalities

Heather Nelson Shouldice Eastern Michigan University hshouldi@emich.edu

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“hearing ¡ difference ¡ is ¡ far ¡ more ¡ important ¡

  • pportunities ¡ for ¡ making ¡ comparisons” ¡
  • tonalities. Publishers of kindergarten and

first grade music series might benefit music education by providing more of a variety ¡ of ¡ literature ¡ in ¡ their ¡ books” ¡ (DeYarman, 1971, p. 57). Considering DeYarman’s ¡recommendations ¡in ¡the ¡early ¡ 1970’s, ¡ have ¡ publishers ¡ incorporated a wider variety of literature in modern day textbooks? Have textbook publishers changed their anthologies to afford – – – upon ¡the ¡tempo ¡and ¡character ¡of ¡the ¡song’s There is a rich history of songs throughout the world in tonalities other than major and meters other than duple. For ¡example, ¡in ¡Doug ¡Nichol’s ¡I’d ¡Like ¡to ¡ Roller Skate on the Moon there are twenty- seven selections of songs. Out of those twenty-seven songs, there are twenty songs in major, five songs in minor and two songs in Mixolydian. With regards to meter, there are twenty songs in duple, Whereas, ¡in ¡Richard ¡Johnston’s ¡

  • meters. ¡ ¡ He ¡ recommended ¡ that ¡ “literature ¡

Diane M. Lange

An Examination of the Tonalities and Meters in 21st-Century Elementary Music Textbooks by Diane M. Lange

➤ Example: Grade 1 ➤ 163 songs total ➤ 87% Major ➤ 7% Minor ➤ 5% Pentatonic

Lange, D. M. (2009). An examination of the tonalities and meters in 21st-century elementary music textbooks. The GIML Audea, 14(2), 7-10.

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“MAJOR-ISH” FAMILY

➤Major ➤Mixolydian ➤Lydian ➤ Minor ➤ Aeolian ➤ Dorian ➤ Phrygian

“MINOR-ISH” FAMILY

???Locrian???

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WARNING!

Rather than beginning to learn/audiate tonalities through theoretical explanation, FIRST give students an opportunity to:

➤ Listen to songs in the tonality ➤ Audiate tonal context (“home”/resting tone) of the tonality ➤ Sing songs in the tonality ➤ Learn to audiate harmonic progression in the tonality ➤ Improvise in the tonality ➤ Learn to label the tonality and its main harmonic functions ➤ Read/write notation in the tonality ➤ THEN develop theoretical understanding of the tonality!

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MAJOR TONALITY

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MIXOLYDIAN TONALITY

➤ Composed Song:

“Seasons Round”

➤ Folk Song:

“Molly Ban” (Irish)

➤ Pop Tune?

“Uptight” (Stevie Wonder) “Royals” (Lorde) “Sweet Child of Mine” (GnR) “Born This Way (Lady Gaga)

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LYDIAN TONALITY

➤ Composed Song:

“These Are My T wo Hands”

➤ Folk Song:

“W Murowanej Piwnicy” (Polish)

➤ Pop Tune?

“The Simpsons” theme song (sort of…) “Hey Jealousy” (not really…)

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MINOR TONALITY

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AEOLIAN TONALITY

➤ Composed Song:

“Good-bye”

➤ Folk Song:

“Wayfaring Stranger”

➤ Pop Tune?

“Somebody That I Used to Know” (Gotye) “Shape of You” (Ed Sheeran)

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DORIAN TONALITY

➤ Composed Song:

“Dorian Swing”

➤ Folk Song:

“The Flower of Hsin-Jang”

➤ Pop Tune?

“Stayin’ Alive” (Bee Gees) “Mad World” (Andrews/Jules) “Radioactive” (Imagine Dragons)

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PHRYGIAN TONALITY

➤ Composed Song:

“Whisper a Secret”

➤ Folk Song:

“Numi Numi”

➤ Pop Tune?

“Hot in Herre” (Nelly) “Gin & Juice” (Snoop Dogg)


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WARNING!

Rather than beginning to learn tonalities through theoretical explanation, FIRST give students an opportunity to:

➤ Listen to songs in the tonality ➤ Audiate tonal context (“home”/resting tone) of the tonality ➤ Sing songs in the tonality ➤ Learn to audiate harmonic progression in the tonality ➤ Improvise in the tonality ➤ Learn to label the tonality and its main harmonic functions ➤ Read/write notation in the tonality ➤ THEN develop theoretical understanding of the tonality!

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Tonality Tonality Tonality

DO RE LA FA MI SO TI L A

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LOCRIAN TONALITY

➤ Composed Song:

“Heather”

➤ Folk Song:

“Dust to Dust” (John Kirkpatrick)

➤ Pop Tune?

“Started from the Bottom”? (Drake)

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PRACTICE IDENTIFYING TONALITY?

➤ Find “home!” ➤ “Major-ish” or “minor-ish”? ➤ Subtonic or leading tone? ➤ Other characteristic tones? (“Sequence of tones” as a tool!) ➤ 6th scale degree? ➤ 4th scale degree? ➤ 2nd scale degree?

Tonality of “Yorktown?”

15 Heather Nelson Shouldice hshouldi@emich.edu

Tonality Tonality Tonality

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