TOPOLOGICAL CINEMA EARLY EXPERIMENTS REGARD SUR LE BRUIT (GAZING AT - - PowerPoint PPT Presentation

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TOPOLOGICAL CINEMA EARLY EXPERIMENTS REGARD SUR LE BRUIT (GAZING AT - - PowerPoint PPT Presentation

Mar 15, 2023 354 likes •605 views

TOPOLOGICAL CINEMA EARLY EXPERIMENTS REGARD SUR LE BRUIT (GAZING AT THE NOISE) 2005 L'HEURE BLEUE (BLUE HOUR) 2010 PARTIR DE NUIT (LEAVING BY NIGHT) work in progress TIME UNFOLDING MEMORIES of THE 70's work in progress + COMME

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TOPOLOGICAL CINEMA

EARLY EXPERIMENTS REGARD SUR LE BRUIT (GAZING AT THE NOISE) – 2005 L'HEURE BLEUE (BLUE HOUR) – 2010 PARTIR DE NUIT (LEAVING BY NIGHT) – work in progress TIME UNFOLDING – MEMORIES of THE 70's – work in progress + COMME VOUS JE CONNAIS L'OUBLI + TUNE-UP – work in progress Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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exploring childhood memories (family footage of the 70's) try to render in a «non-linear» way the experience of remembering having a visual space where all images co-exist and can potentially interact thinking of a cinema off-time and off-language Traditional cinema (narrative) − language (~ univocity of representation) − time (narrative, diegetic, audience) Coming back to a more archaïc level of perception (proto-language) Escaping from time and language Experimental and expanded cinema (Gene Yougblood ~70's) Bokanowski (L'ange) -> loop Mekas (Lost, lost, lost) -> the narrative prediction Fontaine, Rondepierre, -> chemistry of film («wet») Métamkine -> performative cinema («wet» et «dry») empirical method, analogy with concrete music − composition with loop, superimposition − work on the pitch, filtering, amplification... − temporal elasticity -> « topological » cinema (~ mathematics) − recurrence until rupture -> off-time -> « topological » (~ topos)

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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REGARD SUR LE BRUIT (GAZING AT THE NOISE) – 2005 – Museum of Modern Art / Lille

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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ART & SCIENCE ? Von Foerster's Order from noise → «composition» from noise ? VISUAL NOISE Projective test (Rorschach) → free associations

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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L'HEURE BLEUE (BLUE HOUR) – 2010 – Motor Hairport / Lisbon

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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PARTIR DE NUIT (LEAVING BY NIGHT) – work in progress → expérience (experience / experiment) inspired from a childhood memory (experience) based on an hypothesis on cognition (experiment)

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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TIME UNFOLDING (MEMORIES of THE 70's) – work in progress images stitching A common default in amateur filming: sweeping scenes (persons, monuments, ...) Decomposing the films + stitching the frames + superimposing (visual noise) → 2D fresco

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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COMME VOUS JE CONNAIS L'OUBLI LIKE YOU, I KNOW WHAT IS TO FORGET / I KNOW HOW TO FORGET / I KNOW WHAT MEANS BEING FORGOTTEN

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Participating to a network of artworks in dynamic connections The works exchange streams of data (text, sound, video) → http://theartcollider.org (formerly: «IN-OUT»)

TheArtCollider is a platform for connected creation of time based art aiming towards a collaborative approach of media art creation through a system of Peer-to-Peer or Artist-to-Artist production. TheArtCollider enables artists to join a Peer-to-Peer channel supplying and feeding audio, video and [control]

  • data. It allows for decentralized contributions which are

screened at public exhibition places. This transaction-art blurs the lines of traditional exhibition, participation and feedback as to explore technical impact on communication. Each project subscribes to flow from the network and can either use, ignore or divert them. In exchange, each project must send back its own composed data in real time. Thus, creation is fostered. Contrary to well spread P2P consumption, P2P creation is designed to offer only what we produce. Conception / Realization – Olivier Perriquet Curation – Maurice Benayoun Scenography – Fabianny Deschamps Sound – Julien Clauss Informatics – Pierre Jullian Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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«RULES» OF THE SYSTEM

Symbolizing the interaction with the public Alzheimer forgets everything Funes forgets nothing Pavlov: memorizing what is repeated Proust's Madeleine: memorizing singularity Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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TUNE – UP (working title) – work in progress

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net
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PATTERNS OF INTERACTION

Olivier Perriquet

  • livier@perriquet.net – http://cesium-133.net