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10/21/2013 Evidence base for HI Industry research background Starkey hearing aid features: Hearing Technologies, 2010 2012 Realities of hearing aid features dont always fit with marketing spin, conventional wisdom or the what,


  1. 10/21/2013 Evidence base for  HI Industry research background – Starkey hearing aid features: Hearing Technologies, 2010 ‐ 2012  Realities of hearing aid features don’t always fit with marketing spin, conventional wisdom or the ʹ what, how and why ʹ of { published research technology selection, fitting and assessment. Drew Dundas, PhD Disclosure Director of Audiology, Clinical Assistant Professor of Otolaryngology UCSF Medical Center  Directional  What the technology is  Assessing benefit: microphones intended to accomplish  Objective D ‐ Mics  Digital Noise  How it actually works  Subjective Reduction  Why you might want to  The take home message  Frequency Lowering recommend it DNR Frequency Lowering What, How, Why… Today’s Topics 1

  2. 10/21/2013  “an abnormally rapid growth of loudness for  Abnormally rapid?  Critical terms and concepts sounds presented at  Growth of loudness? levels greater than the threshold of detection” Foundations… Recruitment  Perceptual correlate of intensity  Sound must be  Change in loudness is affected by: audible to have loudness  Magnitude of intensity change  Duration of intensity change Loudness Loudness 2

  3. 10/21/2013 The compressor of a hearing aid can be thought Objective Subjective of as a loudness control Why do we care? system.  Real Ear Insertion Gain  Real Ear Aided Response  REAR > Threshold = Audibility  REIG ≠ Audibility  Gain = (Output – Input)  Device gain ≠ change in audibility  Response = Intensity Gain vs. Response REIG vs. REAR 3

  4. 10/21/2013  We need both gain and  Channel = A subset of the audibility to produce bandwidth for signal analysis and benefit that is: processing Objective  Band = A subset of the bandwidth and where you can control gain Subjective Why do we care? Channels vs. Bands  The compressor of a hearing aid can be thought of as a loudness control system.  Signal processing features are gain control systems. Loudness and Gain The main course 4

  5. 10/21/2013  Directional What? microphones D ‐ Mics  Digital Noise Why? Reduction  Frequency Lowering DNR How? Frequency Lowering Directional Microphone Today’s Topics Technology  Noise is an unwanted competitor.  It can also drive the compressor level estimate.  This can result in decreased signal audibility, as well as poor SNR. The theory 5

  6. 10/21/2013  Displays relative sensitivity of the mic at different angles.  Convention: Up is the ‘look’ direction.  Convention: Where the line gets close to the center, the mic is less sensitive. Polar Response Pattern How do they work?  Fixed directional  Automatic directional  Adaptive directional  Automatic adaptive directional A little like this… The implementations 6

  7. 10/21/2013  Switches between omnidirectional and fixed directional  When to switch is governed by sound environment analysis Automatic directional Dual Omni ‐ directional  Vary the time delay, vary the polar response pattern  Adjust response pattern to maximize overall SNR Change time delay, Adaptive Directional change response 7

  8. 10/21/2013  Adds the low noise  When conditions are benefit of an appropriate – e.g., high omnidirectional SNR, low level response pattern listening. Automatic Adaptive Directional Adaptive Null ‐ Steering  Typically 20% ‐ 35% when:  The sound source of interest is in front and nearby  Competing noise is mainly behind or surrounds the listener  Reverberation is moderate or less  The instrument has a high average directivity index (DI) (3.5 – 5.5 dB) Directional Benefit DI on the head (Ricketts, 2008) 8

  9. 10/21/2013 Caveat: Microphone Drift  Directional Mics are good for almost Normal Hypercardioid Pattern Degraded Pattern due to everyone, but… 0.6 ‐ dB Sensitivity Mismatch  They are not magic  If you don’t have audibility, DI = 6.0 dB DI = 4.0 dB they can’t help.  if there is a vent, they cannot provide benefit if you are not at least 0dB insertion gain The take home message Nulls are lost. DI drops by 2 dB.  Identify which parts of What? sound are speech, and  Simple, right? which parts are noise.  …um, no. Why?  Don’t amplify the noise. How? The theory Digital Noise Reduction 9

