the city the base metaphor explained
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The City The Base Metaphor Explained Figure: Base System, CC-BY-NC - PowerPoint PPT Presentation

The City The Base Metaphor Explained Figure: Base System, CC-BY-NC Randall Munroe The Five Steps of a Love Affair Abelard) 1. Visus (sight) 2. Alloquium (address) 3. Contactus (physical contact) 4. Osculum (kiss) 5. Factum (sex)


  1. The City

  2. The “Base” Metaphor Explained Figure: “Base System”, CC-BY-NC Randall Munroe

  3. The Five Steps of a Love Affair Abelard) 1. Visus (sight) 2. Alloquium (address) 3. Contactus (physical contact) 4. Osculum (kiss) 5. Factum (sex) ▶ Horace (s. i bce) suggested five stages ▶ Ovid’s Ars amatoria (2 ce) encourages systemacy, offers no list ▶ Porphyrio (s. ii ad) and Donatus (s. iv) named the five ▶ By the twelfth century, their list of five was commonplace (e.g.

  4. The Curious Architecture of Pandarus’s House Criseyde X trap door s e r P v i a n n g d - w a o r m u s e n

  5. The Five Steps in Troilus 2. Alloquium (address) 3. Contactus (physical contact) 4. Osculum (kiss) 5. Factum (sex) (In Criseyde’s next relationship, they all take place in a single tent.) 1. Visus : ▶ At the temple (T sees C) ▶ Out in front of C’s palace (T and P make sure C sees T) ▶ C sees T from her window as he rides in from the war ▶ At Deiphebus’s house, where T lies “sick” ▶ At Pandarus’s house, in C’s bedroom ▶ At Pandarus’s ▶ At Pandarus’s ▶ At Pandarus’s

  6. Criseyde’s Reluctance “ For the sake of the debate, Chaucer here uses Criseyde to epitomize the three legitimate lives open to medieval women, together with their appropriate habitats: the quiet life at home for widows; the life of holy women dwelling in caves, devoting themselves to prayer and spiritual reading; the lives of ‘maydens’ and ‘yonge wyves’ dancing in palaces like Criseyde’s: It sattle me wel bet ay in a cave 117 To bidde and rede on holy seyntes lyves; Lat maydens gon to daunce and yonge wyves. (Nolan 65) ”

  7. Nolan Filostrato sexual conquest palace: which include “err, go astray” ▶ Chaucer’s urban setting, like his plot, derives from Boccaccio’s ▶ Already Boccaccio uses the navigation of urban space to suggest ▶ Chaucer transfers the agency to Pandarus ▶ Chaucer creates two new settings, taking the focus off Criseyde’s ▶ The house of Troilus’s brother Deiphebus ▶ Pandarus’s house ▶ Nolan suggests Chaucer’s use of dwellen recalls its OE/ON senses,

  8. Bibliography I Nolan, Barbara. “Chaucer’s Poetics of Dwelling in Troilus and Criseyde .” In Chaucer and the City , edited by Ardis Butterfield, 57–75. Cambridge: Brewer, 2006. P. S. Langeslag

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