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UrbanFox.TV UrbanFox.TV Shooting Better Interviews All of this - PDF document

Chris&na Chris&na Fox Fox UrbanFox.TV UrbanFox.TV Shooting Better Interviews All of this presentation will go on our website Christina Fox www.urbanfox.tv/seminar Produc&on Produc&on Village Village Chris&na


  1. Chris&na Chris&na Fox Fox UrbanFox.TV UrbanFox.TV Shooting Better Interviews All of this presentation will go on our website Christina Fox www.urbanfox.tv/seminar Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox Grammar Crossing The Line • Sometimes called the 180 o rule • Grammar helps us make sense of what is written • Helps viewers understand the geography • Video grammar helps viewers make sense • But, really it is all about continuity… of what they are seeing • It stops us all getting confused Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox Geography… Continuity… Produc&on Produc&on Village Village

  2. Chris&na Chris&na Fox Fox Geography… Continuity… Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox Define The Line So, how do we keep the continuity from shot to shot? The line is the eye line between ------ the two people Don’t cross the line… Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox And the rule is Video 1 • Stay one side of the line for all your shots • Not crossing • It doesn’t matter which side you choose • Then crossing – but get the side with the best background • Just be consistent (continuity again) So, what happens if you cross the line… Produc&on Produc&on Village Village

  3. Chris&na Chris&na Fox Fox Checklist Distractions • Noisy location? So, what do we need to do before – Is it relevant to the story? we start recording? – Will the viewer see the source of the noise? – Can you switch it off? • Mobile Phones - Air Conditioners - Fridges (car keys!) – Can you use a different location? – Put a sign on the office door - ‘interview in progress’ Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox Distractions Distractions • Video clip 2 • Find a fixed (non swivel) chair for your interviewee • Check the background behind the chair (is it boring, too busy, too bright?) • Watch out for bright windows Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox Tripod Position Shot Size • Raise the camera lens - level with the eyes • Zoom out to an MCU of the interviewee of interviewee • Good for big TVs and the internet • Place camera as close to the eye-line as • Leaves space for the name and job title possible • Doesn’t show the hands • Check spirit level • Shows just enough background Produc&on Produc&on Village Village

  4. Chris&na Chris&na Fox Fox Picture Quality Audio Quality • Check interviewees eyes are in focus • Mic interviewee and interviewer – Quiet place - use personal microphones • Check exposure – 2 mics clean - on separate channels - useful in the edit • White balance camera – Hands free – Fullfil rule No 1 of audio – Can be wireless – Need to keep an eye on two levels Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox Microphones OMNI-DIRECTIONAL • Noisy place? - use a directional microphone • Used correctly a directional mic will reduce the background noise compared to voice • You’ll need a spare pair of hands or a mic stand Produc&on Produc&on Village Village Chris&na Chris&na Fox Fox DIRECTIONAL The right mic - in the right place Produc&on Produc&on Village Village

  5. Chris&na Chris&na Fox Fox We’re Ready Video clip 3+4 Produc&on Produc&on Village Village Chris&na Fox Shot List • Interviewee – Always, shoot this first • Hands • Over the shoulder 2 shot • Reverse questions • Cutaways or Sequences Produc&on Village

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