G e n e r a t i v e P r o c e s s e s i n A r t a n d S c i e n c e R o b e r t S p a h r A s s o c i a t e P r o f e s s o r o f D i g i t a l M e d i a A r t s D e p a r t m e n t o f C i n e m a & P h o t o g r a p h y M a s s C o m m u n i c a t i o n & M e d i a A r t s h t t p : / / w w w . r o b e r t s p a h r . c o m /
T e c h n o l o g i c a l R e p r o d u c t i o n L e a d i n g t o m y G e n e r a t i v e A r t P r o c e s s R e c e n t Wo r k D i g i t a l a n d A n a l o g P e d a g o g i c a l S t r a t e g i e s a n d S t u d e n t Wo r k G e n e r a t i v e P r o c e s s e s i n A r t a n d S c i e n c e
Wa l t e r B e n j a mi n T h e Wo r k o f A r t i n t h e A g e o f i t s T e c h n o l o g i c a l R e p r o d u c i b i l i t y . D i s c u s s e s a s h i f t i n p e r c e p t i o n a n d i t s e ff e c t s a f t e r t h e a d v e n t o f fi l m a n d p h o t o g r a p h y .
A U R A : T h e H e r e & N o w o f t h e Wo r k o f A r t “ I n e v e n t h e m o s t p e r f e c t r e p r o d u c t i o n , o n e t h i n g i s l a c k i n g : t h e h e r e a n d n o w o f t h e w o r k o f a r t – i t s u n i q u e e x i s t e n c e i n a p a r t i c u l a r p l a c e . I t i s t h i s u n i q u e e x i s t e n c e – a n d n o t h i n g e l s e – t h a t b e a r s t h e m a r k o f t h e h i s t o r y t o w h i c h t h e w o r k h a s b e e n s u b j e c t . ” – Wa l t e r B e n j a m i n
L e t A r t F l o u r i s h – a n d t h e Wo r l d P a s s A w a y t h I n t h e e a r l y 2 0 C e n t u r y , Wa l t e r B e n j a m i n w i t n e s s e d t h e a t t e m p t o f f a s c i s m t o r e n d e r p o l i t i c s a e s t h e t i c , s e e n i n p r o p a g a n d a s u c h a s H i t l e r ’ s m a s s r a l l i e s a n d u l t i m a t e l y i n w a r a s e x p r e s s e d b y t h e I t a l i a n f u t u r i s t , F . T . M a r i n e t t i .
L e t A r t F l o u r i s h – a n d t h e Wo r l d P a s s A w a y h I n t h e e a r l y 2 1 s t C e n t u r y , w e b e a r w i t n e s s t o t h e s e l f - d e s t r u c t i v e a e s t h e t i c p l e a s u r e o n e f e e l s w a t c h i n g 2 4 h o u r c a b l e n e w s , s t r u c t u r e d l i k e r e a l i t y t e l e v i s i o n , p r e s e n t i n g a w o r l d w h e r e w h a t i s t r u t h a n d w h a t i s a f a l s e h o o d i s n o t h i n g m o r e t h a n a d i ff e r e n c e o f o p i n i o n .
A n A e s t h e t i c i z i n g o f P o l i t i c a l L i f e A t t a c k o n t h e Wo r l d T r a d e C e n t e r , N Y C , 9 / 1 1 O u r s c r e e n s b e c a m e w e a p o n s o f t e r r o r . E n d l e s s w a r s i n c e 9 / 1 1 h a s m o b l i z e d o u r t e c h n o l o g i c a l r e s o u r c e s a s d e v i c e s o f f e a r a n d s u r v e i l l a n c e . We l i v e i n a t i m e o f g l o b a l a n g e r
T o o l s U s e d t o A e s t h e t i c i z e O u r P o l i t i c a l L i f e T h e i n t e r n e t , s o c i a l m e d i a , c o m p u t e r s , m o b i l e p h o n e s a n d t h e m a i n s t r e a m m e d i a . T h e s e t o o l s h a v e b e c o m e w e a p o n i z e d t o p r o d u c e f e a r m o n g e r i n g , s u r v e i l l a n c e c a p i t a l i s m a n d m i n d c o n t r o l . I u s e t h e s e v e r y s a m e t o o l s t o c r e a t e a r t t h a t i s a n a c t o f r e s i s t a n c e i n a n a g e o f t e c h n o l o g i c a l r e p r o d u c i b i l i t y .
