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TEST TEST Some Reharmonization Techniques for Popular Music: Melodic Skeletons, the Melodic-Harmonic Divorce, and Meta-Schemas Trevor de Clercq June 25, 2018 Association for Popular Music Education Conference Middle Tennessee State


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TEST

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TEST

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Trevor de Clercq

June 25, 2018 Association for Popular Music Education Conference Middle Tennessee State University

Some Reharmonization Techniques for Popular Music: Melodic Skeletons, the Melodic-Harmonic Divorce, and Meta-Schemas

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“Create”: the Peak of Educational Objectives

  • I. Introduction
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Teaching Harmony

  • I. Introduction
  • Students should “create” harmony
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SLIDE 6

Melody Harmonization in “Classical” Workbooks

  • Typically chorale-style or figured-bass
  • One chord per melodic note
  • One chord per beat
  • Emphasizes traditional harmonic syntax
  • I. Introduction
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SLIDE 7

Scholarly Books on Popular Music (“Rock”)

  • I. Introduction
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SLIDE 8

Textbooks on Harmony/Melody in Popular Music

  • I. Introduction
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SLIDE 9

Melody Three Techniques

  • I. Introduction

Harmonization in Popular Music: 1) Melodic Skeletons 2) The Melodic-Harmonic Divorce 3) Meta-Schemas

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SLIDE 10

Melody Three Techniques 1) Melodic Skeletons 2) The Melodic-Harmonic Divorce 3) Meta-Schemas

  • I. Introduction

Re- Harmonization in Popular Music:

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SLIDE 11

“Hey Jude” (The Beatles, 1968)

  • II. Melodic Skeletons
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SLIDE 12

“Hey Jude” (The Beatles, 1968) Mel:

3 2 4 1 3 6 5 5 1

Orig:

I V V7

4

I IV I V I

Rehar:

I bVII ii IV I vi iii V V7

4

I

  • II. Melodic Skeletons
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SLIDE 13

“Hey Jude” (The Beatles, 1968) Mel:

3 2 4 1 3 6 5 5 1

Orig:

I V V7

4

I IV I V I

Rehar:

I bVII ii IV I vi iii V V7

4

I

  • II. Melodic Skeletons
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SLIDE 14

“Hey Jude” (The Beatles, 1968) Mel:

3 2 4 1 3 6 5 5 1

Orig:

I V V7

4

I IV I V I

Rehar:

I bVII ii IV I vi iii V V7

4

I

  • II. Melodic Skeletons
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SLIDE 15

“Hey Jude” (The Beatles, 1968) Mel:

3 2 4 1 3 6 5 5 1

Orig:

I V V7

4

I IV I V I

Rehar:

I bVII ii IV I vi iii V V7

4

I

  • II. Melodic Skeletons
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SLIDE 16

“Hey Jude” (The Beatles, 1968) Mel:

3 2 4 1 3 6 5 5 1

Orig:

I V V7

4

I IV I V I

Rehar:

I bVII ii IV I vi iii V V7

4

I

  • II. Melodic Skeletons
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SLIDE 17
  • III. Melodic-Harmonic Divorce
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SLIDE 18
  • III. Melodic-Harmonic Divorce

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

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SLIDE 19
  • III. Melodic-Harmonic Divorce

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

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SLIDE 20

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 21

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 22

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 23

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 24

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 25

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 26

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 27

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 28

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 29

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 30

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 31

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 32

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 33

“Someone like You” (Adele, 2011) Original chords: I iii6

4

vi IV Reharmonization 1: I V bVII ii Reharmonization 2: I bVII IV iii Reharmonization 3: I vi ii bVII Reharmonization 4: I ii iii IV Reharmonization 5: IV I V vi Reharmonization 6: vi IV I V Reharmonization 7: V vi IV I

  • III. Melodic-Harmonic Divorce
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SLIDE 34
  • IV. Meta-Schemas
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SLIDE 35

“Let it Be” (The Beatles, 1970)

Mel: 5 5 3 2 1 3 2 1 . Orig: I V vi IV I V IV I Re1: I bVII IV6 bVI

I6

4

V6

5/V IV iv

I Re2: I iii7 IV V6

5/V

I6

4

V6

5/vi

vi V6 I

  • IV. Meta-Schemas
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SLIDE 36

“Let it Be” (The Beatles, 1970)

Mel: 5 5 3 2 1 3 2 1 . Orig: I V vi IV I V IV I Re1: I bVII IV6 bVI

I6

4

V6

5/V IV iv

I Re2: I iii7 IV V6

5/V

I6

4

V6

5/vi

vi V6 I

  • IV. Meta-Schemas
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SLIDE 37

“Let it Be” (The Beatles, 1970)

Mel: 5 5 3 2 1 3 2 1 . Orig: I V vi IV I V IV I Re1: I bVII IV6 bVI

I6

4

V6

5/V IV iv

I Re2: I iii7 IV V6

5/V

I6

4

V6

5/vi

vi V6 I

  • IV. Meta-Schemas
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SLIDE 38

“Let it Be” (The Beatles, 1970)

