Wednesday, August 21, 13 Wednesday, August 21, 13 The Question - - PowerPoint PPT Presentation
Wednesday, August 21, 13 Wednesday, August 21, 13 The Question - - PowerPoint PPT Presentation
Wednesday, August 21, 13 Wednesday, August 21, 13 The Question Honours always been honour, and honesty honesty ... and will be till I'm carried out of it feet first, says Mrs Mingott. Comment on the ways in which this view bears out
The Question
“Honour’s always been honour, and honesty honesty... and will be till I'm carried out of it feet first,” says Mrs Mingott. Comment
- n the ways in which this
view bears out in the novel.
Wednesday, August 21, 13Context
(Found in Introduction)
- World War 1 took place from
1914-1918.
- Result of World War 1:
★
Old orders had fallen, dreams had been demolished
- Novel was written in 1920 which
was just after World War 1.
★
Wharton learnt that cultures can die
★
Wharton’s ‘war-novel’: a salute to the new age and a memorial to the age departed
★
A desire for America to embrace maturity (balance between personal happiness & the survival
- f the community)
Wharton
- Pre-war New
York: era of bold vigor and active virtue
- Post-war Old New
York: privileged class had become “enervated and complacent - narrow and rigid and sometimes pointlessly punitive”
- This was the New
York that Wharton was born into
Wednesday, August 21, 13Wharton (cont’d)
- Wharton’s mother preferred her sons
★ Result: A cold, hostile mother ★ Wharton’s childhood memories
“acknowledge a peculiar mixture of strengths and deficiencies in the society
★ On one hand: ancient values (honour,
loyalty and devotion to family) persisted
★ On another hand: Old New
York had become unimaginative, lethargic & potentially rigid in the exercise of these virtues
Wednesday, August 21, 13“France had triumphed over war because of its honesty, its realistic sense of values, and its devotion to a coherent set of traditions...”
★ Relationship between self & society was intrinsic
& inescapable - to be a happy, mature, fulfilled adult, one must have a rewarding and viable social role to play.
★ Failure to find this meaningful place in this
community will result in a fatal consequence - exclusion from society
★ “Absolute personal fulfillment” did not exist
Wednesday, August 21, 13New York’s elite is thus, presented as a prison-like ‘clan’. Mrs Mingott’s resolute desire to protect the honour in New York is a reinforcement of the values
- f New
York: experimentation & individual satisfaction are rejected while tradition & self-denial are celebrated.
Wednesday, August 21, 13By the first of November this household ritual was over... And punctually at about this time Mrs. Archer always said that New York was very much changed. Observing it from the lofty stand-point of a non-participant, she was able, with the help of Mr. Sillerton Jackson and Miss Sophy, to trace each new crack in its surface, and all the strange weeds pushing up between the ordered rows of social
- vegetables. It had been one of the amusements of Archer's
youth to wait for this annual pronouncement of his mother's, and to hear her enumerate the minute signs of disintegration that his careless gaze had overlooked. For New York, to Mrs. Archer's mind, never changed without changing for the worse; and in this view Miss Sophy Jackson heartily
- concurred. (Ch 26, 210)
Lecture Notes P2
Wednesday, August 21, 13Analysis
‘ordered rows of social vegetables’ reflects a society that is mechanised and dehumanised ‘cracks’ and ‘weeds’ which refer to Ellen Olenska & Julius Beaufort then highlight the minute threats to society. Society is degraded by ‘cracks’ from within (Ellen Olenska) and ‘weeds’ from without (Julius Beaufort).
Wednesday, August 21, 13before you begin writing
Wednesday, August 21, 13Find the trigger!
Option 1: STYLE
- Eg. Use of Setting
Option 2:
CONCERN/THEME
- Eg. “Honour and Honesty” in ONY
Option 3:
CHARACTER
- Eg. Newland Archer
The TRIGGER is your starting point!
Wednesday, August 21, 13Find the trigger!
Option 1: STYLE
- Eg. Use of Setting
Option 2:
CONCERN/THEME
- Eg. “Honour and Honesty” in ONY
Option 3:
CHARACTER
- Eg. Newland Archer
The TRIGGER is your starting point!
Wednesday, August 21, 13- 1. Honour and Respect
- 2. Financial Dishonour
- 3. Marital Dishonour
- 4. Familial Dishonour
- 1. Honour and Respect
- 2. Financial Dishonour
- 3. Marital Dishonour
- 4. Familial Dishonour
FINANCIAL DISHONOUR
Wednesday, August 21, 13A gloomy silence fell upon the party. No one really liked Beaufort, and it was not wholly unpleasant to think the worst of his private life; but the idea of his having brought financial dishonour
- n his wife's family was too shocking to be
enjoyed even by his enemies. Archer's New York tolerated hypocrisy in private relations; but in business matters it exacted a limpid and impeccable honesty. It was a long time since any well-known banker had failed discreditably; but every one remembered the social extinction visited on the heads of the firm when the last event
- f the kind had happened. (Ch 26, 212)
Lecture Notes P3
Wednesday, August 21, 13Analysis
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The sly narrator... hints at the hypocrisy behind New York’s tolerance of private dishonour through the contrast between their private and public behaviour.
