This Week Exposure (today) The Art, Science and Algorithms Camera - - PDF document

this week
SMART_READER_LITE
LIVE PREVIEW

This Week Exposure (today) The Art, Science and Algorithms Camera - - PDF document

This Week Exposure (today) The Art, Science and Algorithms Camera Basics Simple Math of Photography Metering Zone System Exposure & Metering Maria Hybinette 1 2 Maria Hybinette Exposure Shutter Speed Controls how long


slide-1
SLIDE 1

The Art, Science and Algorithms

  • f Photography

Exposure & Metering Maria Hybinette

1

This Week

  • Exposure (today)

– Camera Basics – Simple Math

  • Metering
  • Zone System

2 Maria Hybinette

Exposure

  • Controls light to digital sensor (or film)
  • Two main controls (parameters):

– Shutter Speed

  • Controls amount of time light ‘shines’ on the sensor

– Aperture

  • Controls the amount of light falls on a unit area per

second

  • Exposure = Irradiance x Time

3

Aperture Control: Amount of light falling

  • n a unit area of sensor per second.

Shutter Speed

  • Controls how long the sensor is exposed to light
  • Linear effect on exposure until sensor saturates
  • Denoted in fraction of a second:

– 1/30, 1/60, 1/125, 1/250, 1/500 – Get the pattern ?

  • On a normal lens, hand-hold down to 1/60

– Rule of thumb: shortest exposure: 1/ focal length

  • 1/50 for a 50 mm lens (slower motion blur)
  • 1/500 for a 500mm lens,

– so large lenses needs faster shutter speeds to avoid camera shake

4

Photo Credit:

Side-Effect of Shutter Speed

  • Motion Blur
  • Halving the shutter doubles the motion blur.

5

Fast Shu:er Speed Slow Shu:er Speed

Wikipedia

Creative Shutter Speeds

6

4 seconds 3 seconds Bulb: 3-10 second

Photo Credit: Pasant @Flickr

1/30 Panning 30 seconds 15 seconds

Photo Credit: Wikipedia, Cooriander & Pasant @flickr

slide-2
SLIDE 2

Effect of shutter speed

  • Freezing motion

– Rule of thumb

7

Walking people Running people Car Fast train 1/125 1/250 1/500 1/1000 Photo Credit: Fredo Durand

Shutters

  • Central Shutters

– Mounted within lens assembly (some in-front of lens, early cameras) – Leaf mechanism generally used for this (see next slide for a simple version) 1/125th second – Diaphragm shutter (thin blades) 1/500th second

  • Focal plane shutters near the focal plane and

moves to uncover sensor

  • Modern are mostly electronic
  • Digital cameras typically use a combination of

mechanical and electronic timings

8

Shutter

  • Simple leaf-shutter, typically
  • nly one speed

– Disposable cameras

  • Typically long way from

sensor plate

– Slow to open & close

  • edges less exposure time

– Doesn’t matter for DOF

  • Near focal plane shutters

– Faster not to affect DOF – Slit action to ensure all of sensor get same amount of light

9

Diagram Credit: London, Stone Upton (2910)

Shutter

  • Leaf-shutter, typically only one speed

– Disposable cameras

  • Typically long way from sensor plate

– Slow to open & close = edges less exposure time

10

Simple Leaf Shu3er

  • 1. Shu:er plate
  • 2. Aperture covered
  • 3. Aperture during exposure
  • 4. Leaf blade
  • 5. Catch mechanism
  • 6. Bu:erfly spring

Diagram Credit: Wikipedia

Your Best Friend

  • Use a tripod – it will enhance sharpness

– Avoid camera shake

11

Photo Credit:

Aperture regulates Light per Unit Area

  • Light and Distance adheres to

the Inverse Square Law:

– How Area A (light intensity per unit area), changes with distance. – Light Intensity falls of within the square of the distance.

  • Inversely proportional to the

square of the distance

  • Lenses regulates the lens opening

by the f-number (or f-stop) of the aperture.

