DESIGN CREATIVITY: REFINING THE MODEL DAVID C BROWN & ELIJAH - - PowerPoint PPT Presentation

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DESIGN CREATIVITY: REFINING THE MODEL DAVID C BROWN & ELIJAH - - PowerPoint PPT Presentation

DESIGN CREATIVITY: REFINING THE MODEL DAVID C BROWN & ELIJAH FORBES-SUMMERS Computer Science Department WPI, Worcester, MA 01609, USA <dcb@cs.wpi.edu> Introduction Bodens model of creativity Exploratory +


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SLIDE 1

DESIGN CREATIVITY: REFINING THE MODEL

DAVID C BROWN & ELIJAH FORBES-SUMMERS

Computer Science Department WPI, Worcester, MA 01609, USA <dcb@cs.wpi.edu>

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SLIDE 2

Introduction

  • Boden’s model of creativity
  • Exploratory + Transformational
  • Refined by Wiggins
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SLIDE 3

Rule Sets

  • R
  • constrains possible conceptual spaces

– i.e., of design concepts (partial & complete)

  • T
  • allows traversal of space
  • Changes support creativity
  • e.g., T

to T’

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SLIDE 4

Proposal

  • Current models are very abstract.
  • Also not related to design.
  • Consider the rules in T

as primitive ingredients of design activity (actions).

  • Build models at different abstraction

levels.

  • Can study design creativity at many levels.
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SLIDE 5

Example: Analogical Reasoning

  • Given a partial concept deliver a known

concept that is related in some way, so that aspects of it can be transferred to help complete what is given.

  • A high level design action.
  • Could study/model at this level.
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SLIDE 6

A Level Below

  • Find suitable sources (reminding);
  • Match source candidates to the target;
  • Transfer aspects of ‘best’ match to

target.

  • Lower level design actions.
  • Could study impact on creativity of these.
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SLIDE 7

A Level Below That

  • Consider just “find suitable sources”
  • 1. Abstraction of ‘given concept’ to existing or

new concepts.

  • 2. Use these more general concepts to find

suitable sources, or abstractions of suitable sources, by a) using similarity/difference links, or b) by searching.

  • Could study creativity at this level
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SLIDE 8

Down to a Single Action/Decision

  • How can a single low-level action affect

evaluation of creativity?

  • e.g., select lemon for material of cup
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SLIDE 9

Conclusion

  • Every level of action has potential to

impact the evaluation of creativity.

  • We don’t yet know what impact.

– i.e., we have little understanding.

  • We must study/model design creativity at

different levels.