Wednesday, August 21, 13Analysis
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‘limpid’ and ‘impeccable’ The next clause in the sentence is straightforwardly and forcefully declarative as suggested by the word ‘exacted’. More importantly, the absolutes like ‘limpid’ and ‘impeccable’ suggest that the financial honesty society seeks to uphold is unassailable.
Wednesday, August 21, 13TOPIC SENTENCE
The absolute intolerance towards public disgrace is illustrated through society’s reaction towards Julius Beaufort’s financial dishonour underlining New York’s expectation
- f ‘unflinching’ adherence to social
- rder.
Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
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Wednesday, August 21, 13What: ‘Financial Dishonour’
Topic sentence (10% of word count)
ELABORATION
How: ‘Society’s reaction’
- Evidence and analysis (60%)
Why: ‘absolute adherence to social
- rder’
- Your interpretation (30%)
Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
Wednesday, August 21, 13MARITAL DISHONOUR
Wednesday, August 21, 13A sudden blush rose to young Mrs. Archer’s face; it surprised her husband as much as the other guests about the table. “Oh, Ellen—” she murmured, much in the same accusing and yet deprecating tone in which her parents might have said: “Oh, the Blenkers—.” It was the note which the family had taken to sounding on the mention of the Countess Olenska’s n a m e , s i n c e s h e h a d s u r p r i s e d a n d inconvenienced them by remaining obdurate to her husband’s advances. (Ch 26, 213)
Lecture Notes P4
Wednesday, August 21, 13Analysis
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surprised and inconvenienced
The euphemism of the term ‘surprised’ underscores the shock and shame that Ellen has brought and continues to bring to the Mingott-Welland and Archer- van-der-Luyden clans.
Wednesday, August 21, 13Everybody knew that the Countess Olenska was no longer in the good graces of her family. Even her devoted champion, old Mrs Manson Mingott, had been unable to defend her refusal to return to her husband. The Mingotts had not proclaimed their disapproval aloud: their sense of solidarity was too strong. It was a fact, that Ellen, in spite of all her opportunities and her privileges, had become simply “Bohemian.” The fact enforced the contention that she had made a fatal mistake in not returning to Count Olenski. After all, a young woman’s place was under her husband’s roof, especially when she had left it in circumstances that... well... if one had cared to look into them... (Ch 26, 214)
Lecture Notes P4
Wednesday, August 21, 13Analysis
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The use of ‘even’ epitomises Ellen’s fall from the ‘good graces of her family’, as it reveals that even Ellen’s champion, Mrs Mingott chooses to stand by family honour rather than her granddaughter.
Wednesday, August 21, 13Everybody knew that the Countess Olenska was no longer in the good graces of her family. Even her devoted champion, old Mrs Manson Mingott, had been unable to defend her refusal to return to her husband. The Mingotts had not proclaimed their disapproval aloud: their sense of solidarity was too strong. It was a fact, that Ellen, in spite of all her opportunities and her privileges, had become simply “Bohemian.” The fact enforced the contention that she had made a fatal mistake in not returning to Count Olenski. After all, a young woman’s place was under her husband’s roof, especially when she had left it in circumstances that... well... if one had cared to look into them... (Ch 26, 214)
Lecture Notes P4
Wednesday, August 21, 13TOPIC SENTENCE
Marital dishonour is illustrated through May and Mrs Archer’s disapprobation of Ellen’s divorce-suit highlighting New York’s expectation
- f marriage as a social institution
intended to uphold social order while encouraging readers to sympathise with Ellen. Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
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Wednesday, August 21, 13ELABORATION
How: ‘May and Mrs Archer’
- Evidence and analysis (60%)
Why: ‘marriage as a reflection of
family honour’
- Your interpretation (30%)
Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
What: ‘Marital Dishonour’
- Topic sentence (10% of word count)
ELABORATION
- Mrs. Archer speaks (technique) in an ‘accusing’
tone for ‘inconveniencing’ (evidence) them, the narrator’s euphemism underscoring instead the shock (‘surprised’) and shame Ellen has brought and continues to bring to the Mingott-Welland and Archer- van der Luyden clans. May’s opinion (technique) that Ellen is ‘better off as an unhappy wife than a separated one’ (evidence) echoes this sentiment. The use of ‘even’ (technique + evidence) epitomises Ellen’s fall from the ‘good graces of her family’, as Mrs Mingott chooses to stand by family honour rather than her
- granddaughter. Yet, the narrator’s curiously
halting narration (technique) hints at the family’s selfishness, leading readers to sympathise with Ellen (purpose) more than with Old New York.
