Surreal Friends and cousin of Leonora Carrington) as she discusses - - PowerPoint PPT Presentation

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Apr 08, 2024 6 likes •382 views

The Institute for Creative Enterprise invites you to join Joanna Moorhead (Journalist, co writer of Surreal Friends and cousin of Leonora Carrington) as she discusses the life and work of Leonora with Francesco Manacorda, Tate

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The Institute for Creative Enterprise invites you to join Joanna Moorhead (Journalist, co writer of ‘Surreal Friends’ and cousin of Leonora Carrington) as she discusses the life and work of Leonora with Francesco Manacorda, Tate Liverpool’s Artistic Director.

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Leonora Carrington: Transgressing Discipline

Tate Liverpool 6 March – 31 May 2015

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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El mundo mágico de los mayas 1964, casein on panel, 2130 x 4570 mm, Consejo Nacional para la Cultura y las Artes – Instituto Nacional de Antropologia e Historia

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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The Giantess (The Guardian

f the Egg) c. 1947, tempera
n wood, 1170 x 680 mm,

Miguel S. Escobedo

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José Horna and Leonora Carrington, cradle made for Norah Horna, 1949, wood, fabric, metal grommets, rope and paint, 1380 x 1290 x 660 mm, Private Collection

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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The Old Maids 1947,

il paint on board, 582

x 738 mm, Robert and Lisa Sainsbury Collection, Sainsbury Centre for the Visual Arts, University of East Anglia, UK

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Evening Conference 1949, oil paint on canvas, 495 x 724 mm, Private Collection

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Backwards 1971, poem with drawing, ink on paper,

approx. 297 x 210 mm,

Private Collection

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Tapestry

c. 1950, wool,

1067 x 1676 mm, Private Collection

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Do You Know My Aunt Eliza? 1941, ink on paper, 270 x 207 mm. Tate: Purchased 2004 I am an Amateur of Velocipedes 1941, ink on paper, 270 x 210 mm. Tate: Purchased 2004

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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The House Opposite 1945, tempera on panel, West Dean – The Edward James Foundation

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Green Tea (La Dame Ovale) 1942, oil paint on canvas, 610 x 760 mm, Private Collection

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Darvault c. 1950,

il paint on canvas,

800 x 650 mm, Miguel S. Escobedo

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And then we saw the Daughter of the Minotaur 1953, oil paint on canvas, 600 x 700 mm, Private Collection

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Programme and mask from a production of The Tempest 1959, Mexico, dir. Leonora Cardiff, set and costumes designed by Leonora Carrington, Private Collection

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Costume design for a production of Much Ado About Nothing 1962, Mexico, dir. Leonora Cardiff, Private Collection

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Photograph from production of Penelope 1957, conceived and designed by Leonora Carrington

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Operation Wednesday 1969, tempera on board, 605 x 447 mm, Private Collection

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Kati Horna, photographs from the series Oda a la necrofilia 1962, Private Collection

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Film stills from The Mansion of Madness 1973, dir. Juan López Moctezuma, set and costumes: Leonora Carrington

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Leonora Carrington: Transgressing Discipline, installation view, Tate Liverpool 6 March – 31 May 2015

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Hat designs, Chapeau rouge and Chapeau mystère, c. 1952, gouache and ink on paper, 248 x 159 mm and 251 x 162 mm, Private Collection

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