– At a given f/stop lenses allow the same amount of light

  • e.g., @ f/4 all lenses allow the same

amount of light

12

slide-3
SLIDE 3

Aperture

  • We call this Irradiance:

– Light on unit area of sensor per second ) is proportional to size of the area. – Inversely proportional to the square distance to the sensor – Proportional to the square of the diameter of the

  • pening

– Inverse square distance to the sensor (~ focal length f)

13

Area = π f 2N ⎛ ⎝ ⎜ ⎞ ⎠ ⎟

2

N = f D

  • 2 x D (doubling the aperture), its area

(hence the light that can get through it) increases by 4X (because area)

  • [same focal length]
  • As the distance to the sensor is doubled,

the area intersecVng the cone increases by 4 so the light falling per unit area decreases by 4X [changing focal length]

Simple Geometry

§ Twice the diameter means four times the area. § Stop down à higher f-number § Fast lens allowing a low f-number à you can

use lower shutter speeds in lower light situation

§ Light captured by a lens is proportional to the

area of the aperture. (circle)

14

1 1 1 2

Area = π D 2 ⎛ ⎝ ⎜ ⎞ ⎠ ⎟

2

= π f 2N ⎛ ⎝ ⎜ ⎞ ⎠ ⎟

2

N = f D

Aperture

  • Lens opening given by # f-number
  • A relative aperture size e.g., “#”, called an f-number,

written f/#, reflects the fact that it is computed by dividing the focal length by the absolute aperture (D).

  • Examples:

– Aperture of a 100 mm lens at f/2 is a

  • Circle of diameter 100/2 = 50mm.

– Aperture of a 50 mm lens at f/2 is a

  • Circle of diameter 50/2 = 25mm
  • At a given f/stop, e.g., @ f/4 all lenses allow the same

amount of light.

  • Greater f-number (smaller hole)

– And less light per unit area reaches the image plane (irradiance), watts/m2

15

#∗ D = f

f = focal length D = diameter of opening

lower f-number long lenses fat & expensive More ``glass’’ required.

D = f #

# = f D

h:ps://en.wikipedia.org/wiki/F-number

Aperture

General Idea: To maintain the same f-number a longer lens needs a larger diameter to produce the same illuminance ( lumen/m2) on focal plane (longer lenses has a magnifying effect) [example coming too see this better] We will continue to use

– Aperture of a 100 mm lens at f/2 is a

  • Circle of diameter 100/2 = 50mm.

– Aperture of a 50 mm lens at f/2 is a

  • Circle of diameter 50/2 = 25mm

16

Wide Open (full)

#∗ D = f

f = focal length D = diameter of opening

D = f #

Allowing Light with Aperture

  • f/2 on a 50 mm lens (N=2) 2 = 50/D (D=25 mm)
  • f/2 on a 100 mm lens (N=2) 2 = 100/D (D=50 mm)

17

N = f D

N = f-number = (f/#) f = focal length D = diameter opening

Aperture

  • f/2 on a 50 mm lens (N=2) 2 = 50/D (D=25 mm)
  • f/2 on a 100 mm lens (N=2) 2 = 100/D (D=50 mm)

18

N = f D

N = f-number = (f/#) f = focal length D = diameter opening Doubling both the absolute aperture diameter (D) and the focal length(f) cancel (b/c reciprocity); leaving the same relative aperture size (N). In this example, both lenses are f/2. [ 50 * (X) / (25 * (X) ]

1x 2x

slide-4
SLIDE 4

Aperture

  • Doubling D, increases the area by 4X.

– light falling per unit area decreases by 4X

  • Doubling N reduces D by 2x, light is

– Reduced by 4x – Example: going from f/2.0 to f/4.0 (2 stops)

  • Cuts the light by 4x
  • Cut the light (2x) instead of (4x) what should the factor
  • f N be? (has to be smaller than 2, since 2 will cut it by 4

x the light) – (1 < N < 2) – √2 = 1.41 ( 1 stop)

19

N = f D

Area = π D 2 ⎛ ⎝ ⎜ ⎞ ⎠ ⎟

2

= π f 2N ⎛ ⎝ ⎜ ⎞ ⎠ ⎟

2

D = f N

Side-Effect of Aperture

  • Doubling N (two f/stops) doubles depth of

field

20

Photo Credit: London, Stone Upton

Depth of Field (recall)

  • A point in the scene is focused

at a point on the sensor

  • Moving the sensor in z
  • the depth where this happens

is called the depth of focus (by sensor)

  • this corresponds in the scene

to a depth of field (scene)

  • Halving the aperture diameter

(smaller) doubles the depth of field

21

Diagram Credit: London, Stone Upton

Exposure (H) : = Irradiance * Time

Determined by : Aperture & Shutter Speed

  • Reciprocity

– Equivalence of Relationship of shutter and aperture.