Wednesday, August 21, 13FAMILIAL DISHONOUR
Wednesday, August 21, 13It was the old New York way of taking life "without effusion of blood": the way of people who dreaded scandal more than disease, who placed decency above courage, and who considered that nothing was more ill-bred than "scenes," except the behaviour of those who gave rise to them. As these thoughts succeeded each other in his mind Archer felt like a prisoner in the centre of an armed camp. He looked about the table, and guessed at the inexorableness of his captors from the tone in which, over the asparagus from Florida, they were dealing with Beaufort and his wife. "It's to show me," he thought, "what would happen to me—" and a deathly sense of the superiority of implication and analogy over direct action, and of silence over rash words, closed in on him like the doors
- f the family vault.
Lecture notes P5
Wednesday, August 21, 13It was the only word that passed between them on the subject; but in the code in which they had both been trained it meant: "Of course you understand that I know all that people have been saying about Ellen, and heartily sympathise with my family in their effort to get her to return to her
- husband. I also know that, for some reason you have not chosen to tell me,
you have advised her against this course, which all the older men of the family, as well as our grandmother, agree in approving; and that it is owing to your encouragement that Ellen defies us all, and exposes herself to the kind of criticism of which Mr. Sillerton Jackson probably gave you, this evening, the hint that has made you so irritable.... Hints have indeed not been wanting; but since you appear unwilling to take them from others, I
- ffer you this one myself, in the only form in which well-bred people of
- ur kind can communicate unpleasant things to each other: by letting you
understand that I know you mean to see Ellen when you are in Washington, and are perhaps going there expressly for that purpose; and that, since you are sure to see her, I wish you to do so with my full and explicit approval—and to take the opportunity of letting her know what the course of conduct you have encouraged her in is likely to lead to." (Ch 26, 219) Lecture Notes P6
Wednesday, August 21, 13Analysis
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May’s thoughts are...
technically ‘unspoken’. However, they are expressed as direct discourse (i.e. dialogue) to suggest that this is a ‘code in which they had both been trained’.
Wednesday, August 21, 13It was the only word that passed between them on the subject; but in the code in which they had both been trained it meant: "Of course you understand that I know all that people have been saying about Ellen, and heartily sympathise with my family in their effort to get her to return to her
- husband. I also know that, for some reason you have not chosen to tell me,
you have advised her against this course, which all the older men of the family, as well as our grandmother, agree in approving; and that it is owing to your encouragement that Ellen defies us all, and exposes herself to the kind of criticism of which Mr. Sillerton Jackson probably gave you, this evening, the hint that has made you so irritable.... Hints have indeed not been wanting; but since you appear unwilling to take them from others, I
- ffer you this one myself, in the only form in which well-bred people of
- ur kind can communicate unpleasant things to each other: by letting you
understand that I know you mean to see Ellen when you are in Washington, and are perhaps going there expressly for that purpose; and that, since you are sure to see her, I wish you to do so with my full and explicit approval—and to take the opportunity of letting her know what the course of conduct you have encouraged her in is likely to lead to." (Ch 26, 219) Lecture Notes P6
Wednesday, August 21, 13Analysis
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The use of ‘I know’ ‘I offer you this [hint]...’, ‘I wish you to do so’ The cumulative use of this mental verb and the shift to implied commands is significant as May is portrayed as a manipulative spouse who grants Newland the freedom to pursue Ellen in Washington.
Wednesday, August 21, 13TOPIC SENTENCE
The indecent scandal associated with the failure to uphold the familial code
- f honour is reinforced through the
prison motif that foreshadows Newland Archer’s ‘spiritual death’. Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
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Wednesday, August 21, 13ELABORATION
How: ‘prison motif’
- Evidence and analysis (60%)
Why: ‘foreshadow Newland’s spiritual
death’
- Your interpretation (30%)
Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
What: ‘Familial Dishonour’
- Topic sentence (10% of word count)
HONOUR & HONESTY
Wednesday, August 21, 13Archer listened unmoved to the relentless
- chorus. The idea of absolute financial probity
(honesty) as the first law of a gentleman's code was too deeply ingrained in him for sentimental considerations to weaken it. An adventurer like Lemuel Struthers might build up the millions of his Shoe Polish on any number of shady dealings; but unblemished honesty was the noblesse oblige of old financial New York. (Ch 27, 224) Lecture Notes P6
Wednesday, August 21, 13Analysis
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‘noblesse oblige’ (French: nobility obliges) suggests that Newland Archer recognises that this code of honour and honesty is the responsibility he has to take on as a member of his class.
Wednesday, August 21, 13TOPIC SENTENCE
Society’s code of honour and honesty is portrayed as religiously upheld without exception through Newland Archer who becomes the paragon of the tribal code in order to highlight the need for the individual to sacrifice his personal fulfillment for collective values. Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
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Wednesday, August 21, 13ELABORATION
How: ‘Newland’s language of nobility’
- Evidence and analysis (60%)
Why: ‘individual sacrifice for collective values’
- Your interpretation (30%)
Spot the ‘WHAT’, ‘HOW’ and ‘WHY’
What: ‘strict upholding of social principles like honour and honesty’
- Topic sentence (10% of word count)
But this is only possible if...