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Ecce Homo: Trace Evidence #6 Electrostatic print, charcoal, ink and acrylic. 48" x 36", 2018 Source image created by Deservings Cruft http://www.robertspahr.com/work/traceevidence/
T e a c h i n g P h i l o s o p h y I t r y t o i n s p i r e l e a r n i n g a n d c u r i o s i t y . I w o r k t o s t i m u l a t e t h e i m a g i n a t i o n I h e l p s t u d e n t s u n d e r s t a n d : C r e a t i v i t y i s a p r o c e s s t h a t s t r i v e s t o c r e a t e o r i g i n a l i d e a s o f v a l u e . I n n o v a t i o n i s s i m p l y p u t t i n g c r e a t i v i t y i n t o p r a c t i c e .
G e n e r a t i v e A r t – a w o r k i n g d e fi n i t i o n A n y a n a l o g o r d i g i t a l a r t p r a c t i c e , t h a t i n c o r p o r a t e s i n s t r u c t i o n - b a s e d , m e c h a n i c a l , o r g a n i c , c o m p u t e r - c o n t r o l l e d , a n d / o r o t h e r e x t e r n a l , r a n d o m , o r s e m i - r a n d o m p r o c e s s e s a n d / o r a p p a r a t u s e s d i r e c t l y i n t o t h e c r e a t i v e p r o c e s s , w h i c h i s t h e n s e t t o m o t i o n w i t h s o m e d e g r e e o f a u t o n o m y c o n t r i b u t i n g t o o r r e s u l t i n g i n a w o r k o f a r t .
Net Art, CP470D / MCMA543 Kate Collins 2019 http://www.robertspahr.com/teaching/studentwork2/kcollins/
Media Arts Performance, CP300D Hannah Friedman & Thomas Bickel 2018 YouTube: https://youtu.be/vPM7W3VXq_s
Media Arts Performance, CP300D Generative Art Walk A mindful walk exploring the generative possibilities of nature, architecture, sound, space and color.
Creative Critical Thinking: Between Art and Science, UHON 351 Marshmallow Challenge, 2018 Alex Menke
Creative Critical Thinking: Between Art and Science, UHON 351 Observations of the Iterative Process 2018
Creative Critical Thinking: Between Art and Science, UHON 351 Form and Structure Study, (Plant Drawing) Graphite & Charcoal on paper 2018
T h e R o l e o f G e n e r a t i v e P r o c e s s e s I m p o r t a n t c o m p o n e n t o f c r e a t i v i t y . D e v e l o p e d t o o l s t o a l l o w i t e r a t i v e m e t h o d s , s t r e s s t e s t i n g s o l u t i o n s a n d d e v e l o p i n g p r o t o t y p e s . C o n c i o u s l y e m b r a c i n g c h a n c e , a l l o w i n g t h e p r o c e s s i t s e l f t o p r e s e n t s o l u t i o n s . H e l p e d t h e m c o n s i d e r t h e i r r o l e a s e i t h e r a n a r t i s t o r s c i e n t i s t w i t h i n t h e i r c r e a t i v e p r o c e s s .
Selected Bibliography Benjamin, Walter. The Work of Art in the Age of Technological Reproducibility, and Other Writings on Media . Edited by Michael W. Jennings et al. Translated by Edmund Jephcott et al. The Belnap Press of Harvard Univ. Press, 2008 Robert Spahr rspahr@siu.edu http://www.robertspahr.com
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