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Chapter 6 Marks and Channels Vis/Visual Analytics, Chap 6 Marks/Channels 1 CGGM Lab., CS Dept., NCTU Jung Hong Chuang The Big Picture Marks Basic graphical elements in an image Channels Visual channels to control the


  1. Chapter 6 Marks and Channels Vis/Visual Analytics, Chap 6 Marks/Channels 1 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  2. The Big Picture • Marks – Basic graphical elements in an image • Channels – Visual channels to control the appearance of marks • Learning to reason about marks and channels gives you the building blocks for analyzing visual encoding – Orthogonal combination of • Marks • Channels Vis/Visual Analytics, Chap 6 Marks/Channels 2 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  3. Defining Marks and Channels Marks • A basic graphical element in an image – geometric primitive objects – Point (0D), line (1D), area (2D) – Volume (3D) – not frequently used Vis/Visual Analytics, Chap 6 Marks/Channels 3 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  4. Defining Marks and Channels Visual channels • Control the appearance of marks – Independent of the dimensionality of the geometric primitive Vis/Visual Analytics, Chap 6 Marks/Channels 4 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  5. Defining Marks and Channels An Example A progression of chart types. (a) Bar charts encode two attributes using a line mark with the vertical spatial position channel for the quantitative attribute, and horizontal spatial position channel for the categorical attribute. (b) Scatterplots encode two quantitative attributes using point marks and both vertical and horizontal spatial position. (c) A third categorical attribute is encoded by adding color to the scatterplot. (d) Adding the visual channel of size encodes a fourth quantitative attribute as well. (Munzner 97) Vis/Visual Analytics, Chap 6 Marks/Channels 5 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  6. Defining Marks and Channels An Example • In Previous example, each attribute is encoded with a single channel – Attributes for x, y axis, categorical attribute, quantitative attribute • Multiple channels can be combined to redundantly encode the same attribute – Limitation • More channels are used up so that not as many attributes can be encoded in total – Benefits • The attributes that are shown will be very easily perceived Vis/Visual Analytics, Chap 6 Marks/Channels 6 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  7. Defining Marks and Channels Some remarks • Area mark – Typically are not size coded or shape coded – An area mark has both dimensions of its size constrained intrinsically as part of its shape • Link mark – Encodes a quantitative attribute using length in one direction can be size coded in the other dim • Point mark – Can be size coded and shape coded Vis/Visual Analytics, Chap 6 Marks/Channels 7 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  8. Defining Marks and Channels Channel Types • Two fundamentally different kinds of sensory modalities – Identity channel • Good for categorical data • What something is or where it is – Shape, color, motion – Position – Magnitude channel • Good for ordered data • How much of something there is – Size: Line length - how much longer is this line than that line – Luminance: how much darker one mark is than another – Angle/tilt Vis/Visual Analytics, Chap 6 Marks/Channels 8 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  9. Defining Marks and Channels Channel types Vis/Visual Analytics, Chap 6 Marks/Channels 9 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  10. Defining Marks and Channels Mark Types • For table dataset – A mark always represents an item • For network dataset – A mark can represent an item (node) or a link – Link mark represents relationship between items • Link marks – Connection mark • Shows a pairwise relationship between two items using a line – Containment mark • Shows hierarchical relationship using areas Vis/Visual Analytics, Chap 6 Marks/Channels 10 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  11. Defining Marks and Channels Mark Types Marks can represent individual items, or links between them (Munzner 100) Vis/Visual Analytics, Chap 6 Marks/Channels 11 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  12. Using Marks and Channels • All channels are not equal – Same data attribute encoded with two different visual channels will result in different information perceived • The use of marks and channels should be guided by the principles of expressiveness and effectiveness – These ideas can be combined to create a ranking of channels according to the data type that is being encoded • Identify the most important attributes • Ensure that they are encoded with the highest ranked channels Vis/Visual Analytics, Chap 6 Marks/Channels 12 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  13. Using Marks and Channels Expressiveness and Effectiveness • Expressiveness principle – The visual encoding should express all of, and only, the information in the dataset attribute – Data attribute classification meets the split of channel types • Identity channel for categorical data • Magnitude channel for ordered data (ordinal, quantitative) • Effectiveness – Importance of the attribute should match the salience of the channel • The most important attributes should be encoded with the most effective channels Vis/Visual Analytics, Chap 6 Marks/Channels 13 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  14. Using Marks and Channels Channel Rankings • Magnitude channels in ranking – Aligned spatial position – Unaligned spatial position – Length – Angle – Area – Depth – Luminance, saturation – Curvature, volume Vis/Visual Analytics, Chap 6 Marks/Channels 14 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  15. Using Marks and Channels Channel Rankings • Identity channels in ranking – Spatial region – Color hue – Motion – Shape Vis/Visual Analytics, Chap 6 Marks/Channels 15 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  16. Using Marks and Channels Channel Rankings • Both have channels related to spatial position at the top – Aligned and unaligned spatial position – Spatial region • Spatial channels are the only ones that appear on both lists • The choice of which attributes to encode with position is the most central choice in visual encoding Vis/Visual Analytics, Chap 6 Marks/Channels 16 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  17. Using Marks and Channels Channel Rankings Vis/Visual Analytics, Chap 6 Marks/Channels 17 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  18. Channel Effectiveness • To analyze the visual encoding possibilities we need to understand the characteristics of these visual channel, because many questions remain unanswered – How are these rankings justified? – Why did the designer decide to use those particular visual channels? – How many more visual channels are there? – What kinds of information and how much information can each channel encode? – Why are some channels better than others? – Can all of the channels be used independently or do they interfere with each other? Vis/Visual Analytics, Chap 6 Marks/Channels 18 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  19. Channel Effectiveness Accuracy • The obvious way to quantify effectiveness is accuracy – How close is human perceptual judgement to some objective measurement of the stimulus? – Some answers from psychophysics using systematic measurement of human perception • Human perceive different visual channels with different levels of accuracy – Responses to the sensory experience of magnitude are characterized by power laws • Exponent depends on the sensory modality Vis/Visual Analytics, Chap 6 Marks/Channels 19 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  20. Channel Effectiveness Accuracy • Power law – S: perceived sensation, I: physical intensity – N: ranges from sublinear 0.5 for brightness to the superlinear 3.5 for electric current • Sublinear: compressed, so doubling the physical brightness results in a perception that is considerably less than twice as bright • Superlinear: magnified, doubling the amount of electric current results in a sensation that is much more than twice as great Vis/Visual Analytics, Chap 6 Marks/Channels 20 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  21. Channel Effectiveness Accuracy (Cont.) Some sensations are perceptually magnified compared with their objective intensity (when n > 1) and some compressed (when n < 1). Length perception is completely accurate, whereas area is compressed and saturation is magnified. (Munzner 104) Vis/Visual Analytics, Chap 6 Marks/Channels 21 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  22. Channel Effectiveness Accuracy • Another set of answers – Come from controlled experiments that directly map human response to visually encoded abstract information, giving us explicit rankings of perceptual accuracy for each channel type – Cleveland and McGill’s experiment • Aligned position against a common scale • Unaligned position against an identical scale • Length • Angle • Area • Volume, curvature luminance Vis/Visual Analytics, Chap 6 Marks/Channels 22 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

  23. Channel Effectiveness Error rates across visual channels Error rates across visual channels, with recent crowdsourced results replicating and extending seminal work from Cleveland and McGill (Munzner 105) Vis/Visual Analytics, Chap 6 Marks/Channels 23 CGGM Lab., CS Dept., NCTU Jung Hong Chuang

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