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A Peek into Paper Conservation Stephanie Porto Niagara Art Conservation What is Art Conservation? Image courtesy of Julie Heath & Ann Creager, Lunder Conservation Center. Damage to Cultural Property Photos courtesy of Samantha Springer (top


  1. A Peek into Paper Conservation Stephanie Porto Niagara Art Conservation

  2. What is Art Conservation? Image courtesy of Julie Heath & Ann Creager, Lunder Conservation Center.

  3. Damage to Cultural Property Photos courtesy of Samantha Springer (top left), the Conservation Center for Art and Historic Artifacts (lower right), and the Winterthur/University of Delaware Program in Art Conservation.

  4. What do conservators do? Photos courtesy of the Winterthur/University of Delaware Program in Art Conservation. Lower left and right photos by Lazlo Bodo.

  5. Code of Ethics Surface cleaning an Andy Warhol print Photo courtesy of Corine Norman.

  6. Six Primary Activities of Conservation: • Examination • Documentation • Treatment • Preventive Care • Research • Education Photo courtesy of Stephanie Oman.

  7. Six Primary Activities of Conservation: • Examination • Documentation • Treatment • Preventive Care • Research • Education Photo courtesy of the Art Conservation Department, Buffalo State College.

  8. Looking at Paper: Transmitted Light Laid paper Wove paper

  9. Watermarks • chiaroscuro J. WHATMAN TURKEY MILL 1850 Raking light Transmitted light

  10. Looking at Paper: Raking and Specular Light Verso, raking light Recto, oblique specular light

  11. Looking at Paper: Ultraviolet Radiation Slight yellow fluorescence under the arch indicates zinc white retouching Restoration in the sitter’s face absorbs UVA and appears dark

  12. Looking at Paper: Infrared Radiation IR Vidicon camera used to visualize a partially hidden inscription

  13. Six Primary Activities of Conservation: • Examination • Documentation • Treatment • Preventive Care • Research • Education Photo courtesy of Julie Heath & Ann Creager, Lunder Conservation Center, Smithsonian American Art Museum & National Portrait Gallery.

  14. Six Primary Activities of Conservation: • Examination • Documentation • Treatment • Preventive Care • Research • Education Photo courtesy of Anya Shutov.

  15. Common Interventions • Consolidation • Surface cleaning • Backing removal • Washing • Lining • Compensation for loss

  16. Common Interventions • Consolidation • Surface cleaning • Backing removal • Washing • Lining • Compensation for loss Re-adhereing flaking gelatin emulsion on a photograph

  17. Consolidation Gelatin applied by both ultrasonic mist and brush Acrylic adhesive applied by brush and set with heat

  18. Common Interventions • Consolidation • Surface cleaning • Backing removal • Washing • Lining • Compensation for loss Grated vinyl eraser crumbs used to gently and evenly remove surface dirt

  19. Surface Cleaning / Varnish Removal Unwashed support prone to tidelines Surface grime reduced by swabbing with distilled water; varnish reduced by swabbing with ethanol

  20. Common Interventions • Consolidation • Surface cleaning • Backing removal • Washing • Lining • Compensation Removing an acidic corrugated cardboard for loss backing that was adhered overall to a large drawing

  21. Facing Carbopol and Ethomeen mixed Unwashed support prone to with ehtanol, applied over tidelines Japanese tissue Japanese tissue adhered to stabilize torn and fragmented areas during treatment

  22. Backing removal Two textile backings removed by tearing away in strips

  23. Common Interventions • Consolidation • Surface cleaning • Backing removal • Washing • Lining • Compensation for loss Immersion washing an etching

  24. Localized washing and stain reduction Localized suction treatment of banded discoloration (left) and tape stains (right).

  25. Common Interventions • Consolidation • Surface cleaning • Backing removal • Washing • Lining • Compensation for loss Wet paste lining performed to stabilize a drawing previously backed with corrugated cardboard

  26. Stabilization Reinforcing holes caused by Consolidating flaking corrosive pigments media

  27. Restoration Japanese woodblock print before treatment (left), after overall bleaching (centre), and after spot bleaching.

  28. Common Interventions • Consolidation • Surface cleaning During treatment • Backing removal • Washing • Lining • Compensation for loss After treatment Inpainting pulp fills to restore lost image

  29. Loss Compensation Losses toned with dry pigment and pastel media Map of the City of Buffalo (detail) Before compensation Hand-coloured lithograph 1833

  30. Fine Art vs. Archival Material Untitled Sympathy certificate for widow Norval Morrisseau of Burr Plato Acrylic on paper Gelatin silver photograph 1969 1909

  31. Six Primary Activities of Conservation: • Examination • Documentation • Treatment • Preventive Care • Research • Education Conservator measuring light levels Photo courtesy of Anya McDavis-Conway.

  32. Preventive Conservation Includes: • Proper handling • Packing and transport • Housing/storage • Monitoring the environment • Conducting surveys and assessments • Preparing for emergencies • Guidelines for use of artifact or collection

  33. Six Primary Activities of Conservation: • Examination • Documentation • Treatment • Preventive Care • Research • Education Photo courtesy of the Winterthur/University of Delaware Program in Art Conservation.

  34. Six Primary Activities of Conservation: • Examination • Documentation • Treatment • Preventive Care • Research • Education Photo courtesy of Winterthur/University of Delaware Program in Art Conservation. Photo by Joyce Hill Stoner.

  35. Rotary Club Charter – Before treatment

  36. Rotary Club Charter – Before treatment Raking light

  37. Treatment Plan 1. Surface clean 2. Wash 3. (Locally bleach) 4. Disinfect mold 5. Humidify / flatten 6. Attach hinges

  38. Treatment Plan 1. Surface clean 2. Wash 3. (Locally bleach) 4. Disinfect mold 5. Humidify / flatten 6. Attach hinges Removing dried mold structures using a HEPA filtered vacuum

  39. Removing surface dirt using grated vinyl eraser crumbs

  40. Treatment Plan 1. Surface clean 2. Wash 3. (Locally bleach) 4. Disinfect mold 5. Humidify / flatten 6. Attach hinges Immersion washing in pH balanced water

  41. Before treatment After washing

  42. After washing After ACD treatment

  43. Treatment Plan 1. Surface clean 2. Wash 3. Locally bleach 4. Disinfect mold 5. Humidify / flatten 6. Attach hinges Reducing bleach brushed onto distracting tideline stain

  44. After ACD treatment After local bleach

  45. Treatment Plan 1. Surface clean 2. Wash 3. Locally bleach 4. Disinfect mold 5. Humidify / flatten 6. Attach hinges Mold damaged areas treated with a water and ethanol solution on the suction table

  46. Treatment Plan 1. Surface clean 2. Wash 3. Locally bleach 4. Disinfect mold 5. Humidify / flatten 6. Attach hinges Creases burnished flat on the suction table

  47. Treatment Plan 1. Surface clean 2. Wash 3. Locally bleach 4. Disinfect mold 5. Humidify / flatten 6. Attach hinges Japanese paper hinges attached to facilitate matting and framing

  48. Before treatment After treatment

  49. Raking light Before treatment After treatment

  50. Acknowledgements • Many thanks to the private collectors and institutions whose artifacts were entrusted to my care and appear in this presentation. They include the Metropolitan Museum of Art, Buffalo and Erie County Public Library, Niagara Falls History Museum, and Niagara Historical Society. • Thank you also to The American Institute for Conservation , for the use of portions of their presentation, “What Is Conservation?”

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