  10. 10/21/2013 10 10 8 8 6 6 4 4 SIGNAL VALUE SIGNAL VALUE  Fast vs. Slow acting 2 2  Noise reduction vs. Speech preservation 0 0 -2 -2 -4 -4 -6 -6 -8 -8 -10 -10 The implementation 0 0 0 .5 0 .5 1 1 1 .5 1 .5 2 2 2 .5 2 .5 T IM E , s T IM E , s What it does 30 20 10 SNR, dB 0  Identify Noise -10  Calculate Noise spectrum  For a given Time & Frequency: -20  Turn gain up when Speech -30  Turn gain down when Noise -40 0 0.5 1 1.5 2 2.5 Identify Noise TIME, s 10

  11. 10/21/2013 TC = 0.02; Slope = 0.45; Offset = 10 30 30 20 20 10 10 SNR, dB 0 SNR, dB 0 -10 -10 -20 -20 -30 -30 -40 -40 0 0.5 1 1.5 2 2.5 0 0.5 1 1.5 2 2.5 Identify Speech Apply Gain Rules TIME, s TIME, s “Strict” Detection Speech Noise Preservation Reduction “Lenient” Detection In Running Speech A Balancing Act 11

  12. 10/21/2013 * * Acceptance of Comfort and Annoyance Background Noise (Palmer, Bentler, Mueller, 2006) (Mueller, Weber, Hornsby, 2006) Cognitive Benefits DNR makes noise more acceptable (Sarampalis et al., 2009) 12

  13. 10/21/2013  Effects of DNR:  Enhanced comfort What?  Some listeners may  May free up cognitive experience enhanced resources for other speech understanding in Why? tasks noise  May make HAs more How? acceptable The take home message Frequency Lowering  Some listeners may not benefit from HF audibility The theory 13

  14. 10/21/2013  Off ‐ frequency listening /S/  ‘Sensory overload’  Distortion  Adverse effects on speech understanding Theory Frequency Lowering  Frequency Compression  Three Current  Transposition Non ‐ Linear Frequency Compression Implementations  Feature Synthesis The implementations 1 2 3 4 4 5 6 5 6 14

  15. 10/21/2013 Increased audibility Decreased bandwidth at all times Reduced sound quality Frequency Compression Frequency (Hz)  Frequency Transposition Technique Frequency Transposition 1 2 3 4 5 6 15

  16. 10/21/2013  Preserve bandwidth  Identify HF consonant sounds  Generate a spectral analogue at a lower • Increased audibility frequency • Speech cue confusion  Provide appropriate audibility of the analogue • Reduced sound quality re: concurrent speech sounds Feature Synthesis Frequency Transposition • Consonant sounds replicated in real time • Bandwidth preserved • Quality usually preserved The evidence Feature Synthesis 16

  17. 10/21/2013 Frequency Lowering: Adults * Frequency Lowering: Adults (Frequency Compression) (Glista et al., 2009) (Glista, Scollie, Bagatto, Seewald, Johson, 2009) Consonant Recognition Frequency Lowering: Adults (Frequency Transposition) (Galster, Valentine, Dundas & Fitz, 2011) (Kuk, Peeters, Keenan, & Lau, 2007) 17

  18. 10/21/2013  Recent research  Provides measurable  Probe mic measures  Problem: how much suggests that can be useful with real ‐ world benefit audibility is preserving bandwidth bandwidth limited  Tuning for listener appropriate? is preferred even in techniques preference is necessary patients with suspected  What targets do you  Demonstrates change  Like fitting targets, one dead regions aim for? in audibility size does not fit all  Sound quality matters Assessing benefit The take home message  Directional  All can provide microphones  Directionality measurable benefit for D ‐ Mics  Digital Noise  DNR appropriately selected Reduction  Frequency lowering and fit patients  Frequency Lowering DNR Frequency Lowering Positive effects Summary 18

  19. 10/21/2013 1. Have to be applying gain with D ‐ Mics and DNR to change  Choose settings the output signal carefully, using  The 3 concepts are linked  Can occur 2. Must be audible to be perceptible verification and patient 3. Magnitude of perception is dependent on the loudness perceptions as guides growth curve Gain, Audibility & Negative Effects? Magnitude of Perceptual effects Questions?  Direct sound arriving through the vent may drew.dundas@ucsfmedctr.org  Comparing sealed reduce signal processing coupler measurements effects to real ‐ world is not  In challenging cases, and always realistic more severe hearing losses, consider less open fittings to maximize effect Direct vs. Amplified Path 19

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