The Institute for Creative Enterprise invites you to join Joanna Moorhead (Journalist, co writer of ‘Surreal Friends’ and cousin of Leonora Carrington) as she discusses the life and work of Leonora with Francesco Manacorda, Tate Liverpool’s Artistic Director.
Leonora Carrington: Transgressing Discipline Tate Liverpool 6 March – 31 May 2015
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
El mundo mágico de los mayas 1964, casein on panel, 2130 x 4570 mm, Consejo Nacional para la Cultura y las Artes – Instituto Nacional de Antropologia e Historia
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
The Giantess (The Guardian of the Egg) c. 1947, tempera on wood, 1170 x 680 mm, Miguel S. Escobedo
José Horna and Leonora Carrington, cradle made for Norah Horna, 1949, wood, fabric, metal grommets, rope and paint, 1380 x 1290 x 660 mm, Private Collection
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
The Old Maids 1947, oil paint on board, 582 x 738 mm, Robert and Lisa Sainsbury Collection, Sainsbury Centre for the Visual Arts, University of East Anglia, UK
Evening Conference 1949, oil paint on canvas, 495 x 724 mm, Private Collection
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Backwards 1971, poem with drawing, ink on paper, approx. 297 x 210 mm, Private Collection
Tapestry c. 1950, wool, 1067 x 1676 mm, Private Collection
Do You Know My Aunt Eliza? 1941, ink on I am an Amateur of Velocipedes 1941, ink on paper, 270 x 207 mm. Tate: Purchased 2004 paper, 270 x 210 mm. Tate: Purchased 2004
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
The House Opposite 1945, tempera on panel, West Dean – The Edward James Foundation
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Green Tea (La Dame Ovale) 1942, oil paint on canvas, 610 x 760 mm, Private Collection
Darvault c. 1950, oil paint on canvas, 800 x 650 mm, Miguel S. Escobedo
And then we saw the Daughter of the Minotaur 1953, oil paint on canvas, 600 x 700 mm, Private Collection
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Programme and mask from a production of The Tempest 1959, Mexico, dir. Leonora Cardiff, set and costumes designed by Leonora Carrington, Private Collection
Costume design for a production of Much Ado About Nothing 1962, Mexico, dir. Leonora Cardiff, Private Collection
Photograph from production of Penelope 1957, conceived and designed by Leonora Carrington
Operation Wednesday 1969, tempera on board, 605 x 447 mm, Private Collection
Kati Horna, photographs from the series Oda a la necrofilia 1962, Private Collection
Film stills from The Mansion of Madness 1973, dir. Juan López Moctezuma, set and costumes: Leonora Carrington
Leonora Carrington: Transgressing Discipline , installation view, Tate Liverpool 6 March – 31 May 2015
Hat designs, Chapeau rouge and Chapeau mystère , c. 1952, gouache and ink on paper, 248 x 159 mm and 251 x 162 mm, Private Collection
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