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LITERATURE PAPER ONE LECTURE TWELVE revision THE LECTURE THE AGE OF INNOCENCE INNOCENT NO MORE To read literarily is to appreciate and understand your text for its literary qualities - the METHODS - and how they contribute to the writers


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SLIDE 1

LITERATURE PAPER ONE

LECTURE TWELVE

THE AGE OF INNOCENCE

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LECTURE THE

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SLIDE 2

To read literarily is to appreciate and understand your text for its literary qualities - the METHODS - and how they contribute to the writer’s CONCERNS. To write literarily then is to ‘interface’ between the two: to show HOW STYLE CREATES MEANING.

INNOCENT NO MORE

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SLIDE 3

THEME

Work

VISIONS AND REALITIES FREEDOM AND ENTRAPMENT OTHERNESS / THE OUTSIDER PATRIARCHAL NORMS THE RULES OF THE TRIBE SOCIAL FORM AND CUSTOMS INDIVIDUAL SACRIFICE THE NEW WOMAN SOCIAL SATIRE SOCIAL CRITIQUE HISTORICAL NOVEL BILDUNGSROMAN ROMANTIC TRAGEDY AUTO-BIOGRAPHY

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SLIDE 4

choice

“ARCHER’S DILEMMA” ROMANTIC

ALSO A SYMBOLIC CHOICE OF TWO IRRECONCILABLE WORLDS

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SLIDE 5

choice

“ARCHER’S DILEMMA”

DOES HE HAVE A ?

Narrator’s PERSPECTIVE Death & prison MOTIFS

“Dilettante” (4) “Young men” (30, 78) “Ineffectual aim” (184) “Buried alive” (114, 242) “Prisoner” (267, 277)

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SLIDE 6

boy

JUST A CITY BORN AND RAISED ON WEST 28TH ST

visions

AND LITERARY + ROMANTIC

  • f BOOKSHELVES
  • f EUROPE
  • f ELLEN
  • f FRENCH

AUTHORS

  • f ART

reality

HIS ONLY

WHICH BECOME
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SLIDE 7

choice

PERHAPS HE DOES MAKE A OF STATUS / MATERIAL WEALTH OVER

being (165)

“dreadfully common”

CALL ME MAY ARCHER

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SLIDE 8

new york!

new york!

ITS FORM ITS CUSTOMS ITS CONVENTIONS

THE INTRICATE CLOSED WORLD OF

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SLIDE 9

AS INEXORABLE POWERFUL ENGINE

new york!

(35, 61, 277)

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SLIDE 10

Avenue

T

Tribal Parochiality

Hieroglyphic WORLD Dolls & PATTERNS

(36) (68)

Fearful of

“DISINTEGRATION” (41, 69, 210)

Discipline & HONOUR

(207, 212, 217, 222)

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SLIDE 11

sacrifice

INDIVIDUAL

(91, 138-9, 171, 258)

“After all... we have lives of our own” (257) ...as Mrs Archer put it, they “owed it to society” to show themselves at the opera (261)

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SLIDE 12

METHODS

Without madness

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SLIDE 13

Remember that you have BOOK ONE (18 chapters) and BOOK TWO (16 chapters) How is the novel structured around the topic? If you find it difficult to construct an ‘argument’, just track the major plot points.

THE BIG PICTURE

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SLIDE 14

‘Doomed to failure’ - presentation of relationships: The Archer-Olenska relationship develops through the course of Book One from Ch 8 until Ch 18, where it appears ‘doomed to failure’ by May’s bringing forward of the marriage date. [Elaborate] Rekindled in Book Two, the affair meets its ultimate ‘doom’

  • nly at the novel’s end, when May again extinguishes the
  • flame. [Elaborate]

THE BIG PICTURE

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SLIDE 15

Avoid merely pointing out similarity. Don’t bother stating that a similar method is used elsewhere. The ‘PLACEMENT’ of the passage matters. So does the LINK between the passage and other chapters.

CROSS-REFERENCES

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SLIDE 16

Write a critical commentary on this Ch 16 extract... The passage provides a summary of New York’s verdict on the Countess Olenska through Mrs. Welland’s perspective, confirming the reader’s impression of her exclusion from Chapters 1-2.

CROSS-REFERENCES

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SLIDE 17

It is important to point out WHO IS SPEAKING and in what tone. This ‘point of view’ used by the writer always serves a function.

PERSPECTIVE

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SLIDE 18

‘Doomed to failure’ - presentation of relationships:

Interestingly, Ellen provides an even more unsentimental account of relationships than Wharton’s ‘cold’, distant narrator. She dismisses, perhaps even derides, Newland’s wishful thinking that they could be ‘simply two human beings in love with each other’ without a care for the rest of the world.

PERSPECTIVE

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SLIDE 19

Write a critical commentary on this Ch 16 extract... The narrator presents to us to Archer’s sarcastic inner voice (‘he felt like answering’) which he chooses not to

  • verbalise. While this illustrates his sympathy for Ellen

and disdain for New York’s many hypocrisies, the writer in fact emphasises Newland’s cowardice.

PERSPECTIVE

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SLIDE 20

Write a critical commentary on this Ch 16 extract...

  • Mrs. Welland’s use of absolute terms (‘completely’,

‘not at all’) portrays the extent of Ellen’s otherness and reinforces her air of superiority seen in the phrases, ‘No wonder’ and ‘I’m afraid’.

DICTION + SYNTAX

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SLIDE 21

‘Doomed to failure’ - presentation of relationships:

Early in the novel, the writer hints that a life with Ellen would be one of relative poverty via setting: Ellen’s ‘strange quarter’ is portrayed as ‘peeling’, ‘feeble’ and her neighbour Ned Winsett’s wooden house is ‘dilapidated’ and ‘dishevelled’.

MOTIFS + SETTING

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SLIDE 22

CHARACTER ROLES Riviere and Winsett, Mrs. Archer / Welland / Mingott, Medora Manson CHARACTER NAMES Ellen Olenska, Poor Ellen, Mrs. Manson Mingott

OTHER METHODS

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SLIDE 23

(GOOD LUCK)

bon

BON VOYAGE chance!

FIN.