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Sound Design for Next Gen. Mike Johnson Audio Post Production - PowerPoint PPT Presentation

Sound Design for Next Gen. Mike Johnson Audio Post Production Manager - SCEA GDC 2009 Next Gen. Audio Higher Sampling Rates Higher Memory Budgets More Simultaneous Voices Discrete Multi Channel Surround (5.1/7.1) Real Time


  1. Sound Design for Next Gen. Mike Johnson Audio Post Production Manager - SCEA GDC 2009

  2. Next Gen. Audio • Higher Sampling Rates • Higher Memory Budgets • More Simultaneous Voices • Discrete Multi Channel Surround (5.1/7.1) • Real Time DSP (EQ, Dynamics, Reverb, etc.) • more... more... more.......

  3. Next Gen. Sound Design • SFX recording • Modulation & Doppler • Foley • Reverb • Sampling • Granular Synthesis • Pitch Shifting • Cross Synthesis • Worldizing & Futzing • Morphing

  4. Sound Field Recording

  5. SFX Field Recording • This is the get up out of your chair, grab a microphone, & portable recorder method. • Provides you with wealth of original material to draw from unique to your title. • Creates excitement and motivates the all members of the production team. • Impresses Management!

  6. SFX Field Recording • Military bases • Power Plants • Airports • Wrecking yards • Harbors • Pets • Sporting Events • Children • Oceans, lakes, rivers • Weather • Zoos • Everyday household objects

  7. SFX Studio Recording

  8. SFX Recording Examples ‣ F-22 Falcon @ Miramar Airshow ‣ F-18 Hornet @ USS Stennis ‣ Styrofoam rubbing ‣ Rubber cement fire ‣ Plastic soda can zip bys

  9. Foley

  10. Foley Recordings • Original sound recordings performed to picture by a Foley artist. • Provides you with a wealth of original material to use on your title. • “Wild” Foley - not performed to picture.

  11. Foley Sound Examples ‣ Boots ‣ Guns & Gear ‣ Wing Flaps ‣ Rock Impacts ‣ Chains

  12. Sampling

  13. Sampling • Sampling = Time Manipulation • Speed Manipulation • Looping • Layering / Multi-samples • Reverse it - The Paul is dead effect • Scrubbing - Manipulating the playback head • Reordering

  14. Software Samplers

  15. Sample Reordering

  16. Sampling Examples ‣ Original Sound ‣ Munchkin & Monster Effect ‣ Looped Sound ‣ Reversed Sound ‣ Scrubbed Sound ‣ Reordered Sound

  17. Pitch Shifting

  18. Pitch Shifting ‣ Traditional ‣ Excessive Pitch Changes (+/-) ‣ Importing at wrong sample rate ‣ Varispeeding ‣ Pitch Envelopes

  19. Pitch Change - normal

  20. Pitch Envelopes

  21. Extreme Pitch Change

  22. Pitch Shift Examples ‣ dry source ‣ 1 Octave Down ‣ 4 Octaves Down ‣ Pitch Envelope ‣ Importing at wrong sample rate

  23. Worldizing & Futzing

  24. Worldizing

  25. Worldizing • A way to place a sound object into an environment by manipulating its source of origin.

  26. Worldizing Techniques • Play a recording thru a real PA, Radio, TV, amp, etc...& record it via a mic or line input. • Place microphones next to speakers that color the sound. • Broadcast sounds from unorthodox places to capture the effect of the environment. • mouth, parking garage, tubes, tunnels.

  27. Futzing • Also known as radio-izing. • A technique used to simulate a broadcast. • Often used to emulate various speakers. • Radios, Telephones, PA’s, TV’s, etc...

  28. Futzing & Worldizing Examples ‣ dry source ‣ walkie talkie - Futzing ‣ PA system - Futzing ‣ bad digital transmission - Futzing ‣ Metal Pipe - Worldizing ‣ Freeway Overpass - Worldizing

  29. Modulation & Doppler

  30. Modulation • LFO’s to Amplitude (VCA) • LFO’s to Filter (VCF) • LFO’s to Pitch (Oscillator or Sample) • Delay Effects • Gating/Ducking Effects • Panning Effects

  31. Modulation - Delays

  32. Doppler

  33. Modulation Examples ‣ dry source ‣ Sound Toys - Pure Pitch Modulation ‣ GRM Tools - Delays (excessive) ‣ GRM Tools - Pitch Accumulation ‣ Waves - Doppler Bys ‣ GRM Tools - Doppler Bys

  34. REVERBERATION

  35. Reverberation • Reverb enhances the size of a sound • Reverb conveys distance & occlusion • Reverb creates mood • Reverb can be used for sound design as well....

  36. Reverb Techniques • Traditional approach • Excessive Reverb for Smearing Effect • Reverse Reverb • Use of unorthodox IR’s for effect

  37. REVERB - Normal

  38. REVERB - IR Sample

  39. Reverb Examples ‣ Dry source ‣ Reverse Reverb ‣ 10 Second Reverb Tail ‣ 10 Second Reverb Tail x 2 ‣ Audio soundfile (gunshot) used for IR ‣ Audio soundfile (bodyfall) used for IR

  40. Granular Synthesis

  41. Granular Synthesis • The Audio equivalent of Wonka Vision • The slicing, dicing & reordering of samples • Randomly plays bits of audio from buffer • Can have concurrent pitch & pan mod • Instantly makes interesting sounds!

  42. Granular Software • RTGS - X • Metasynth - UI Software • Max/MSP - Cycling 74 • KYMA - Symbolic Sound • Reaktor - Native Instruments

  43. RTGS-X

  44. Metasynth

  45. MAX/MSP

  46. KYMA

  47. Granular Examples ‣ dry source ‣ Grain Scrub - Max/MSP ‣ Grain Stutter - Max/MSP ‣ Grain stretch - Metasynth ‣ Grain bits - Metasynth ‣ Echoid - KYMA ‣ Time scrubbed crowd - KYMA

  48. Spectral Manipulation • Frequency domain processing • Sometimes requires analysis phase • utilizes Fourier Transform • Breaking down a sound into individual simple frequencies (sine waves). • Once this is done, we can begin the fun.

  49. GRM Tools ST

  50. KYMA

  51. Spectral Warping Examples ‣ dry source ‣ Processed 1- Freq Warp ‣ Processed 2 - Contrast ‣ Cross Synthesis 1 - KYMA ‣ Cross Synthesis II - KYMA ‣ Morphing - KYMA

  52. In Summary.... • Try not to use stock SFX CD’s! • Go and record the SFX for yourself. • Hire a Foley studio or make one. • Use combinations of processing techniques. • Misuse the applications you have. • Don’t get locked into using one application! • Don’t be afraid to experiment!!!!!!

  53. Fin

  54. Q & A • michael_johnson@playstation.sony.com • michael@ankf.com

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