  • Irradiance (I) – (light per unit area) Aperture

Controlled – Controlled by aperture – Aperture also affect DOF

  • Time (T)

– controlled by the shutter – doubling exposure time doubles motion blur

  • Exposure Stays Constant by (more next)
  • Lowering one f/stop (cramp, close) AND doubles Time

22

Stops: Reciprocity Tool

  • Increase exposure by 1 stop means

capturing twice as much light as the previous stop.

  • Example:

23

h:ps://www.flickr.com/photos/hamed/2476599906/

Aperture and Shutter Stops

  • Apertures 1 stops differ by a 1.41 factor (sqrt(2))
  • f/1, f/1.4, f/2 (sqrt(2)*sqrt(2), ….

24

slide-5
SLIDE 5

Reciprocity

  • Assume we know how much light we need
  • We have infinite choices of shutter speed/aperture pairs
  • What will guide our choice of a shutter speed?

– Freeze motion vs. motion blur, camera shake

  • What will guide our choice of an aperture?

– Depth of field, diffraction limit

  • Often we must compromise

– Open more to enable faster speed (but shallow DoF)

25

h:p://petapixel.com/2012/06/11/whats-the-f-number-of-the-human-eye/

Trading off motion for DOF

26

Sensitivity (ISO)

  • Third variable for exposure
  • Linear effect (200 ISO needs half the light as 100 ISO)
  • film: trade sensitivity for grain
  • digital: trade sensitivity for noise

– multiply signal before analog-to-digital conversion – linear effect (200 ISO needs half the light as 100 ISO)

27

Diagram Credit: Dpreview next

28

Demo

  • Trade-offs

affecting brightness

  • Flash Demo

(from Stanford)

29

h:p://graphics.stanford.edu/courses/cs178-10/applets/exposure.html

Summary Exposure

  • Aperture (f number) (depth of field control)

– Ratio between focal length &aperture diameter: diameter = f / <f number> – Small f number means large aperture (factors of √ 2)

  • Examples: f/2.0, f/2.8, f/4.0, f/5.6, f/8.0, f/11, f/16

– A good standard lens has max aperture f/1.8 (less expensive f/3.5)

  • Shutter speed (motion blur control)

– In fraction of a second

  • Examples: 1/30, 1/60, 1/125, 1/250, 1/500 (factor of 2)

– Rule of thumb:

  • Hand-hold up to 1/f seconds, where f is focal length without camera

shake

  • Sensitivity (sensor noise control)

– Gain applied to sensor – In ISO, bigger number, more sensitive (50, 100, 200, 400, 800, 1600) Reciprocity between these three numbers, for a given exposure: two degrees of freedom (2 things you can change)

slide-6
SLIDE 6

Quiz 2

  • Short or long lens?
  • Fast (small f#) aperture? (f/4, f/5.6, f/2.8, …)
  • Large (large f#) aperture (f/8, f/16, …)
  • Slow shutter? (1/30, 1/15, 1/8,1/4, ½ 1, … )
  • High ISO? (1,600 or higher)

31

Question 1

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 50mm lens, f/1.4, 1/250, ISO 200

32

Question 1

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 50mm lens, f/1.4, 1/250, ISO 200 (shallow DOF)

33

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 24mm lens, f/5, 1/640, ISO 100

Question 2

34

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 24mm lens, f/5, 1/640, ISO 100 (story telling/short lens)

Question 2

35

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 24mm lens, f/10, 1/500, ISO 800

Question 3

36

slide-7
SLIDE 7
  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 24mm lens, f/10, 1/500, ISO 800 (deeper DOF, short focal length,

story telling)

Question 3

37

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 24mm lens, f/10, 1/500, ISO 800

Question 4

38

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 175mm lens, f/3.2, 1/250, ISO 640 (shallow with long lens)

Question 4

39

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 175mm lens, f/3.2, 1/250, ISO 640

Question 5

40

  • Short/Long Lens, Small/Large f/#?, Fast/Slow shutter, High ISO?
  • 24mm lens, f/14, 1/40, ISO 320 (motion blur – but a bit too slow)

Question 5

41

Slide Credits/Resources

  • Prof. Marc Levoy

– 178 class (and his credits in turn)

  • Prof. Fredo Durand
  • London, Stone, Upton “Photography”
  • Wikipedia

42