Artist Presentation ! ! ! Irena!Keckes,Ph.D! - - PowerPoint PPT Presentation

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Artist Presentation ! ! ! Irena!Keckes,Ph.D! - - PowerPoint PPT Presentation

Artist Presentation ! ! ! Irena!Keckes,Ph.D! Assistant!Professor!of!Art! University!of!Guam; ! ! ! Table of Contents ! ! Mokuhanga in Mino / Woodcut prints in South Korea Traditional Mokuhanga / installation Time at Tokyo


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! ! ! Irena!Keckes,Ph.D! Assistant!Professor!of!Art! University!of!Guam; Artist Presentation

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! ! ! ! ! ! ! !

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Table of Contents

  • Mokuhanga in Mino / Woodcut prints in South Korea
  • Traditional Mokuhanga / installation “Time” at Tokyo

University of the Arts

  • Unlimited Resonance of Repetition (NZ)
  • Presence of Absence
  • Mindful Repetitions
  • Large scale woodcuts on fabric
  • Black Prints & Guam Woodcuts
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Elam School of Fine Arts, University of Auckland, 2011. Processing a large plate.

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Snake Style, Mino, Japan 2000

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Carving the key-block

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Printing

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Tokyo Geidai mokuhanga studio, tatami room

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Tool sharpening using wet stones

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Stencil printing method

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Wrapping the baren

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Time, 24 pieces of mokuhanga prints. Tokyo University of the Arts graduation work, 2004.

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Time #1, Tokyo University of the Arts

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Time #2, Tokyo University of the Arts

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South Korea, artist in residency project. Hand printing mokuhanga on canvas, using baren. 2005

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Life form, mokuhanga, 2005 Life form #3, mokuhanga, 2005

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Unlimited Resonance of Repetition, Project space gallery, Elam School of Fine Arts, University of Auckland, 2012.

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Presence of Absence, George Fraser gallery, University

  • f Auckland, 2013.
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Floor installation of the large scale woodcut. George Fraser gallery, 2013.

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Prints of the plates exhibited in the Presence of Absence show. The prints were absent, yet present.

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Mindful Repetitions, George Fraser gallery, 2014.

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Carving large woodcuts. Elam School of Fine Arts, Auckland, New Zealand, 2015.

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Inking the woodcut on the floor. Elam, NZ 2015.

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Process of hand printing large scale woodcuts on fabric by use of

  • baren. Elam School of Fine Arts, University of Auckland, New

Zealand, 2015.

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Gus Fisher gallery, Auckland, New Zealand, 2015.

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Dialogues and Evocations show in Fo Guang Shan Buddhist temple in Auckland, New Zealand, 2015.

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Large scale woodcuts exhibited at Wharepuke art gallery in Kerikeri, New Zealand, 2015.

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Mindful Repetitions woodcut print at IMPACT 9 printmaking conference, Hangzhou, China, 2015.

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Woodcuts, UOG, 2016.

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The cycle of “Black Prints”, UOG, 2016.

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Homeward Portfolio SGCI 2017 print: linocut and dry point.

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Thank!you!;