CAPs Composition, Angle, and Position CAPs Workshop Agenda April - - PowerPoint PPT Presentation

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CAPs Composition, Angle, and Position CAPs Workshop Agenda April - - PowerPoint PPT Presentation

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VISUAL STORYTELLING CAPs Composition, Angle, and Position CAPs Workshop Agenda April 2, 2016 9:30 am: Pre-Game (Prepping for Workshop) 10:05 am: Review of Basic Shots 10:10 am: Presentation 10:55 am: Activity 11:30 am: Feedback 11:50 am:

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VISUAL STORYTELLING

CAPs

Composition, Angle, and Position

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CAPs Workshop Agenda

April 2, 2016

9:30 am: Pre-Game (Prepping for Workshop) 10:05 am: Review of Basic Shots 10:10 am: Presentation 10:55 am: Activity 11:30 am: Feedback 11:50 am: Closing, Evaluation, and Announcements

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Light/Size Contrast/Position Fine Details

SUBJECT FRAME

E W | W | M | C U | E C U

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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By understanding how to arrange pictures through Composition, Angles and Camera Position you can direct the eye and present a message without words.

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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COMPOSITION Arrange the elements of the picture by identifying specific design principles.

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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R3

Rule of thirds

(Subject) Use a grid that divides the screen into thirds v e r t i c a l l y a n d

  • horizontally. Place the

subject along any of the four intersecting p o i n t s t o c r e a t e balance. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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R3

Rule of thirds

(Landscape) Use a grid that divides the screen into thirds v e r t i c a l l y a n d

  • horizontally. Fill one third

with either sky or land to create balance. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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C C

Contrast in content

Using colors, objects, shapes, directions that differ to draw the eye to the subject. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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LL

Leading lines

Use lines created by the world to lead the eye to the subject. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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Fr

Framing

U s e t h e w o r l d t o create frames for your subjects. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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PW

Parts of a whole

Use parts of different s u b j e c t s i n y o u r composition to tell the whole story. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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RS

Repetition of Shapes

Use similar shapes to c r e a t e p a t t e r n , symmetry or contrast. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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G

Grouping

Things/people tend to end up in groups

  • together. This is not

portrait photography. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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FP

Focal Point

Creating a point of s h a r p f o c u s t h a t contrasts with the blurry portion of the image will attract the eye. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

Foreground Middle Ground Background Camera

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VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

R3

SUBJECT

R3

LANDSCAPE

CC

CONTRAST IN CONTENT

LL

LEADING LINES

Fr

FRAMING

PW

PARTS OF A WHOLE

RS

REPETITION OF SHAPES

G

GROUPING

FP

FOCAL POINT

C O M P O S I T I O N

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ANGLE Arrange the elements of the picture by using the camera to "LOOK" from specific positions.

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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EL

Eye level

Taken from directly in front of the subject. Gives audience a feeling of being on t h e l e v e l o f t h e subject. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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BE

Birds Eye

Taken from directly above the subject. Gives audience a feeling of dominance. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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AE

Ants Eye

Taken from directly below the subject. Gives audience a f e e l i n g

  • f

insignificance. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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LA

Low Angle

Taken from somewhat below the subject. Gives subject a sense

  • f dominance.

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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HA

High Angle

Taken from somewhat above the subject. Gives subject a sense

  • f insignificance.

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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FA

Flat Angle

Pictures that are flat a r e s h o t f r o m a distance directly in front of the subject. Usually they have a solid background or wall. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

EL

EYE LEVEL BE BIRDS EYE AE ANTS EYE LA LOW ANGLE HA HIGH ANGLE FA FLAT ANGLE

A N G L E

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POSITION Arrange the elements of the picture by "POSITIONING" the camera in specific places.

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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M

Macro

Camera is placed as close to the subject as p o s s i b l e . G i v e s audience a sense of subjects world. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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GL

Ground Level

Camera is placed as close to the ground as p o s s i b l e . G i v e s audience a sense of subjects movement. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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FF

Forced Foreground

Camera is placed as c l o s e t o t h e foreground object as p o s s i b l e . G i v e s audience a sense of depth. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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PV

Point of view

Camera is placed in t h e e y e s o f t h e subject. Having a body part like a hand also helps the illusion, gives audience a sense of what the subject sees. VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

M

MACRO

GL

GROUND LEVEL

PV

POINT OF VIEW

FF

FORCED
 FOREGROUND

P O S I T I O N

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By understanding how to arrange pictures through Composition, Angles and Camera Position you can direct the eye and present a message without words.

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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Math

Grouping Comparing heights

Health

High Angle Daily meals

History

Repetition of Shapes Documentary on war

Applying CAPs to your Classroom

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

Importance of Choosing the Right Angle

BirdÊs Eye Low Angle

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Thought Process

  • 1. What do I need a picture of?
  • 2. What is the message that I want to portray?
  • 3. What technique can I use to get that message across?

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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CAPs Activity

11:00 am - 11:30 am

  • 1. Rule of Thirds - Subject (Balance)
  • 2. Leading Lines (Points to Subject)
  • 3. Eye Level (Equal)
  • 4. Low Angle (Inferior)
  • 5. Forced Foreground (Depth)
  • 6. Point of View (First Person Experience)

VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions

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VISUAL STORYTELLING

CAPs

Compositions, Angles, Positions