Cinematic Drone O S C A R F R A S S E R Cinematic Shots - - PowerPoint PPT Presentation

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Cinematic Drone O S C A R F R A S S E R Cinematic Shots - - PowerPoint PPT Presentation

Jan 13, 2024 407 likes •1.02k views

Cinematic Drone O S C A R F R A S S E R Cinematic Shots COMPOSITION COVERAGE CONTINUITY LIGHT OPTICS STABILIZATION SLOW MOTION EXPOSURE COLOR GRADING Feeling Emotion Wonder Wheel Feeling Emotion GRAMMAR OF THE SHOT A shot is the

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Cinematic Drone

O S C A R F R A S S E R

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Cinematic Shots

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COMPOSITION COVERAGE CONTINUITY LIGHT OPTICS STABILIZATION SLOW MOTION EXPOSURE COLOR GRADING

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Feeling Emotion

Wonder Wheel

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Feeling Emotion

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GRAMMAR OF THE SHOT

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A shot is the smallest unit of coverage of a person, action,

  • r event in a motion picture.
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Long Shot (LS) Medium Shot (MS) Close Up Shot (CU)

Jean Luc Godard “Vivre Sa Vie” My Life to Live (1962)

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Extended Family of Shots

Long Shot (LS) Medium Shot (MS) Close Up Shot (CU)

  • Extreme long shot (XLS) or (ELS)
  • Very long shot (VLS)
  • Long shot/wide shot (LS) or (WS)
  • Medium long shot (MLS)
  • Medium shot (MS)
  • Medium close-up (MCU)
  • Close-up (CU)
  • Big close-up (BCU)
  • Extreme close-up (ECU) or (XCU)
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Camera Angles

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Lo Low Le Level Angle Subject appears more dominant, powerful, sinister, bigger

  • r even meaner

Eye Le Level Angle Audience to relate to the subject on a more personal level as if they were "right there" with the subject. It is a fairly neutral shot Hig High An Angle le Diminishing the subject, making them appear less powerful, less significant, vulnerable or even submissive.

Camera Angles

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Extreme Camera Angles

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EXTREME CAMERA ANGLES

Bi Bird's Eye View This is a completely different and somewhat unnatural point of view which can be used for a dramatic effect or for showing a different spatial perspective. It could be used as an establishing shot. Wo Worm’s Eye View It can be used to look up to something to make an object look tall, strong and mighty.

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Dutch Tilt or Slanted It It gives the audience an off-ba balance vi view and ca can cr create an emotional response th that " t "someth thing i is d diffe ferent" t" o

  • r "

r "wrong".

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Po Point-Of Of-Vi View (POV) As the name suggests, point-of-view shots are angles in which the camera incorporates a character’s eyes.

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https://www.youtube.com/watch?v=7y0ouVBcogU

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Camera Movements

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Drone Movements

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Drone Movements

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Positioning Aircraft Hovering – Roll – Pitch – Yaw

https://www.youtube.com/watch?v=8BfrGVZrmhY

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Camera Movements Videomaker

https://www.youtube.com/watch?v=45e1XuA-oLY

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CINEMATIC DRONE SHOTS https://www.youtube.com/watch?v=NMX2u1Pbs4s https://www.youtube.com/watch?v=JlCSTat6k_M

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CINEMATIC DRONE SHOTS UAVisuals https://www.youtube.com/watch?v=JlCSTat6k_M

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11 CINEMATIC DRONE SHOT LIST

Chris Newman From Cine Chopper

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Always Go Slow

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Slow is more cinematic, and it gives the viewer the impression you are shooting from a larger platform, such as a helicopter. This subconsciously increases the production value and makes the shot appear more controlled and crafted.

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Use gradual movements and remember to accelerate and decelerate slowly; otherwise you will shake the camera around with the quicker movements, increasing your

  • dds of having distortions or

‘jello effects’ on your footage.

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Pre-plan and visualize as many

  • f your aerial shots as you can.

Scouting your filming location before your shoot so you can factor in limitations of the area. Knowing what you’ll need ahead

  • f time will also help you optimize

your drone’s battery life, so you don’t run into a situation where you miss the shot you truly need because your batteries are out of power.

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Use Two Axes of Movement

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An An exampl ple would be be flying: g: backwards and upwards backwards and downwards Forward and upwards downward and forward at the same time, at a smooth, steady rate.

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How to pull off five essential drone shots and uplift your videos

https://vimeo.com/blog/post/how-to-pull-off-5-essential-drone-shots-and-uplift

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POLARIZING FILTER

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LENS FLARE

Lens flare occurs when a point of light source such as the sun is much brighter than the rest of the scene

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REDUCING FLARE WITH LENS HOODS

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Dawn Tw Twilight Dusk

Dawn and dusk photography provides soft light. Worries about shadow and highlight detail don't exist as all tones blend into a harmonious exposure

  • f evenly-lit subject
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Sunrise Sunset

Sunrise and sunset are often the best parts of a day for visual impact.

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Magic Hour

Filmmaking

Golden Hour

Photography It’s soft, warm, dimensional. It adds a quality to images that can’t be replicated no matter how many actions, filters, or textures you use. It last about 67 minutes (May 1)

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Magic Hour Golden Hour

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https://www.youtube.com/watch?time_continue=115&v=fmS6cUjetkk

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The Long Take: When a Shot Becomes a Scene

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Long Take “Touch of Evil” Directed by Orson Wells in 1958

https://www.youtube.com/watch?v=Yg8MqjoFvy4