Mel: 5 5 3 2 1 3 2 1 . Orig: I V vi IV I V IV I Re1: I bVII IV6 bVI

I6

4

V6

5/V IV iv

I Re2: I iii7 IV V6

5/V

I6

4

V6

5/vi

vi V6 I

  • IV. Meta-Schemas
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SLIDE 39

Mel: 5 5 3 2 1 3 2 1 . Orig: I V vi IV I V IV I Re1: I bVII IV6 bVI

I6

4

V6

5/V IV iv

I Re2: I iii7 IV V6

5/V

I6

4

V6

5/vi

vi V6 I

“Let it Be” (The Beatles, 1970)

  • IV. Meta-Schemas
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SLIDE 40

Mel: 5 5 3 2 1 3 2 1 . Orig: I V vi IV I V IV I Re1: I bVII IV6 bVI

I6

4

V6

5/V IV iv

I Re2: I iii7 IV V6

5/V

I6

4

V6

5/vi

vi V6 I

“Let it Be” (The Beatles, 1970)

  • IV. Meta-Schemas
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SLIDE 41
  • V. Conclusion
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SLIDE 42
  • V. Conclusion

Vr: (x2)

3 . 3 1 . 7 1 3 1 . . I . vi . V . IV .

Pch:

1 3 1 3 2 5 5 5 7 vi IV I V vi IV I V

Ch:

3 3 4 3 2 3 4 3 2 3 4 1 1 I . V . vi . IV .

“Photograph” (Ed Sheeran, 2014), original

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SLIDE 43
  • V. Conclusion

Vr: (x2)

3 . 3 1 . 7 1 3 1 . . I . vi . V . IV .

Pch:

1 3 1 3 2 5 5 5 7 vi IV I V vi IV I V

Ch:

3 3 4 3 2 3 4 3 2 3 4 1 1 I . V . vi . IV .

“Photograph” (Ed Sheeran, 2014), original

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SLIDE 44

“Photograph” (Ed Sheeran, 2014), reharmonized

  • V. Conclusion

Vr: (x2)

3 . 3 1 . 7 1 3 1 . . I . I4

2

. vi7 . V .

Pch:

1 3 1 3 2 5 5 5 7 IV I6 i6 I6 IV V6

5/V

I6

4

V6

5/vi

Ch:

3 3 4 3 2 3 4 3 2 3 4 1 1 vi . V6

5/vi

. I6

4

. #IVh7 . IV

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SLIDE 45

“Photograph” (Ed Sheeran, 2014), reharmonized

  • V. Conclusion

Vr: (x2)

3 . 3 1 . 7 1 3 1 . . I . I4

2

. vi7 . V .

Pch:

1 3 1 3 2 5 5 5 7 IV I6 i6 I6 IV V6

5/V

I6

4

V6

5/vi

Ch:

3 3 4 3 2 3 4 3 2 3 4 1 1 vi . V6

5/vi

. I6

4

. #IVh7 . IV

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SLIDE 46

THANK YOU!

de Clercq, Trevor. 2017. “Interactions Between Harmony and Form in a Corpus of Rock Music.” Journal of Music Theory 61 (2): 143–170. de Clercq, Trevor and David Temperley. 2011. “A corpus analysis of rock harmony.” Popular Music 30 (1): 47-70. Doll, Christopher. 2017. Hearing Harmony: Toward a Tonal Theory for the Rock Era. Ann Arbor, MI: University

  • f Michigan Press.

Kachulis, Jimmy. 2005. The Songwriter’s Workshop: Harmony. Boston, MA: Berklee Press. Karthwohl, David. 2002. “A Revision of Bloom’s Taxonomy: An Overview.” Theory into Practice 41 (4): 212– 218. Kostka, Stefan, Dorothy Payne, and Byron Almén 2018. Workbook for Tonal Harmony with an Introduction to Post-Tonal Music, 8th edition. New York: NY, McGraw-Hill. Laitz, Steven. 2015. Writing and Analysis Workbook to Accompany The Complete Musician, 4th ed. Oxford: Oxford University Press. Nobile, Drew. 2015. “Counterpoint in Rock Music: Unpacking the ‘Melodic-Harmonic Divorce’.” Music Theory Spectrum 37 (2): 189–203. Perricone, Jack. 2000. Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Boston, MA: Berklee Press. Richards, Mark. 2017. “Tonal Ambiguity in Popular Music’s Axis Progressions.” Music Theory Online 23 (3). Snodgrass, Jennifer. 2016. Contemporary Musicianship: Analysis and the Artist. Oxford: Oxford University Press. Stephenson, Ken. 2002. What to Listen for in Rock: A Stylistic Analysis. New Haven, CT: Yale University Press. Temperley, David. 2007. “The Melodic-Harmonic ‘Divorce’ in Rock.” Popular Music 26 (2): 323–42. –––––––. 2018. The Musical Language of Rock. Oxford: Oxford University Press. Wyatt, Keith and Carl Schroeder. 1998. Harmony and Theory: A Comprehensive Source for All Musicians. Milwaukee, WI: Hal Leonard Corporation.